The work of Antoni Tapies offers a unique case of the artist-as-shaman--that is, the artist as an alchemist who is capable of discovering the nature of materials, transforming their substance, and bringing meaning to life. A self-taught painter, Tapies began his career in the lively and exciting period directly following World War II: in 1947 he founded, along with Joan Brossa, the journal ''Dau al Set,'' which championed Surrealist aesthetics. Drawing upon the latter, Tapies created a Spanish analogue to the so-called Abstract Expressionism of the New York School, combining the techniques and forms of "action painting" with his own deep sense of human pathos. As time went by, Tapies increasingly incorporated social themes into his work, achieving a rare and impassioned mix of experimental painting and politics. This new monograph surveys the artist's career from the late 1940s to the present day, selecting works that show the diversities and unities within the artist's consistently rewarding oeuvre. What we find is an artist who has always questioned and challenged our ways of seeing art and the world, and in the process, created true masterpieces.
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Text: English (translation)
Original Language: German --This text refers to an out of print or unavailable edition of this title.
Original Language: German --This text refers to an out of print or unavailable edition of this title.
About the Author
Antoni Tàpies was born in Barcelona in 1923, and he continues to live and work there. He participated in the Venice Biennial in 1954 and 1958, and won an award for painting there in 1993; he also received the Guggenheim International Award in 1964, participated in Documenta 3, and in 1981 he was awarded the Medalla de Oro de Bellas Artes by King Juan Carlos I in Madrid. He has been the subject of numerous retrospectives at major museums worldwide, including the Solomon R. Guggenheim Museum, New York, the Museum of Modern Art, New York, the Stedelijk Museum, Amsterdam, the Institute of Contemporary Art, London, and the Centre Georges Pompidou, Paris.
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