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Telemann: Trumpet Concertos

Håkan Hardenberger , Georg Philipp Telemann , Iona Brown , Academy of St. Martin-in-the-Fields , Michael Laird , William Houghton , John Constable Audio CD
4.7 out of 5 stars  See all reviews (9 customer reviews)


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MP3 Music, 22 Songs, 1988 $11.49  
Audio CD, 1990 --  

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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song TitleArtist Time Price
listen  1. Telemann: Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D - 1. IntradaJohn Constable 2:02$0.99  Buy MP3 
listen  2. Telemann: Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D - 2. GraveJohn Constable0:23$0.99  Buy MP3 
listen  3. Telemann: Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D - 3. AllegroJohn Constable 2:27$0.99  Buy MP3 
listen  4. Telemann: Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D - 4. LargoJohn Constable 2:38$0.99  Buy MP3 
listen  5. Telemann: Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D - 5. VivaceJohn Constable 2:41$0.99  Buy MP3 
listen  6. Telemann: Trumpet Concerto in D - 1. AdagioJohn Constable 2:05$0.99  Buy MP3 
listen  7. Telemann: Trumpet Concerto in D - 2. AllegroJohn Constable 1:58$0.99  Buy MP3 
listen  8. Telemann: Trumpet Concerto in D - 3. GraveJohn Constable 1:56$0.99  Buy MP3 
listen  9. Telemann: Trumpet Concerto in D - 4. AllegroJohn Constable 1:42$0.99  Buy MP3 
listen10. Telemann: Concerto for 2 Trumpets, Strings and Continuo in E flat - 1. MaestosoJohn Constable 2:49$0.99  Buy MP3 
listen11. Telemann: Concerto for 2 Trumpets, Strings and Continuo in E flat - 2. AllegroJohn Constable 3:06$0.99  Buy MP3 
listen12. Telemann: Concerto for 2 Trumpets, Strings and Continuo in E flat - 3. GraveJohn Constable 3:29$0.99  Buy MP3 
listen13. Telemann: Concerto for 2 Trumpets, Strings and Continuo in E flat - 4. VivaceJohn Constable 2:10$0.99  Buy MP3 
listen14. Telemann: Concerto No.2 for Trumpet, 2 Oboes, Strings and Continuo in D - 1. LargoJohn Constable 3:34$0.99  Buy MP3 
listen15. Telemann: Concerto No.2 for Trumpet, 2 Oboes, Strings and Continuo in D - 2. VivaceJohn Constable 2:16$0.99  Buy MP3 
listen16. Telemann: Concerto No.2 for Trumpet, 2 Oboes, Strings and Continuo in D - 3. SicilianoJohn Constable 3:31$0.99  Buy MP3 
listen17. Telemann: Concerto No.2 for Trumpet, 2 Oboes, Strings and Continuo in D - 4. VivaceJohn Constable 4:30$0.99  Buy MP3 
listen18. Telemann: Concerto No.1 for Trumpet, 2 Oboes, Strings and Continuo in D - 1. (Allegro)John Constable 2:57$0.99  Buy MP3 
listen19. Telemann: Concerto No.1 for Trumpet, 2 Oboes, Strings and Continuo in D - 2. GraveJohn Constable0:59$0.99  Buy MP3 
listen20. Telemann: Concerto No.1 for Trumpet, 2 Oboes, Strings and Continuo in D - 3. Aria (Poco andante)John Constable 3:41$0.99  Buy MP3 
listen21. Telemann: Concerto No.1 for Trumpet, 2 Oboes, Strings and Continuo in D - 4. (Grave)John Constable0:43$0.99  Buy MP3 
listen22. Telemann: Concerto No.1 for Trumpet, 2 Oboes, Strings and Continuo in D - 5. (Vivace)John Constable 2:17$0.99  Buy MP3 



Product Details

  • Performer: Michael Laird, William Houghton, John Constable
  • Orchestra: Academy of St. Martin-in-the-Fields
  • Conductor: Iona Brown
  • Composer: Georg Philipp Telemann
  • Audio CD (October 25, 1990)
  • Number of Discs: 1
  • Label: Philips
  • ASIN: B0000040ZI
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Best Sellers Rank: #62,548 in Music (See Top 100 in Music)

