Rendered by hand on found pieces of paper and used primarily for meditation, the works depict deities as geometric, vividly hued shapes and mark a clear departure from Tantric art's better-known figurative styles. They also resonate uncannily with lineages of twentieth-century art-from the Bauhaus and Russian Constructivism to Minimalism-as well as with much painting today. Rarely have the ancient and the modern come together so fluidly.
In Tantra Song, Jamme assembles some of the most pulsating works he's acquired, while unpacking his experiential knowledge of Tantra's cosmology. (Lauren O'Neil-Butler The Paris Review 2012-04-03)
The paintings Jamme found, bought and is now showing to the world are full of color and power, contemplative but not always serene, and above all enigmatic - at least to those, Western and Indian alike, who are not initiaties of Tantra.
Circles, squares, traingles and ovals (the latter a reference to the "Shiva linga," the ancient Indian phallic emblem) interact and sometimes even seem to leap from the paper, animated by contrasts of complimentary colors and by the arrows, dots and spirals that swirl about inside them. (John Dorfman Art and Antiques 2012-04-01)
The stunning images abstract key symbols of Tantric metaphysics and cosmogony, from the bindu, a dot symbolizing the undifferentiated absolute, to the negative space of the shunya, the absolute void of the supreme deity. But what makes these works extraordinary is the poetic contrast between the seeming simplicity of their minimalist geometric forms and the complex, textured humanity of their handmade paper, water stains, and imperfect text - two opposing currents, which ebb and flow in a delicate osmotic balance that could never be achieved digitally, on a sterile screen.
Aesthetically breathtaking and framed in a powerful story about curiosity, creative restlessness, and obsession, Tantra Song is a singular convergence of East and West, bound to mesmerize. (Maria Popova Brain Pickings 2011-12-06)
The abstract paintings shown here are not by Kazimir Malevich or Paul Klee but by Hindu tantra devotees the anonymous heirs to a pictorial tradition that dates to the 1600s. Painted on salvaged paper and rarely measuring more than a foot high, the images possess a strange kinship with 20th-century art. And their agelessness cast a spell over Franck André Jamme, a French poet who nearly got himself killed tracking down these works across the deserts of Rajasthan. (Stephen Heyman New York Times T Magazine Design 2011-11-01)
It is an evocation of the image as a threshold leading to new dimensions of meaning, a revelatory understanding that some images are more than mere data; they are instead vital seeds, living carriers of possibility.
Born of 25 years worth of research, travel, and involvement, this book offers a selection of rare, abstract Hindu tantric paintings culled from Jamme's personal collection. It's an exceptional example of beautiful obsession by a self-proclaimed passionate amateur (Jamme, one of France's leading contemporary poets and the author of more than a dozen books, clearly states in the text that he is not an expert on these mysterious paintings). (Craig Olson The Brooklyn Rail 2011-10-01)