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Television: The Critical View
 
 
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Television: The Critical View [Paperback]

Horace Newcomb (Editor)
4.0 out of 5 stars  See all reviews (1 customer review)


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Paperback, March 17, 1994 --  
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Television: The Critical View Television: The Critical View 4.0 out of 5 stars (1)
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Book Description

0195085280 978-0195085280 March 17, 1994 5
This anthology has been designed for courses in television criticism, media and society and broadcasting. It focuses on humanistic analysis and draws from the history of the media, reception studies, international studies, postmodernist theory, and the study of individual television programmes. The 5th edition contains many new essays, covering such current topics as the serial narrative, the activities of production companies like MTM, and new production techniques.

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Editorial Reviews

Review

"A valuable collection of essays on television criticism. Useful for any media criticism course."--Phyllis Zrzavy, Franklin Pierce College --This text refers to an out of print or unavailable edition of this title.

About the Author

Horace Newcomb, Lambdin Kay Distinguished Professor for the Peabody Awards, Grady College of Journalism and Mass Communication, University of Georgia. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 656 pages
  • Publisher: Oxford University Press, USA; 5 edition (March 17, 1994)
  • Language: English
  • ISBN-10: 0195085280
  • ISBN-13: 978-0195085280
  • Product Dimensions: 9.1 x 6.1 x 1.2 inches
  • Shipping Weight: 2 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #4,572,441 in Books (See Top 100 in Books)

 

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7 of 7 people found the following review helpful:
4.0 out of 5 stars Television is NOT mindless entertainment!, February 28, 2001
I was assigned this book in a college course on television as popular culture. I seriously struggled with the text at first, but luckily I didn't sell it back. After rereading it again, it has completely smashed the myth that nothing on television is culturally viable. Do not fall into the trap of believing there is no culture left in America. This book will teach how to engage your television in a way that is as mentally stimulating as anything I can imagine. Do yourself a favor and get this book! It might take you a couple reads, but it's well worth it. Enjoy. (I took points off for density, but I have the 5th ed.)
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Inside This Book (learn more)
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First Sentence:
This section brings together essays that are both historical and practical. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
contemporary television representations, comedic relationships, hierarchical programming structure, upscale working women, consumerist caste, presumptive audience, stylistic exhibitionism, daytime market, glance theory, syndication industry, textual producers, fide consumers, grammar variables, diagnostic critique, medium literacy, primetime programming, police series, television melodrama, television studies, fan writing, depth clues, television scholars, television criticism, observational mode, viewer letters
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, United States, Los Angeles, The X-Files, Star Trek, Latin American, African American, Tyne Daly, Absolutely Fabulous, Oxford University Press, Meg Foster, Sharon Gless, World War, British Film Institute, John Fiske, Raymond Williams, Bruce Wilson, State Historical Society, Wisconsin Center Historical Archives, House Beautiful, Indiana University Press, Hill Street Blues, Walter Thompson, Stuart Hall, University of Chicago Press
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