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Temples of Sound: Inside the Great Recording Studios
 
 
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Temples of Sound: Inside the Great Recording Studios [Paperback]

William Clark (Author), Jim Cogan (Author), Quincy Jones (Author)
4.2 out of 5 stars  See all reviews (13 customer reviews)


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Book Description

March 2003
All great music has a birthplace. Temples of Sound tells the stories of the legendary studios where musical genius and a magical space came together to capture some of the most exciting jazz, pop, funk, soul, and country records ever made. From the celebrated Southern studios of Sun and Stax, to the John Coltrane/Miles Davis sessions in producer Rudy Van Gelders living room, to Frank Sinatras swinging cuts at state-of-the-art Capitol Records, each of the 15 profiles in this book brings great music to life at the moment of its creation. With a trove of never-before-seen photographs and fascinating, all-new interviews with the musicians and producers who made the records, Temples of Sound is a rich inspiration for music fans.


Editorial Reviews

About the Author

William Clark is a playwright, songwriter, and award-winning author who currently writes for a prime time television series. A lifelong music lover, he lives near Washington, D.C.

Jim Cogan has worked for 15 years as a recording engineer and producer, resulting in some of the most critically acclaimed albums in jazz of the past 20 years. He lives in Milwaukee.

Product Details

  • Paperback: 224 pages
  • Publisher: Chronicle Books (March 2003)
  • Language: English
  • ISBN-10: 0811833941
  • ISBN-13: 978-0811833943
  • Product Dimensions: 9.9 x 7.4 x 0.9 inches
  • Shipping Weight: 1.8 pounds
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (13 customer reviews)
  • Amazon Best Sellers Rank: #1,087,427 in Books (See Top 100 in Books)

More About the Author

Hey there, you!

Welcome to my little stall in the marketplace. I'm Jim Cogan, and I can occasionally fit two or three hats upon my pointy head.

For many years I was a recording engineer in the broad-shouldered city of Chicago, tracking lots of cool avant-garde jazz artists along with some house and punk and other good stuff.

Co-wrote a book that I am still pretty proud of, Temples of Sound (Chronicle Books 2003), with my oft-collaborator and dear friend, William (Bob) Clark. We are now engaged in the sequel, so look for it in perhaps...2012? It'll be boss and glam and very readable, hopefully.

As for the other hat? I am now writing a book for men, called....

Dude, Get a Clue

It's fun, lively and insightful yet packs the wallop of a well mixed Mai-Tai. Plus its gonna feature original drawings, but not by me; don't wear that hat.

So, that's it. Thanks again, and if you have a moment check back, 'cos you never know.

 

Customer Reviews

13 Reviews
5 star:
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4 star:
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3 star:
 (1)
2 star:
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Average Customer Review
4.2 out of 5 stars (13 customer reviews)
 
 
 
 
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19 of 21 people found the following review helpful:
2.0 out of 5 stars +1/2 -- Fails to deliver on its excellent thematic promise, May 11, 2005
This review is from: Temples of Sound: Inside the Great Recording Studios (Paperback)
The book's stated theme, "inside the great recording studios," is a tantalizing one. Unfortunately the authors rarely deliver the reader inside the temples themselves. Instead, they spend an inordinate amount of text rehashing introductory material about artists, songs, labels, musical genres and scenes. It's not necessarily uninteresting, but it leaves readers in the lobby, rather than actually taking them into the studio.

Worse, the writing is hugely uneven. The chapter on Atlantic is just that, a chapter on the Atlantic label, with tidbits about the studios they used. The chapter on Columbia, on the other hand, does a nice job of communicating the label's producers' emotional attachment to their studios. The text itself ranges from well-written to hyperbolic ("It is indisputable: there is no one label that had as much impact on the development of rock from the 1950s to the 1970s as Chess.") and overly clever ("Everyone wanted in, and the [Chess] brothers, refashioned as record men, kept adding more pawns to the Chess set.").

What this book does accomplish is a grounding of hit songs at their physical points of creation. It untangles the juxtaposition of Top-40 radio and strips away the music industry's placelessness by re-contextualizing songs with the writers, producers, engineers and musicians who created them. Who knew that Eric Clapton's "Layla" was recorded in Florida, within the same studios that reverberated with Hank Ballard's "The Twist," The Eagles' "Hotel California," and The Bee Gees "How Deep is Your Love?"

The book's photos provide intimate views of studios in use (not to mention, under construction), it's a shame that the accompanying text isn't as fully detailed on the technical and artistic inner-workings of these "temples of sound."
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34 of 41 people found the following review helpful:
1.0 out of 5 stars A Dissenting Review, April 30, 2003
By A Customer
Amazon Verified Purchase(What's this?)
This review is from: Temples of Sound: Inside the Great Recording Studios (Paperback)
While I have enjoyed reading the book, I would not
have purcased it had I known how little it actually
contains about the rooms. As someone interested in
audio engineering, I was hoping it would have a lot of
information about the rooms themselves, with dimensions,
acoutic treatments, unusual equipment used, etc. Instead,
the book tells the story of the studio mostly around
which artists recorded there. I don't really need to
see a list of who recorded for Sun Records, I want to

know what Sam Phillips did to make the room sound the way
it did. I want details of the famous Capitol echo chambers.
This book does not provide the sort of information
the title implies.

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9 of 9 people found the following review helpful:
5.0 out of 5 stars If you have ever played, studied or enjoyed good music......, May 11, 2003
By A Customer
This review is from: Temples of Sound: Inside the Great Recording Studios (Paperback)
Ths book was a real pleasure to read. I'm not a musician or recording engineer....I'm just a finance geek who likes good music. Nevertheless, this book was written in such an understandable way that even us non-musical types can follow along with the recording processes. I knew about the book from a friend. As I started to read it I expected that I would enjoy learning about how music was made in various recording studios around the country. What I did not expect (and was very pleased to experience) were the concise and very diverse stories of the people. Stories of the owners, artists and engineers that made the recording studio and the corresponding musical output a reality coming out of the radio or CD player. As I read each studio chapter and looked at the corresponding pictures (FABULOUS!) images were painted of some of the dynamic processes, individuals and cultural influences that culminated in songs that became the soundtrack to our American lives. This book truly captured the sweat, soul and drive that went into producing our American soundtrack. A pleasure from the first page to the last. A must read for anyone who plays music, who is in the music industry or who (like many of my fellow corporate souls) simply enjoys good music. From the Stones to Dean Martin to Patsy Cline...it all comes alive. Buy the book.
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Inside This Book (learn more)
First Sentence:
Rock and roll may have ruled near the end of the decade, but the 1950s were really the golden age of pop. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, New Orleans, Bill Putnam, Blue Note, Jim Stewart, Ray Charles, Jerry Wexler, United Western, Tom Dowd, Brian Wilson, Los Angeles, Sam Phillips, Atlantic Records, Pet Sounds, Ahmet Ertegun, Frank Sinatra, Jerry Butler, Joe Tarsia, Miles Davis, Nelson Riddle, Sigma Sound, Sonny Boy, Beach Boys, Marvin Gaye, Steve Cropper
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