Televised Morality: The Case of Buffy the Vampire Slayer (Paperback)

by Gregory Stevenson (Author)

Product Details

• Paperback: 316 pages
• Publisher: Hamilton Books (February 28, 2004)
• Language: English
• ISBN-10: 0761828338
• ISBN-13: 978-0761828334
• Product Dimensions: 8.4 x 5.5 x 1.2 inches
• Shipping Weight: 13.6 ounces (View shipping rates and policies)
• Average Customer Review: 4.7 out of 5 stars See all reviews (6 customer reviews)
• Amazon.com Sales Rank: #1,071,680 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

10 of 10 people found the following review helpful:

4.0 out of 5 stars Thought-provoking., April 7, 2006

By	cannotlogon (NY, NY) - See all my reviews

The title says it all. Gregory Stevenson has written an insightful polemic, defending the television show, Buffy, the Vampire Slayer, against all the criticism that claims the show lacks a moral compass or, more inaccurately, that the show is downright immoral. Stevenson, a theologian at Rochester College in Michigan, examines BtVS from every conceivable angle to show just how deeply moral it is, and how the question of morality pervades every episode. From the show's take on everything from family, religion, love, friendship, government and school, the author draws on his extensive knowledge of the stories to demonstrate just what a compelling "morality tale" Buffy the Vampire Slayer really is.

Erudite without being pretentious, informed without being pedantic, this is definitely one of the better books on this well-chronicled television show. Highly recommended.

8 of 8 people found the following review helpful:

5.0 out of 5 stars Scholarly AND accessable, September 15, 2005

By	Vintagegal - See all my reviews

For a while now, I'd been looking for a decent book that would "break down" the Buffyverse and look at it from a highly educated perspective, while not requiring a PhD to follow the text. Check and check! I work in a university, and for kicks one day, entered "Buffy" into the school library search engine. Lo and behold, this book came up! And I've been devouring it ever since.

Dr. Stevenson (as the other reviewers note), is both an obvious (and unashamed) fan of the series, and a theologian. In this book, he uses his 260 page "pulpit" to clearly, concisely, and surprisingly thoroughly examine, and at times defend, the many, many levels of meaning in BtVS. From a discussion of the visual as metaphor, to Spike and the redeption cycle, to the meaning of family, to the place of the Judeo-Christian God in a series created by an avowed athiest, to a grey area discussion on philosopy and morals, he covers it all. Unlike other tomes which cover similar ground, this one is unique in being a complete work by one author using both fandom and thorough research as bases.

I applaud this work because it neither tries to turn BtVS into something it was not, nor does it take itself so seriously that it becomes dry. If you're a BtVS fan looking for a different and very well written take on love, morality, life, death, redemption, resurrection, and the Single Slayer, you won't be disappointed by this book.

11 of 12 people found the following review helpful:

5.0 out of 5 stars Holier than most!, October 29, 2004

By	Christopher Daniel (St. Louis, MO) - See all my reviews (REAL NAME)

Although this book was written by a theology professor with an admittedly conservative Christian perspective, it's obvious to the reader that the author is a discerning fan of a fabulous television show (yes, I'm a fan too), a show that doesn't get the credit it deserves for presenting a highly moral viewpoint (in this case Judeo-Christian) to its audience. The author's stated point in writing the book was "to convince others of the complexity of moral discourse within popular culture" (p.261), and he certainly accomplishes that goal.

Professor Stevenson presents and then effectively counters many arguments against the merits of the show that have been advanced by naysayers who don't really "get" the overarching themes of the narrative, yet he doesn't shy away from criticizing "Buffy" when he deems it warranted, especially where matters of overt sexuality are concerened.

Stevenson has included the valuable perspectives of the creator, producers, and writers in describing their intentions when constructing individual shows and arcs, culling references from both print and online resources. (I do wish there had been more commentary from the actors included, but it could be argued that their input was secondary to the intent of those behind the scenes. Maybe there's another book in that.)

The author brings up so many cogent points and connections about and among the show's characters and themes (there were many times when this reviewer would think, "Hey, I never thought of that!") that, although I am far from a conservative Christian, the book was a joy to read for this "Buffy" fan.