Editorial Reviews

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Customer Reviews

Most Helpful Customer Reviews
15 of 15 people found the following review helpful
5.0 out of 5 stars The Best Trumpeter in the Business May 19, 2003
Format:Audio CD
It's a rare treat for a reviewer when he can throw caution to the winds and go out on a limb for a musician. This is such an occasion for me. Hakan Hardenberger is a phenomenon. He is the Babe Ruth, the Wayne Gretzky, the Michael Jordan, the Vladimir Horowitz, the Jascha Heifetz of trumpet players.
This is the Swedish trumpeter's second recording, made in 1987 when he was only 26 years old (in the cover photo he looks quite boyish). The first time I heard him play, my jaw dropped and I could hardly believe my ears. His playing was a revelation--absolutely stunning. I'd never heard trumpet playing to compare with it. In my opinion, with his first two CDs young Hardenberger not only moved into the top rank of trumpeters; he swept right past his competitors to the head of the class. I've compared a number of his baroque concerto performances, here and elsewhere, with those of other famous trumpeters, and he always comes out on top. I believe him to be in a league of his own. He has everything: virtuosity and technique to burn, dead-on intonation, clean trills, smooth legato, expressive shading, beauty of tone, brilliant high notes, enormous dynamic range. He is also a sound musician, with taste and a sense of style. His arsenal is complete and unassailable; there is no chink in his armor.
While the star here is clearly Hardenberger, the ASMF under Brown provides exemplary support, and of the five concertos included here, several are concerted works: one uses three trumpets, one uses two trumpets, and three use two oboes.
The trumpet has always been a difficult instrument to record and reproduce accurately.
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15 of 15 people found the following review helpful
5.0 out of 5 stars An embarrassment of riches February 22, 2001
Format:Audio CD
This is one of my favorite Hardenberger recordings, and it's not hard to see why. His flawless intonation and beautiful sound are outstanding, but they are nothing compared to his dazzling technique and sensitive artistry. His performance of the first movement (Grave) of the famous Concerto in D (not the one with two oboes) is an object lesson in the art of musicianship. Hardenberger manipulates his golden tone within a kaleidescope of colors that has no limit in range or volume. His seductive soft playing and stylish ornamentation will make you swoon with delight. Best of all, his tasteful interpretations are appropriately Baroque and display a thorough knowledge of historic performance practice, especially in the tempi he chooses. The fast movements dance and the slow movements glide in a manner that betrays the French influences and operatic heritage of Telemann's music. Iona Brown and the Academy of St. Martin in the Fields lend spirited support throughout. This is an absolutely fabulous disc! I'd give it ten stars if I could.
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9 of 9 people found the following review helpful
5.0 out of 5 stars A typically excellent Hardenberger CD December 31, 2001
By Robea
Format:Audio CD
One of the first CD's I purchased when I began exploring the world of "classical" music aprox 12 years ago. It was stuff like this that got me hooked.
I can't add a lot to the previous reviews except to say that this is a strong, bright recording of some generally cheerful, upbeat baroque concertos. Hardenberger's playing is tight, precise and yet never mechanical. I have a lot of trumpet concertos featuring a variety of soloists - no one is any better than Hakan - and many do not have the fluid yet concise playing of this soloist.
Anyway, I totally recommend this and any of Hardenberger's recordings.
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4 of 4 people found the following review helpful
5.0 out of 5 stars How do you top this? June 15, 2008
Format:Audio CD
This is one gem of a performance. I don't know that I've ever heard a musician adapt his skills to the needs of a particular type of music as well as Hardenberger does with the good folks from St. Martin in the Fields on this CD.

The primary test of a musician is not how well he or she can play loudly, but how well he or she can play softly. And there are parts here where Hardenberger's trumpet emerges from among sounds of the violins like the guys emerging goggle-eyed from the cornfield into the lights on the Field Of Dreams: you don't even know, for a couple of beats, that he's started playing. That's how well he modulates that trumpet, and how well he adapts to the piece. He matches his trumpet to the other players as well as I can even imagine it being done, whether he's playing among the strings as though he's one of them, or responding gently among the woodwinds as though he's one of them, or brightening his sound during a solo.

There are amazing times when he's gamboling about among the strings (or among the woodwinds, especially in numbers 4 & 5) like the proverbial wolf in the henhouse. In numbers 4 & 5 there's an effect that is quite unusual. In most good recordings, and even most excellent ones, the musicians do a very good professional job, proud of their music and enjoying their craft. During these two concertos, Hardenberger and especially the woodwinds play it as though they really like each other; like they can't wait, whenever their entrances come, to jump in the sandbox and start playing, and playing off of each other not just like professionals enjoying themselves, but like. . . great friends. I don't know any other way to explain it. I can almost sense the fist-pumps when the movements are done, and they go, "Yeeeaaahhh!"
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