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Telling Lies for Fun & Profit: A Manual for Fiction Writers
 
 
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Telling Lies for Fun & Profit: A Manual for Fiction Writers [Paperback]

Lawrence Block (Author), Sue Grafton (Introduction)
4.4 out of 5 stars  See all reviews (23 customer reviews)

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Book Description

0688132286 978-0688132286 February 25, 1994

Characters refusing to talk? Plot plodding along? Where do good ideas come from anyway? In this wonderfully practical volume, two-time Edgar Award-winning novelist Lawrence Block takes an inside look at writing as a craft and as a career.

From studying the market, to mastering self-discipline and "creative procrastination," through coping with rejections, Telling Lies for Fun & Profit is an invaluable sourcebook of information. It is a must read for anyone serious about writing or understanding how the process works.


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Editorial Reviews

Amazon.com Review

It's a good thing Lawrence Block is so friendly and generous with his writing advice. Otherwise, you'd just have to hate the guy. After all, it took him a mere two weeks to write his first novel. He was still a teenager at the time, and he promptly sold it to Fawcett, the first publisher to see it. What can a guy like that tell the rest of us about fiction writing that could possibly apply to our lives? Lots, actually. Telling Lies for Fun & Profit comprises four years' worth of Block's monthly fiction-writing column from Writer's Digest magazine. In it, Block turns his witty, welcoming prose to many aspects of the writing life, including collaboration, which Block maintains he does "largely as a means of avoiding work"; speed writing (surprise: "Sometimes a book or story will be better for having been written more rapidly"); the benefits of using strong verbs; and the importance of good character names.

As one might expect from a man who seems to have such a facile way with the typewriter, Block can make writing seem a lot easier than it does in real life. "If you write one page a day," he says, "you will produce a substantial novel in a year.... Don't you figure you could produce one measly little page, even on a bad day? Even on a rotten day?"

Still, just because he's published about, oh, 50 books, don't think Block considers novel writing to be all fun and profit. "Those of us who are driven to produce great quantities of manuscript don't necessarily get any real pleasure out of the act," he says. "It's just that we feel worse when we don't write." --Jane Steinberg

About the Author

Lawrence Block is one of the most widely recognized names in the mystery genre. He has been named a Grand Master of the Mystery Writers of America and is a four-time winner of the prestigious Edgar and Shamus Awards, as well as a recipient of prizes in France, Germany, and Japan. He received the Diamond Dagger from the British Crime Writers' Association—only the third American to be given this award. He is a prolific author, having written more than fifty books and numerous short stories, and is a devoted New Yorker and an enthusiastic global traveler.


Product Details

  • Paperback: 256 pages
  • Publisher: William Morrow Paperbacks (February 25, 1994)
  • Language: English
  • ISBN-10: 0688132286
  • ISBN-13: 978-0688132286
  • Product Dimensions: 9.3 x 6 x 0.6 inches
  • Shipping Weight: 13.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (23 customer reviews)
  • Amazon Best Sellers Rank: #300,100 in Books (See Top 100 in Books)

More About the Author

Lawrence Block (b. 1938) is the recipient of a Grand Master Award from the Mystery Writers of America and an internationally renowned bestselling author. His prolific career spans over one hundred books, including four bestselling series as well as dozens of short stories, articles, and books on writing. He has won four Edgar and Shamus Awards, two Falcon Awards from the Maltese Falcon Society of Japan, the Nero and Philip Marlowe Awards, a Lifetime Achievement Award from the Private Eye Writers of America, and the Cartier Diamond Dagger from the Crime Writers Association of the United Kingdom. In France, he has been awarded the title Grand Maitre du Roman Noir and has twice received the Societe 813 trophy.

Born in Buffalo, New York, Block attended Antioch College in Yellow Springs, Ohio. Leaving school before graduation, he moved to New York City, a locale that features prominently in most of his works. His earliest published writing appeared in the 1950s, frequently under pseudonyms, and many of these novels are now considered classics of the pulp fiction genre. During his early writing years, Block also worked in the mailroom of a publishing house and reviewed the submission slush pile for a literary agency. He has cited the latter experience as a valuable lesson for a beginning writer.

Block's first short story, "You Can't Lose," was published in 1957 in Manhunt, the first of dozens of short stories and articles that he would publish over the years in publications including American Heritage, Redbook, Playboy, Cosmopolitan, GQ, and the New York Times. His short fiction has been featured and reprinted in over eleven collections including Enough Rope (2002), which is comprised of eighty-four of his short stories.

