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Tarzan Forever : The Life of Edgar Rice Burroughs, Creator of Tarzan
 
 
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Tarzan Forever : The Life of Edgar Rice Burroughs, Creator of Tarzan [Hardcover]

John Taliaferro (Author)
3.0 out of 5 stars  See all reviews (8 customer reviews)


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Book Description

April 12, 1999

When Tarzan of the Apes was published in The All-Story in 1912, Edgar Rice Burroughs was just another would-be writer struggling to support himself and his family by penning adventure stories for readers of "the pulps," the cheap mass-market magazines popular at the time. When he died in 1950, he was the bestselling author of the twentieth century, overseeing interests that spanned publishing, movies, radio, newspaper syndication, toys, even real estate. He had millions of enthusiastic readers around the world and had earned the respect of magazines that never published his stories: The Saturday Evening Post admitted of Burroughs's writing, "There are pages of his books which have the authentic flash of storytelling genius." He was, in short, a publishing wonder who had unexpectedly created the century's first superhero, Tarzan -- a pop-culture icon that has known few rivals.

In Tarzan Forever: The Life of Edgar Rice Burroughs, Creator of Tarzan, John Taliaferro vividly recounts the remarkable life and career of the originator of Tarzan. Drawn extensively from Burroughs's own correspondence, memos, and manuscripts, Taliaferro's richly detailed narrative reveals how Burroughs, a down-on-his-luck Chicago pencil-sharpener salesman, first wrote about his most famous character, how he grasped the appeal of this "feral god," and how be spent the rest of his life nurturing and protecting it. Burroughs, Taliaferro explains, was a pioneer of synergy: His cross-promotional and marketing efforts helped sustain Tarzan's popularity for decades and increased Burroughs's readership far beyond North America. In the course of his career, Burroughs wrote scores of other books and stories, including westerns and adventures set on Mars, Venus, and at the Earth's core. In an attempt to graduate from the pulps, he made several stabs at the modern genre of social realism, though inevitably his editors and fans drove him back to his tried-and-true -- more Tarzan tales. Even today, a half-century after Burroughs's death, the character of Tarzan thrives; the arrival of Disney's animated Tarzan is only the latest manifestation.

Important as Tarzan was to Burroughs, Taliaferro makes clear that Burroughs's life was at least as colorful as the life of his jungle creation. Burroughs was a cavalryman in the Arizona Territory, a cowboy in Idaho, a speculator in Southern California real estate, a Hollywood producer, a witness to the bombing of Pearl Harbor, and even a war correspondent in the South Pacific. Unlike Tarzan, though, Burroughs was far from the ideal balance of nature and nurture. He failed at two marriages, and despite the enormous popularity of his books and MGM's Tarzan movies of the thirties and forties, his lavish appetites forever pushed him to the brink of bankruptcy. Shaky finances ultimately drove him to develop his beloved California ranch, Tarzana, into the town of Tarzana, a Los Angeles suburb that today stands as the antithesis of Tarzan's African paradise. Quick to speak out on the controversial issues of his day, Burroughs wrote essays and stories advocating eugenics, the extermination of "moral imbeciles," and the deportation of Japanese-Americans during World War II.

In Tarzan Forever, Taliaferro captures all of Burroughs's gifts and flaws, his contradictions and complexities. The result is a deeply satisfying look at one of the architects of today's popular culture.



