From School Library Journal
Grade 6-9–Ilana is relieved to get a summer job, but she wonders if she's made the right choice when the Divine Relief Temp Agency sends her to Tabby Fabricant Textiles, where she meets the three unusual sisters who will be her supervisors. Tabby, Dimity, and Georgette refer casually to work that they've been doing for the past several centuries, brandish extremely sharp scissors, and seem to know every detail of Ilana's life. When she is given an unusual typing assignment, Ilana wonders aloud why a textile business would be issuing death certificates. Georgette calmly replies, They're not death certificates, dear….They're death receipts. We're the Fates. It's what we do. Soon Ilana discovers that everyone employed by the agency works for the gods or the heroes. Learning that she isn't the only one with a bizarre job gives her the impetus she needs to persevere through a summer filled with unusual experiences. She also becomes a close friend of Arachne (currently residing in her web at Tabby Fabricant Textiles) and weathers her older sister's frequent wedding-planning anxiety attacks. Teens familiar with Greek mythology will have the most fun with this book, since they'll pick up on the clever references to myths (I temp for Demeter and Persephone….It's a great job, very down to earth), but even readers without this background will find Ilana's story a perfect choice for their own summer reading.
–Ginny Gustin, Sonoma County Library System, Santa Rosa, CA Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Gr. 7-10. Ilana, who favors t-shirts that read "Orc: The Other Green Meat," can't find a summer job in her "white-bread-and-vanilla" Connecticut town. Then she signs up with Divine Relief Temps, whose truly divine client roster includes Greek gods and goddesses. Her first assignment? Typing death certificates for the Fates. While Ilana adjusts to the impossible facts of her new job, home brings its own chaos; her sister, Dyllin, has mysteriously transformed into a full-blown bridezilla in preparation for her upcoming wedding. The story's pacing is uneven, disparate elements aren't always well-integrated, and lengthy passages of dialogue may slow some readers. Still, the clever, brash concept will easily draw teens. Readers will find lots that's familiar and likable about sardonic, vulnerable Ilana as she wrestles with gods and agonizes over moments of social awkwardness: "I put my foot in my mouth so much, everything tastes like toenails." For more irreverent fantasies about classical gods and contemporary teens, suggest Clea Hantman's
Heaven Sent (2001) and Rick Riordan's
The Lightning Thief (2005).
Gillian EngbergCopyright © American Library Association. All rights reserved