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Tehanu (Earthsea Cycle) Paperback – September 11, 2012

3.6 out of 5 stars 246 customer reviews
Book 4 of 6 in the Earthsea Cycle Series

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Editorial Reviews


"New and longtime Earthsea fans will be drawn to these impressive new editions." (The Horn Book)

About the Author

Ursula K. Le Guin is one of the most distinguished writers of all time. She has won numerous awards for her work, including the Nebula Award, the Hugo Award, the National Book Award, and the Newbery Honor. She lives in Portland, Oregon. Visit her online at UrsulaKLeGuin.com.

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Product Details

  • Age Range: 12 and up
  • Grade Level: 7 and up
  • Series: Earthsea Cycle (Book 4)
  • Paperback: 320 pages
  • Publisher: Atheneum Books for Young Readers; Reissue edition (September 11, 2012)
  • Language: English
  • ISBN-10: 1442459964
  • ISBN-13: 978-1442459960
  • Product Dimensions: 5.5 x 0.9 x 8.2 inches
  • Shipping Weight: 9.6 ounces (View shipping rates and policies)
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (246 customer reviews)
  • Amazon Best Sellers Rank: #39,601 in Books (See Top 100 in Books)

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Customer Reviews

Top Customer Reviews

Format: Paperback
This story is so hard to rate, because it is excellent - the writing is so much more personal and deep than in the previous books in the trilogy. If you are looking at the technical parts of the story, Tehanu is much better than the beginning stories, and you will go back to the first trilogy, read it and wonder why she couldn't have made the style more like it. It is an good starting point for people who are not accustomed to fantasy, or who like reality to have a place in a fairy tale.
The problem that everyone has with this book, in my opinion, is how harsh it is, how human the characters. We who loved the first book will be shocked and dismayed at how frail and... and real our heroes have become. Ged without magic, and utterly without power really hurts to read about. Reading these characters, after having loved who they were, is like having your dreams shattered. The magic is torn brutally out of the fairy tale, and what we have left isn't pleasant. I kept reading the story only because I was certain Le Guin wouldn't let what was once a beloved story for adults and children alike become such a hard, ugly story about life and pain and hope. She just couldn't, but she did. Reading a fantasy in which your heroes are broken and humbled is almost as frightening as watching your parents cry, or seeing what was once a beloved place be torn down to make something like a freeway, black and ugly and full of smog. I kept wishing for the dream that was clear and innocent and beautiful in the first books to come back, but it never did.
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Format: Paperback
I refuse to accept this book as part of the Earthsea trilogy, not simply because I dislike it, (which I do) but because it has little or no continuity with the earlier three. Ged's soliloquy on the way to the final confrontation on Selidor in 'The Farthest Shore' shows not only does he realize what the battle is going to cost him but accepts the price willingly. He is even looking forward to going home to Gont, Ogion and Tenar and perhaps learning what magery could never teach him. A long way from the lost and despairing figure in 'Tehanu'. Then there's chronology. According to 'The Farthest Shore' it's been about eighteen years since Ged and Tenar brought the ring of Erreth-Akbe back to Havnor, certainly not enough time for Tenar to find a husband, bear two children and raise them to adulthood. Nor does her choice of a simple farmer as a husband seem particularly likely. A more minor quibble is the fact the Master Summoner survives in 'Farthest Shore' but is suddenly and inexplicably dead in 'Tehanu'. If Ms. LeGuin didn't care enough to maintain continuity I don't see why I should have to accept this depressing little tome with its stereotypical portrayal of men as oppressors and women as victims as a legitimate sequel to the Earthsea trilogy.
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Format: Paperback
This book is a betrayal of all that came before. It should never have been written.
The first three were works of wonder, touching on universal themes: sublime, compelling, cogent and inspiring. They asked large questions and arrived at honest answers, but they did so gently and gracefully. The quiet unhurried voice is one that this author has honed to perfection. Her world of Earthsea ranks among the very classics, alongside Middle Earth, Narnia and Avalon.
Here, everything that made Earthsea so inspiring and evocative is sacrificed to make a point. Le Guin has decided that the fourth book of the series shall be a polemic - an undisguised and prolonged treatise directed at female empowerment and decrying child abuse. Are these worthy moral pursuits? Of course they are. Do they belong in the world of Earthsea? Not even remotely.
This book was one of the most excruciating and disappointing reads I have ever undertaken. It's not the writing or the skill - the author's proficiency remains unparalleled - but the desecration of what was magnificent. The skill with which this work is written actually adds to the anguish; we remember what this skill was harnessed to build and cannot help but contrast it to what it is now being used to destroy.
Reading this book, one is struck by how fragile a fantasy world like Earthsea really is. Earthsea works because, like all myth, it is founded in a successful illusion. When an author creates such a world, she makes a pact with the reader: "Accept this illusion, and we will journey to a place more vital than any you have known." If the author ever forgets this promise, if she ever turns from the myth to the commonplace, the illusion collapses and the world disintegrates.
In this novel, Earthsea suffers precisely such a fate.
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3 Comments 172 of 215 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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Format: Paperback
This is the 4th and last book in the Earthsea quartret.
After using up all his power to heal the tear in the fabric of reality, Ged returns to Gont, his first home, to learn and cope with life without magic. Alongside Ged's story, we are told the story of Tenar whom he rescued from the Tombs of Atuan in the 2nd book.
Unlike the first three books, this book has almost no plot. This is in fact not a bad thing. It means Tenahu is more of a "character's novel", which is fine, with the two main characters being Ged and Tenar. The book slowly unfolds and reveals their lives and their relationship.
In my opinion Le-Guin botched up an opportunity at a really great novel here - there aren't many character-based works of fantasy out there. This is a rare book. The theme of losing one's power and learning to cope with it is also powerful and capable of moving, if used correctly. However, Le-Guin has turned Tenahu into a feminist manifesto. I'm all for feminism, but it has been shown in countless cases that art recruited to prove a point is at most average art. This is exactly the case with this book - in her attempt to show the value of women, Le Guin forgot about her characters and the whole coherency of the book. I think the only reason this book has survived so far is because it has the earlier 3 books to carry its weight.
I felt I had to write these things down, although I don't think these comments will deter any earthsea fan from purchasing this book, and, after all, aren't we all Earthsea fans here, having reached the 4th book at all?
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