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Techniques and Materials of Tonal Music
 
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Techniques and Materials of Tonal Music [Hardcover]

Thomas Benjamin (Author), Michael Horvit (Author), Robert Nelson (Author)
3.7 out of 5 stars  See all reviews (3 customer reviews)


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Hardcover, October 17, 1997 --  

Book Description

0534526233 978-0534526238 October 17, 1997 5th
This book is designed to be the primary text for the first two years of college music theory. It covers all the basics of composition including harmony, melody, and musical form.


Product Details

  • Hardcover: 304 pages
  • Publisher: Wadsworth Pub Co; 5th edition (October 17, 1997)
  • Language: English
  • ISBN-10: 0534526233
  • ISBN-13: 978-0534526238
  • Product Dimensions: 10.1 x 8 x 0.7 inches
  • Shipping Weight: 1.7 pounds
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #475,803 in Books (See Top 100 in Books)

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Average Customer Review
3.7 out of 5 stars (3 customer reviews)
 
 
 
 
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9 of 11 people found the following review helpful:
5.0 out of 5 stars Outstanding Text on Music Theory, September 4, 1998
By A Customer
Amazon Verified Purchase(What's this?)
This review is from: Techniques and Materials of Tonal Music (Hardcover)
This text is an outstanding book on music theory. Complete with exercises, concise examples and reference materials packed into the 282 pages of this text. While not the complete reference manual for theory, it is a great general tool/text for education in music theory and the fundamentals of music notation, musical structure and musical form. Fat paced book covers all the details, and includes a reference section which details and demonstrates the handling of many musical techniques and analysis in a concise, direct way.

Highly recommended!

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3 of 4 people found the following review helpful:
5.0 out of 5 stars Clear and to the point, May 14, 2004
By 
Paul Nelson (Annapolis, MD USA) - See all my reviews
(REAL NAME)   
My theory pedagogy class reviewed about a dozen theory textbooks and the general consensus was that the Benjamin and the Kostka/Payne books were the only two that were worth using.

The Benjamin book is the best book for serious teachers. It provides the most complete description of tonal music of any text, and is always accurate, efficient, and very clear. In the hands of a good teacher it is the ideal tool. For students who have already studied theory, it is the perfect reference guide.

However, it is not a good "self-programmed guide" for students who wish study music theory on their own. Neither is it a good book for inexperienced theory teachers. For both of these cases, I would recommend the Kostka/Payne book.

[Full Disclosure: I was a student of Dr. Benjamin at the Peabody Conservatory for several years, studying composition and music theory, where we used his books]

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10 of 15 people found the following review helpful:
1.0 out of 5 stars Not a good book for a Theory student., September 21, 2000
By A Customer
This review is from: Techniques and Materials of Tonal Music (Hardcover)
I'm rather surprised at the positive reviews of this book. It is, in my opinion, the poorest excuse for a Theory book I have ever seen. It is nothing more than a skeletal outline. The language is extremely dense with new terms. For example, the paragraph describing V7-I chord resolution uses the terms "leading" and "tendency" tones, having never introduced them before.

I have an Engineering degree, and am studying for a degree in music composition. This book is more difficult to read, and more poorly written, than most of the books I used in engineering school.

The thought of using this book for three semesters is excruciating. The authors were clearly more interested in showing off their knowledge, instead of teaching it.

Can you tell I hate this book?

Everyone in the class is utterly baffled, and some have just stopped coming to class, thinking that they are not smart enough to get music theory. This book has broken the spirit of young musicians. Way to go.

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