Technical Difficulties [Import]

Racer X | Format: Audio CD

Product Details

• Audio CD (December 8, 1999)
• Number of Discs: 1
• Format: Import
• Label: Mercury Phonogram Jp
• ASIN: B000046PS5
• In-Print Editions: Audio CD
• Average Customer Review: 4.7 out of 5 stars  See all reviews (23 customer reviews)
• Amazon Best Sellers Rank: #715,256 in Music (See Top 100 in Music)

Track Listings

1. Phallic Tractor

2. Fire of Rock

3. Snakebite

4. Techincal Difficulties

5. Miss Mistreated

6. Bolt in My Heart

7. 17th Moon

8. Waiting

9. Poison Eyes

10. B.R.O.

11. God of the Sun

12. Give It to Me

13. The Executioner's Song

Customer Reviews

Most Helpful Customer Reviews

17 of 19 people found the following review helpful:

3.0 out of 5 stars Technical Prowess & Groove = 5 stars / Lyrics-Vocals = 1star, February 3, 2002

By 

R. Berg "RRB" (WA, USA) - See all my reviews
(REAL NAME)   

This review is from: Technical Difficulties (Audio CD)

I've always had a love-hate opinion of Racer-X. As a band, they are second to none in terms of their ability to perform death-defying musical acrobatics, and this album might be considered their most testing effort to date. As a rhythm section Scott Travis (drums), John Alderete (bass) and Paul Gilbert (guitar) are as tight as a snare drum in a frigid-aire. The rhythms these guys pull off are truly amazing. All seem to share the same twitchy-tendon sense of rhythm: often leaping from quarter-note to sixteenth-note fills and back again within the confines of one measure and in perfect unison. When you hear these guys play together, you can't help but think of a formula-1 race car, calibrated for optimum performance, growling around turns and leaping to full speed at the blink of an eye,...AWESOME!

While all three of these guys are mind-bogglingly good, a special mention has to be made of Paul Gilbert, who on this album shows us the widest dynamic range he has yet displayed with Racer-X. In the rhythms, we not only get to hear his trademark palm-mutted aggressive chugging that often jumps from 0 to 100mph at the drop of a quarter-note, but we also get to hear him lightly strumming through open chords that are held and left to resonate. As for his leads, well...there's only one Paul Gilbert. As expected, there are plenty of the blistering thirty-second-note sequences that Paul is famous for (I gotta believe they just take his guitars out back and shoot them when he's done recording 'cause there can't be a note left in 'em), but we also hear Paul playing in way we haven't yet on a Racer-X album: smooth legato runs capped off with long sustains. In terms of tempo, we also hear his playing going 'out-of-the-box' in an effort to convey emotions other than the perfectly syncopated, pure testosterone we've come to expect. Paul successfully blends his heavy-picked, string-spanking fills with slippery-fluid runs that are a real treat to the ears and perfectly fit within the framework of the songs. Really nice!

As to the songs themselves, I'm not sure if being 'more commercial' was the intent with this outing, but I can't help but think that tracks were made available to songs that might have the potential to garner a wider audience. Rather than just thrill the hardcore Racer-X fans with the mind-bending, sonic assault we all know and love, it seems that a conscious effort was made to 'soften' some of the selections in the hope that they might appeal to the masses. I'm not saying the guys are copping out, widespread appeal and selling albums is right near the top of reasons to release an album (it's THE reason for many artists), but I think the entire premise is inherently flawed: softer songs = wider appeal. I think this is a especially true with this crew of musicians and the ultra-high-tension offerings they've produced thus far. "They just ain't made to do ballads!" was what an old buddy of mine from my hometown told me on the phone after he listened to it...and I think he summed it up. We used to air-guitar to Street-Lethal in Highschool, falling into convulsive spasms during the solo. Needless to say, time since this album's release has proven my friend correct - they just ain't made to do ballads...