Editorial Reviews

Amazon.com Review

He didn't begin writing fiction until he was almost 36 years old, with a mediocre track record in school, the army, and business. But once Edgar Rice Burroughs (1875-1950) found his calling, it took him barely six months to produce one of the most enduring characters in popular culture. Tarzan of the Apes was a smash hit all around--in the pulp magazine where he first appeared, in book form, and eventually in a series of movies. As in his previous book about "America's Cowboy Artist" Charles M. Russell, Texas-based journalist Taliaferro displays a healthy appreciation for the work of a mass entertainer without making exaggerated claims for its artistic merits. The biographer also knowledgeably describes the publishing environment in which Burroughs operated, showing how the managerial skills the author acquired in a long string of boring jobs helped him squeeze every nickel out of his literary creations. This all-American moxie linked Chicago-born Burroughs to his readers, who also shared his fascination with exotic places (from Africa to Mars), heroes distinguished by brawn and brains, and heroines as scantily clad as possible. While the text capably chronicles Burroughs's personal affairs, Taliaferro sensibly keeps his focus on the fascinating role the Tarzan creator played in our collective fantasy life and in the development of commercial culture. --Wendy Smith

From Publishers Weekly

Burroughs (1875-1950), the prolific pulp novelist whose Tarzan saga unfolded in adventure tales and movies, sold 60 million books during his lifetime, making him the bestselling American author of the first half of this century. While Taliaferro, former L.A. bureau chief at Newsweek, acknowledges the mediocrity of Burroughs's fiction, and fully exposes the pulp writer's racism and outlandish political beliefs, this low-key bio is also a compelling case study of the mushrooming of popular culture. In 1923, the one-time pencil-sharpener salesman became one of the first writers to incorporate, overseeing an empire encompassing story syndication, ranching and real estate. He struck lucrative deals to turn his lord-of-the-apes yarns into motion pictures, plays, a radio show and a daily comic strip. He also licensed Tarzan statuettes, Tarzan ice cream and Tarzan board games. Burroughs emerges as a predecessor of Walt Disney, whose life often seems as improbable as his fantastical plots. A frequent school dropout, rejected by the Rough Riders in 1898, he took a string of dreary jobs and failed in two marriages, finally turning to writing in his mid-30s. A rabid eugenicist, he advocated sterilization of "instinctive criminals" as well as "defectives and incompetents." He "never set foot in Africa," according to Taliaferro, but at age 66, he traversed the Pacific as the oldest American correspondent to cover WWII. Taliaferro convincingly portrays the adventure novelist as a vain workaholic who lived beyond his means and kept churning out material to finance his tastes for cars, thoroughbreds and even an airplane of his own. Despite the myriad poor films and imitators Burroughs inspired, Tarzan lives on, and his fans will find this entertaining, warts-and-all bio irresistible. Photos.
Copyright 1999 Reed Business Information, Inc.

Product Details

  • Hardcover: 400 pages
  • Publisher: Scribner (April 12, 1999)
  • Language: English
  • ISBN-10: 068483359X
  • ISBN-13: 978-0684833590
  • Product Dimensions: 9.4 x 6.4 x 0.8 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #2,239,587 in Books (See Top 100 in Books)

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17 of 18 people found the following review helpful:
1.0 out of 5 stars Did Mr. Taliaferro really read ERB's works?, January 25, 2002
By 
T. A. Stock (Silver Spring, MD USA) - See all my reviews
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This review is from: Tarzan Forever : The Life of Edgar Rice Burroughs, Creator of Tarzan (Hardcover)
I found Tarzan Forever well written, and often very entertaining and interesting, but very often just plain dead wrong - from badly and broadly misinterpreting texts, such as Lost on Venus (which Taliaferro just didn't get), to many specific mistakes.

Taliaferro regards Lost on Venus an example of Burroughs "climb[ing] on his favorite high horse, eugenics." (page 265) Specifically, Taliaferro refers to Burroughs' creation of Havatoo, a city-state in which eugenics has run amok, concluding that this nightmare city was an ERB utopia. But the depiction of Havatoo is Swiftian - gullible Carson can see only roses at first, but finds after many hair-raising adventures that the Havatoo are as spiritually dead as a race of zombies that occupy a city on the other side of the "River of Death" which separates the two cities. Utopia? Not even close!

