Customer Reviews

Tartuffe (Broadway Theatre Archive)

5 star:		(3)
4 star:		(1)
3 star:		(0)
2 star:		(1)
1 star:		(1)

 

 

I have come to expect a lot from Broadway Theatre Archive. They save the best, I thought. However, this is defintely not the best version of Tartuffe that I have seen. I first saw it onstage, presented by the Trinity Square Reperatory Company in Providence, Rhode Island. The audience, including me, laughed so much we almost fell out of our seats. But, this version, unfortunately, is boring. If you want to see a really funny version, watch the BBC filmed version of the Royal Shakepeare Company's production of Tartuffe. It's a great laugh!

This performance is so stunning, so wonderful. There is not a poor part in it nor is there a poor part played here. The so-called saucy-tongued maid is stupdendously well-acted by Patricia Elliott and her character is a fount of wisdom, reason and practicality as well as self-esteem and bravery, not just a source for laughter. All the other characters, by comparison, seem knaves however discriminating and virtuous) is the wife played by Tammy Grimes, though the most knavish of all the characters is, of course, the hypocrite Tartuffe played by Donald Moffat of "Clear and Present Danger" fame. Tammy Grimes plays her part well especially in the scheme to reveal Tartuffe as an ill-intentioned plotter. And while the daughter and her lover (played by a very young and gorgeous Victor Garber) may have appeared stiff or stilted at times, their lines were uttered with utter singularity of clarity and their timing was never maligned by such an appearance.

It was a joy to hear such wit and such reason uttered with clarity and precision and rhyme. We live in such a witless and inarticulate age now no matter how popular the rapper, the contrast between our time and that of Moliere's can make you cry. The crimes may all be the same and the foibles too, but the wit and the understanding of what's shown belong to a distant age much wiser than our own. Richard Wilbur's translation is magnificent. Without him, we would be forced to read Moliere in French. Mon Dieu!

I purchased this video to show my college Fundamentals of Theatre Class I. The students vary in age and theatre experience, but they all enjoyed this production.

If you see only one Tartuffe in your lifetime, skip the one about which you are currently reading. Grand, to be sure, it is 2nd best to the 1st best Tartuffe: the 1983 BBC/Royal Shakespeare Company's production of "TARTUFFE, OR THE IMPOSTER" by Molière, (Jean-Baptiste "Crazylegs" Poquelin)

A Faitour de Force of Giggles and Grandeur . . .

Comedy is notorious for its inability to properly translate from one language to another or from once upon then to the here and now. It is quite undeniable that the fitful psycho-familial rantings of King Lear do move us so; as do other 17th Century sensations such as Henry V's Azincourt call-to-arms or our Jew of Malta's enkindled response to a naughty daughter's apostatizing Semitical dis (the burning down of her nunnery to kill NONE but her; but instead killing ALL but her) . . . alright...that has the merit of mirth in a rather sick, sad, base, colour and hue. But genuinely intended time-worn giggles and humour from yesterday invariably fall flat upon contemporary ears and sensibilities. Flat they fall invariably, BUT FOR Jean-Baptiste Poquelin a.k.a. the grand French playwright of clever comedies, Molière.

Without too much contemporary tinkering, Molière's 17th century play 'Tartuffe, or the Imposter' is the Royal Shakespeare Company's brightest and most pleasant production. Chris Hampton's adaptation from the original French text is faithful AND funny-the text DOES translate-and this a supreme credit to Molière's transcendent creative merit.

The casting is as good as for one could wish for such a production. Nigel Hawthorne is Orgon, the inforbearant father taken twice by our imposter Tartuffe. Alison Steadman is Elmire, his wife and better-minded better half into whose knickers our principal wishes to get. Try as she might, Elmire can not nearly sway away or temper Orgon's supplicative genuflexions for Tartuffe.

Lesley Sharp and Ian Talbot play Mariane and Valère, the in-and-out-of-love, might-be, could-be lovers; and Stephanie Fayerman plays (and quite obviously love to play) the family's impertinent maid. A girl, by her low birth and ignoble breeding, so often improperly punctures her way into any and nearly all conversations her opinions, which as invariably as her interruptions are in opposition to father Orgon's. And then there is our principal; the man to which this play lends a title: Antony Sher: the Imposter.

The acutely brilliant Sir Antony Sher is herein as acutely brilliant as ever before or since. Sher is unquestionably a Tartuffe that would find love with Molière himself. He is the ever-so-well-played clever Tartuffe; he is the ever-so-well-played wicked and dissembling Tartuffe. But standing tall and inclining in oblique coital preparedness above all, he is the Tartuffe hopelessly aroused by Elmire's (Steadman's) ample merits. Setting is eyes and other assorted bits upon Orgon's wife, Elmire, the perfidiously prophetically wise Tartuffe wages all earned faith and currency from the family for a less ecumenical inclination toward Elmire.

The 1983 BBC Royal Shakespeare Company's production of 'Tartuffe, or the Imposter' is, I'm sure, available at better libraries and rental outlets. It is well worth the effort of renting; and for others better worth the effort of purchase.

Molière's works-this Tartuffe MOST among all others-shall never corrode. It is a clever play and a funny play that is rendered so well by the Royal Shakespeare Company; and not a play without some distinct relevance to today's world of demiprophets, prevaricators, shanks, shysters and story-tellers. As comedy is the voice the clever mind at muse, so Antony Sher is the voice, and Molière his muse; and this is a clear masterwork of humour.

I was in a high school production of Tartuffe and had the chance to see the movie. The movie is a bucket of laughs and a good time. It gives you the chance to see a very young Tammy Grimes and Victor Garber as well as a great cast. Its a great show for you theater lovers out there. Great show, great cast, great plot. Just good old fun and good old laughs! Based on Moliere's Classic Comedy.

Showed it once to class. It was a poor quality. I don't recommend.