As to the vocals,...I'm sorry,...I just can't stand Jeff Martin's voice...My buddy from Highschool has never been real thrilled with it either, but he isn't nearly as irritated with it as I am....Jeff's ever-present, and ever-widening vibrato drives me crazy, and the 'rock-singer' affecting he does is too much for me to bear sometimes. Do I think Jeff has a good voice? You bet I do, I think he has a GREAT voice,...but it's not the voice for this band,...or rock n' roll for that matter. Sure he can hit the highest of high notes as we are constantly made aware of by his frequent David Lee Roth-like ultra high wheeze, but to me his voice isn't a natural 'rock' voice. It sounds like he is constantly affecting his natural tone in an effort to be more edgy. I think if he dropped the rock-affecting and went with his 'real' voice he would sound more like a Broadway singer than a rock n' roll singer. I could easily see him singing in the Broadway production of Tommy, or some other production (I'm not real up on what's running on Broadway). I come from a family of singers, one of whom (my older sister) was on broadway for a couple of years, so through osmosis I've become pretty sensitive to what voice characteristics can be manipulated to affect a desired tone and Jeff Martin is going through more manipulations while singing than Greenspan does with interest rates (guess that dates me)...:)

In conclusion: love the band, hate the vocals, but all in all it's definately an album to pick up, listen to, and be amazed....

7 of 7 people found the following review helpful:

5.0 out of 5 stars Finally the PERFECT band for me, April 16, 2004

By 

Guh "rhoadsxiommi" (Oreland, PA) - See all my reviews

This review is from: Technical Difficulties (Audio CD)

When a friend told me to check out the band "Racer X" I resisted because he simply told me they were progressive. For some reason the bands name initially made me think of alternative rock, which is one genere I generally find tiring and predictable. I was at the store and couldn't find anything else worth while that I didn't already have - so I hesitantly picked up their CD.

From the first second i popped it in the CD player, i realized IT IS METAL! PROGRESSIVE FREAKING METAL! Racer X manages to take all of the good things I like about certain generes and combine them all without weakening any musical attributes.

Too many metal bands don't focus on the technical aspects... and too many progressive bands don't focus on the raw aspects... RACER X MANAGES TO FOCUS ON BOTH THE MOUTH WATERING TECHNICAL ASPECTS OF MUSIC AND THE AWESOME TOUGH FEELING OF METAL.

BASED ON THIS CD, I can honestly say RACER-X is the perfect band for a music-junky like myself...

This is without a doubt one of the best albums, if not THE BEST album in my collection.

4 of 4 people found the following review helpful:

4.0 out of 5 stars Proof positive they still have it, August 1, 2000

A Kid's Review

This review is from: Technical Difficulties (Audio CD)

I'm 30 years old and a guitar player for the past 15 years. If you, like most of the speed guitar followers of the late 80's to early 90's, have wondered who was gonna step up and save speed guitar and guitar in general here in the year 2000, then Paul Gilbert is the answer to that question. It is very clear after one complete listen that Gilbert and old running mate Bruce have lost nothing but time, as the technical prowess is still there and then some. If anything, they appear to have gotten better, which came with age and musical maturity through their respective side projects over the years. It's often said you always return to your roots and Paul especially has shut up all of us Racer X fans who wondered if he still had it after the Mr. Big radio ballad days. Jeff Martin's vocals are actually understandable on this outing. And the guitar tone from the Laney amps is nothing short of a wall of bliss. The only song I can do without on this CD is "Waiting", a bubble-gummy attempt at a love ballad with Martin's whining vocals providing the center of any listener's angst. Gilbert is at his best, with the technique and speed that made him the king thrown in with excellent tone, attack, clear picking, phrasing, melody and tasteful sprinklings thrown in to make this not a rehashing of boring speed guitar for mindless robots but a lesson in being shown how to play quick to impress and please folks MUSICALLY. Gilbert takes Y.R.O. (Racer X fans know it as Yngwie Rip Off) from the early years to a new height in B.R.O., which is assumed to be Bach Rip Off, a short ditty dedicated to Bach. Bruce appears on only a few numbers with Paul and he is not in the CD liner band photos. For what it's worth, they don't sound like they're an L.A. speed guitar-oriented group from the metal scene of the 80's. They do sound like a mature, tight, polished BAND heading into the 2000's. Buy this CD. You will not be disappointed. Keep it up, X men. We eagerly await your next CD release.