Amazon.com Review
Often slighted by art historians, tapestries were actually the most widely commissioned figurative art form in Europe in the 1500s. In
Tapestry in the Renaissance: Art and Magnificence, Thomas P. Campbell and other scholarly contributors survey the elaborate woven hangings produced primarily by Flemish workshops for the palaces and cathedrals of Italy and Northern Europe. The authors discuss the designers' careers, patrons' motives, symbolic meanings of the imagery, and stylistic features unique to the labor-intensive medium. Initially, the need to lessen skilled weavers' workloads led designers to arrange elaborately costumed figures in manageable rows. Raphael's cartoons (full-size drawings) for the monumental "Acts of the Apostles" tapestries, commissioned by Pope Leo X, moved the art form into a new era. Flemish designers incorporated Raphael's spatially persuasive treatment of the figure into sophisticated narratives full of anecdotal detail. The 250 color photographs, specially commissioned for this catalog for an exhibit at the Metropolitan Museum in spring 2002, vividly illuminate the technical brilliance of these works.
--Cathy Curtis
From Library Journal
Campbell and a knowledgeable team of contributors have written this informative study of European tapestries of the Renaissance. Concentrating on tapestries made for royal and papal collections in Italy, France, Brussels, and the Netherlands from 1460 to 1560, this catalog accompanies an immensely popular exhibit that ran this spring at New York City's Metropolitan Museum of Art, where Campbell is curator of textiles. The extensive essays fill a void in the literature by synthesizing scholarship published thus far only in journals and by providing a detailed examination of this important area of tapestry production. A generous selection of black-and-white and color photographs illustrates the points made in the text. Because the level of detail in the discussions and the sophistication of the language make the text most suitable for scholarly readers or those with some art historical background, this is recommended for large general collections and specialized libraries. Kathryn Wekselman, M.Ln., Cincinnati
Copyright 2002 Reed Business Information, Inc.