And here's an example of a specific error: Taliaferro cites Carson's knowledge of aeronautics as the fact that persuaded the rulers of a kingdom on Venus to spare him. (page 266) But aeronautics came up much later. It was Carson's knowledge of astronomy that saved him. An unimportant detail, maybe, but Taliaferro's book is rife with such errors.

A mistake I found even more annoying - if not downright devious - was Taliaferro's claim that "on the final page" of Apache Devil, Shoz-Dijiji (the Apache Devil of the title) tells his sweetheart, Wichita Billings, "that he is white, nimbly sidestepping the unspeakable eventuality of miscegenation, a well-exercised Burroughs taboo." (page 224) This is as untrue as it is ridiculous! Shoz-Dijiji only tells Wichita he has a secret (i.e., that he is "white") to tell her later. But he never utters his secret to Wichita on the final page - or any other page of Burroughs' novel. In fact, Wichita professes her love for him despite his American Indian heritage. More to the point, as Taliaferro himself notes, Shoz-Dijiji's mother was "one quarter Cherokee." (page 216) Thus, Shoz-Dijiji, one of Burroughs' noblest heroes, not only is mistaken as to his racial heritage, he is also the product of the so-called "Burroughs taboo" against miscegenation! Here, we find a familiar Burroughs theme - individual honor and integrity are what matter, not the color of one's skin.

Those who have aired the tired old claim that Burroughs was a racist, and Taliaferro is solidly in this camp, have simply not been willing to recognize the subtleties of the Burroughs canon (yes, even adventure yarns can be morally ambiguous and complicated). Instead of reading Burroughs' works carefully, with an ear for the era in which they were written, Taliaferro and others skim the books and draw hasty, misinformed conclusions.

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9 of 10 people found the following review helpful:
4.0 out of 5 stars excellent, June 18, 1999
By A Customer
This review is from: Tarzan Forever : The Life of Edgar Rice Burroughs, Creator of Tarzan (Hardcover)
Anyone who believes Burroughs is a racist fails to understand the era in which he wrote. One must remember that by today's standards even fictional heros such as Buck Rogers and the more contempory James Bond could be considered racist and sexist. This book gives credit to Burroughts imagination and the fact that he estabished the basis for today's "super heros." His writing is crisp and his plots were very imaginative. This bio does him justice and is better than the one previous effort I am aware of. This is a keeper
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1 of 1 people found the following review helpful:
1.0 out of 5 stars Almost as bad as The Big Swingers, April 19, 2010
By 
Jay "SarahsJay" (Douglasville, GA, USA) - See all my reviews
John Taliaferro seriously needs to do his homework in the future if he ever decides to write another biography. Aside from Taliaferro's condescending, ubiquitous attempts to paint ERB as a Hitlerite bigot (a position not supported by a less bombastic analysis of ERB's life and work), he riddles the book with so many factual errors both about ERB's work and about his life it almost reads like a novel parodying the subject's life rather than an attempt at bringing a world-famous author to life. I highly recommend avoiding this error-riden piece of tripe and suggest anyone wanting to know what ERB was like in real life read Irwin Porges' Edgar Rice Burroughs: The Man Who Created Tarzan. Although that book is immense, it provides a much more balanced view of a seminal author's life and work and avoids all the errors and sometimes downright lies Taliaferro inflicts on readers in this vanity exercise.
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First Sentence:
" If you write one story, it may be bad; if you write a hundred, you have the odds in your favor," Edgar Rice Burroughs lectured young authors. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
bull ape, jungle tales, cave girl, ant men, lion man
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Los Angeles, New York, John Carter, Blue Book, Bob Davis, Edgar Rice Burroughs, United States, Joe Bray, Princess of Mars, Tarzan Forever, Fort Grant, Johnny Weissmuller, Sol Lesser, Bert Weston, Tarzan the Ape Man, The Return of Tarzan, Van Dyke, Carson Napier, Dejah Thoris, Tarzan the Untamed, Jim Pierce, Elmo Lincoln, Jack London, Ralph Rothmund, Trader Horn
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