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23 of 27 people found the following review helpful:
5.0 out of 5 stars
The Case for Depth and Elegance in Emotion and Beauty,
Amazon Verified Purchase(What's this?)
This review is from: Tchaikovsky: Swan Lake (DVD)
If you are like me--and you may well be--, your interest in this dvd and in this review can probably summed up in two words: Polina Semionova (Odette/Odile). I was thinking that this production might be a star-turn for her, but that is not the case. This is not your father's (or mother's) "Swan Lake", as it turns out. Semionova is just as wonderful as you or I would expect, and is the most swan-like and sad Odette that I have seen, but this production is more than she.
"Choreography by Heinz Spoerli after Marius Petipa" the enclosed booklet states: We shall aver that it is WELL "after Petipa". I shall describe the choreography as "Petipa infused with Balanchine", and to fine effect. But I am getting ahead of myself. Spoerli has rethought this ballet from the ground up, especially the role of Rothbart, whom we see right away as, in fact, Siegfried's mentor. He still possesses his magical powers but is no swamp creature, rather a magician who seems to be jealous of Siegfried: a relationship similar to Iago's with Othello. (And that is all I shall explore here about the dramatic structure.) This is an exceedingly elegant production and realization thereof, very atmospheric. All the colors (basically blues with some red) tend to be muted, giving a dream-like effect; and perhaps that is the intention here: that this entire drama is a dream of Siegfried's in which he explores his complex relationship with Rothbart and his love for someone perhaps unobtainable. Or perhaps, if this indeed be a dream, Rothbart is but Siegfried's own dark side, with whom he wrestles, as he explores his own complex feelings and fallibility surrounding Odette: could be--you decide for yourself. I am much impressed with Spoerli's choreography, especially in ensemble scenes. (The second and fourth acts are bathed in a soft blue light from top to bottom that gives the swans a mesmerizing effect. Excellent corps work by the way, complimenting the choreography.) Both the lighting and sets (semi-abstract) enhance this understated elegance. As for the dancers: Semionova, with her physical allure and elegance of movement, is, in my thinking, an unapproachable choice for this production. I love how her Odette is never mechanical in the least and never in a hurry: She makes the most out of every gesture, every step, and embodies the role at the emotional level. She draws you into the drama. Her Odile is certainly not as flashy as some others nor as sexy, but entirely appropriate to this concept. We can easily see how Siegfried is convinced that she is indeed (somehow) his beloved Odette. (And in one of those places where Spoerli accedes entirely to Petipa, Semionova easily pulls off her thirty-two fouettes, with the first ten of them or so being doubles--just to let us know that she is as capable of as much bravura as anyone you could name.) I will say pretty much the same for Stanislav Jermakov as Siegfried: never mechanical, and although not, apparently, the world's greatest bravura dancer, this is not a bravura-centered concept and his technique is certainly strong. He too is convincing at the emotional level while still understated. I think that Arsen Mehrabyan is exceedingly well-cast as Rothbart: menacing and enigmatic. I am going to repeat myself here: Great choreography for the corps and excellently danced. This is a film of a live production (hooray!), filmed in HD (hooray again). I wish to express my appreciation to the cinematographers and the editor: Many interesting camera angles and cuts and a few well-chosen close-ups. This "technical" crew seems to have a fine artistic sensibility for filming ballet: much appreciated, as I said. Oh yes, Vladimir Fedoseyev, the conductor: Very obvious attentiveness and sympathy for the music and dancers (though I would have preferred some faster tempi in some of the bravura variations). In sum, a dark and dream-like emotive rethinking of this classic, superbly danced. I highly recommend it.
9 of 11 people found the following review helpful:
3.0 out of 5 stars
Drained lake,
By Andrin K. (Germany) - See all my reviews
This review is from: Tchaikovsky: Swan Lake [Blu-ray] (Blu-ray)
I feel a bit guilty about giving this DVD only three stars. After all, a new production of Swan Lake is always welcome. Most of the choreography for the Zurich Ballet's Swan Lake is by Heinz Spoerli, and his intention to give us a modern version (but with classical ballet's vocabulary) is certainly to be applauded. So why only three stars?
Heinz Spoerli seems to feel that he has to defend classical ballet in general and Swan Lake in particular against those who believe that the 19th century repertory is dusty and old fashioned (tutus, tights and tiaras, silly I-you-love-Pantomime etc). So in order to avoid these accusations most of the potentially embarrassing elements have been eliminated (but not the tutus), leaving us with a very modern, minimalist stage and gloomy atmosphere that could have been interesting had the dancers been given the opportunity to do something with it. But the ballet as a whole looks strangely dry and bloodless, the dancers like neutral bodies, not characters. The Zurich Ballet company apparently has not had much experience with this kind of repertory - they dance mostly neoclassical works, which probably explains why this performance looks so abstract. I was disappointed to see the corps de ballet dancers on this DVD dancing to some imaginary metronome instead of the music, but maybe Mr. Spoerli's own choreography and the orchestra playing were encouraging them to do so (the orchestra is very good, but plays in a rather straight way). Polina Semionova as Odette/Odile is guesting from Berlin. She has wonderful Russian schooling and plastique and an elegiac style. Although I did not like the production as a whole, there are some beautiful details: for example at the end Odette disappears in some sort of rain and Siegfried follows her, which looks much more subtle and poetic than jumping in a lake which we don't see and striking a pose at the back of the stage to demonstrate that she and Siegfried are united in death. The lighting design is very good as well. All in all I think this should maybe not be anybody's first Swan Lake - it is not a good introduction because it is so weak in the acting department and there is not much left of the original choreography. On the other hand this is a rethought and rechoreographed Swan Lake, presented with cool elegance. It is definitely interesting for people who have already seen a more traditional version or who do indeed think that ballet is anachronistic nonsense.
2 of 3 people found the following review helpful:
2.0 out of 5 stars
only for semionova,
Amazon Verified Purchase(What's this?)
This review is from: Tchaikovsky: Swan Lake [Blu-ray] (Blu-ray)
Polina Semionova is one of the greatest ballerinas in the world, and so this production has one thing going for it.
Otherwise, it is boring and sterile, danced on a bare (and sometimes darkish) stage, with a reduced number of swans. Inexplicably, the evil magician Rothbart is also a friend of the Prince's and is present in most of the court scenes as well as lakeside. The choreography is merely competent. Semionova deserves better and so do we.
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