From Publishers Weekly
Mishra eloquently expresses his indignation at folly and injustice in these eight travelogues and profiles illuminating the challenge of Western-style globalization in South and Central Asia, where the pull of the West is countered by the politics of nationalism. In "Allahabad: The Nehrus, the Gandhis, and Democracy," Mishra weaves bitter commentary on the postcolonial dynasties into his observations of the "uneven" process of democracy at work during the 2000 elections in the "decaying" North India city of Allahabad. Mishra draws a complex portrait of successful Bollywood filmmaker Mahesh Bhatt in "Bollywood: India Shining," whom Mishra is prepared to find reprehensible but comes to afford grudging respect. Mishra brings the same eye for character to "Kashmir: The Cost of Nationalism," about the brutal "cycle of retribution" between Muslims and Hindus in the contested region. On meeting a pro-India renegade commander who epitomizes an "unthinking preference for violence and terror," Mishra watches the man's "movie star glamour and... brute power" fall away as the commander demands a "free hand" in dealing with Muslim guerrillas. These instances of vivid description and personal reaction provide moments of clarity in this dense, well-written book (after
An End to Suffering).
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Mishra, a Hindu, has been accused in his native India of "pandering to white pro-Muslim audiences in the West"a notion that, he points out, was "optimistic" even before September 11th. In this acute survey of South and Central Asia (including Kashmir, Pakistan, Afghanistan, Nepal, and Tibet), he reports on how countries are facing the crisis of modernization, hobbled by political corruption, poverty, and the abiding hatred of one tribe for another. Particularly illuminating is his chapter on Nepal, which, despite a veneer of regular elections, has long been mired in a battle between monarchy and Communism, both anachronisms in the West. Mishra cautions us not to underestimate "the rage and despair of people who, arriving late in the modern world, have known its primary ideology, democracy, only as another delusion."
Copyright © 2006
The New Yorker
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