In 1966, Block introduced the insomniac protagonist Evan Tanner in the novel The Thief Who Couldn't Sleep. Block's diverse heroes also include the urbane and witty bookseller--and thief-on-the-side--Bernie Rhodenbarr; the gritty recovering alcoholic and private investigator Matthew Scudder; and Chip Harrison, the comical assistant to a private investigator with a Nero Wolfe fixation who appears in No Score, Chip Harrison Scores Again, Make Out with Murder, and The Topless Tulip Caper. Block has also written several short stories and novels featuring Keller, a professional hit man. Block's work is praised for his richly imagined and varied characters and frequent use of humor.

A father of three daughters, Block lives in New York City with his second wife, Lynne. When he isn't touring or attending mystery conventions, he and Lynne are frequent travelers, as members of the Travelers' Century Club for nearly a decade now, and have visited about 150 countries.

 

Customer Reviews

23 Reviews
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3 star:
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Average Customer Review
4.4 out of 5 stars (23 customer reviews)
 
 
 
 
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28 of 29 people found the following review helpful:
5.0 out of 5 stars Very inspiring collection of essays, February 20, 2002
This review is from: Telling Lies for Fun & Profit: A Manual for Fiction Writers (Paperback)
There are two books on writing that I always keep on hand: this one and Zen in the Art of Writing by Ray Bradbury. I can always depend on them to inspire me to write more when my momentum has flagged for whatever reason, usually insecurity.

I really like Block's conversational style. I know this is cliche, but I often feel as if he could be speaking directly to me and addressing my own problems. I find this, among other things, to be very comforting, thus allowing me to let go and just write.

He presents simple solutions to common problems, also inspiring me to go try them out, having never approached the problem in that way before.

I find this book to be very useful in my quest to be a writer, as he seems to have had the same problems I do. This sends the positive message that these problems are universal, and all you have to do is work your way through them, because ALL writers have the same issues to deal with. Also very comforting.

I would recommend this book to anyone struggling with the need to write but not finding the nerve to just settle down and do it; and also for anyone else just needing a little boost.

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13 of 13 people found the following review helpful:
5.0 out of 5 stars Great yarns and experience, June 8, 2001
This review is from: Telling Lies for Fun & Profit: A Manual for Fiction Writers (Paperback)
I bought this book at the advice of a successful writer friend, who said it was the best book he'd read on how to write a novel.

And it does have good advice on writing a novel. But I found it was more about being a writer writing a novel than on the actual contents of the novel. Hmmm. That may not be very clear. This book is loaded with wonderful, practical, inspiring anecdotes and snippets of experience on writing. But it does not tell you about story construction, which was what I was looking for.

Reading the book did help keep me motivated and added some clarity to my impression of the novel writing world. But I found books by Frey, McKee, Vogler, Lew Hunter, Syd Field and James Bonnet much more helpful when it came to the nitty gritty of creating stories.

So.... if you are looking for practical information about the writing life, about the process of writing-- this book is a gem. If you want details on story structure, character development, etc., check out some of the above mentioned authors.

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14 of 15 people found the following review helpful:
4.0 out of 5 stars A great book even if you don't aspire to be a writer, January 21, 2003
This review is from: Telling Lies for Fun & Profit: A Manual for Fiction Writers (Paperback)
This book is a collection of monthly columns that Block had written for a writing magazine. They fit perfectly together to make a book that is easy to recommend to anyone who treasures books, especially fiction.

I loved this book, even though I am more of a reader than a writer. You will learn techniques that an actual writer uses when devising plots, character names, and even titles. Don't expect a cookie-cutter approach to producing a story. Block instead gives you many chapters that are filled with actual examples of work written not only by himself but by other writers. The discussions that accompany these examples are both educational, easily read, and highly entertaining.

I believe the book has made me a much better reader. I can now often sit back and understand just why I didn't like a particular book.

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Inside This Book (learn more)
First Sentence:
A COUPLE of months ago I returned to Antioch College to teach an intensive week-long seminar on fictional technique. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
creative plagiarism, creative procrastination, voluntary suspension, viewpoint character
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Writer's Digest, Bernie Rhodenbarr, Chip Harrison, Evan Tanner, Matthew Scudder, Nero Wolfe, Richard Stark, World War, Alfred Hitchcock's Mystery Magazine, Deadly Honeymoon, Documentary Evidence, Evan Hunter, Randolph Mason, Such Men Are Dangerous, Tanner's Twelve Swingers, The Thief Who Couldn't Sleep, Tomorrow Is Another Day, Antioch College, Character Building, Code of Arms, Death Pulls, Dirty Old Man, Ellery Queen's Mystery Magazine, Fletcher Flora
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