Customer Reviews

Ten Books on Architecture

5 star:		(9)
4 star:		(2)
3 star:		(0)
2 star:		(1)
1 star:		(1)

 

 

When I first read this book back in 1991 when I was doing my thesis on courtyard housing I found the descriptions made by Vitruvius on the Roman Domus (courtyard house) invaluable to my understanding.

Over the last 8 years it has been a valuable asset in my Library, full of information on lime plasters for walls, ceilings and floors, the makign of Pozzalana concrete, finding water, understanding the winds and energy patterns of the land and a guide to designing better sustainable buildings.

Topics include -

I -Education of an architect, principles of design, for city, town and home

II The selection of materials - how they are made and used

III - The proportions of the Orders, Doric, Ionic

IV - Applications of the Orders - Temples

V -The design of the Public Buildings - Theatres, Basilicas, Baths, Forums, Harbours, Shipyards

VI - Design of the Courtyard House

VII - Plastering:- technique, materials and application

VIII - Water Locating, storage and transportation - aqueducts

IX- The stars - Suns moon and 12 planets

X - War machines and other instruments

At the current Price, this book is a bargain and you will most likely reread it many times, cause its full of useful information.

If you are involved in Green building, design, like History, want to build a really nice healthy house, then I suggest this is an ideal book for you.

Vitruvius' contribution was not as Ciceronian literature, but as a hands-on, researched, handbook of practical architecture. The explanations are simple with not a wasted word for the aesthetic quality of the work.

Vitruvius found what made the most ancient monuments such durable constructions. He found WHY they were built they way they were. For example, he explains in enough detail for the "then" architect to understand how to construct for best auditory sound enhancements using examples from Greek engineering and Roman building practices. (There is a detailed description on harmonics based on Pythagorean principles.) He also explains the true meaning of proportion developing constructs from the "golden mean" as seen in the various modes of ancient column design (as well as a description of "stasis" and other logical variants applied to columnal construction).

The book is often referenced in medieval documents explaining the training of medieval cathedral (especial gothic era) builders and the practical construction of these cathedrals that still stand and are useful today.

I highly recommend this book for any art history student or student of architecture at any level. It is a reminder that great thinking and analysis has no technical limitation.

This is an architecture book written by a Roman, during the classical period. It strongly influenced many of the great minds of the Renaissance. The historical significance of the book would make it worth looking over, for anyone interested in classical architecture.

This book contains an immense number of digressions from architecture that are perhaps of greater interest than the actual architectural content. There is a section on degenerate, abstract, modern art that could have been written today! Also, there is a good explanation of how architects have contributed to siege warfare, and instructions on the proper construction of siege devices such as catapults and tortoises. Other topics include how to divine water (without recourse to superstitious practices), and how the fundamental elements (earth, air, fire, and water) in stones influence their suitability as building materials.

I really enjoyed reading this fascinating book. However, when I compared it to another translation (a two volume edition, translated by Granger) it seemed that it was missing some bits of information.

It was easier to read though, so if you are interested in a casual read, this is the book for you. For a research project, you should probably stick to Granger's books.

I like Homer, Herodutus, Thukidydes, Plutarch, Takitus, Gibbon, Mommsen and many other ancients and their (relatively) modern interpreters.

But my latest read, recommended by Moses Finlay in "Ancient Econonomy", is Vitruvius.

And I like Vitruvius a lot. The only reason I gave him 4 stars rather than 5, is that he is not the greatest, in the sense of the above-mentioned.

Nevertheless, as far as knowledge and insight into ancient life go, at a level one removed from the "greats", Vitruvius is the greatest I've so far encountered.

Not only does one gain a feeling for life among the educated and capable strivers of the time immediately following the Ceasarian revolution, but also for the immense impact which Greek brilliance had upon the Romans.

One also learns much about aesthetic theory and is given interesting and practical lessons in building and architecture, from the beginning and development of dwellings, the general learning required of architects, the particular characteristics of different types of stone and wood, the design of cities, the three orders of temple architecture (Doric, Ionian and Corinthian), dwelling houses, the sounding vessels in theatres (dolby surround as already implemented long before Christ) and ingenious machines, including such inventions as the screw-pump of Archimedes (the Syracusan Greek inventor).

Vitruvius gives us the general principles of ancient aesthetic theory, the exact proportions of traditional architectural conventions and the geometric rules for determining the directions of the eight known winds.

Like all elegantly entertaining classical writers, he intermingles everything with relevant anecdotes from, and references to, the great Greek philosophers, fine artists and fine artisans of the past who were the exemplary authorities of his (and later) time.

As the title betrays, Vitruvius' work is divided into ten books, each of which contains an extemely relevant and interesting general introduction, followed by several chapters on theory and application, including very practical examples of the construction, proportions and generally applied mechanical principles relevant to the specific subject matter of the particular book.

This work is better, broader and more intelligently written than all of the books I've read on building which I've acquired at second-hand bookshops in England, and which were written anywhere from the end of the last century (1890-1900!) through the 1950s. No wonder that this fellow's work remained definitive through to the renaissance (not the Carolingian, but that of the 14th-15th centuries), a duration of 1,500 years!

I imagine that most modern day architects, adding a litte modern statics, materials and building code knowledge, and assuming enough practical building experience, could do worse than to rely otherwise on Vitruvius.

Basic raw materials and basic building skills have been around for a long, long time. Common sense and wisdom, too.

Furthermore, for the interested classicist, even though not specifically interested in architecture or building, this book gives a really immediate feeling for the gigantic influence not only of Greek thought but also of Greek applied artistic and technical skills (geometry comes to life!), aesthetics and craft work on the (Western) Roman world.

Again, I can only say, a refreshing, entertaining and informative read by a practical yet educated man of ancient times. Obviously a bestseller through the ages and, indeed, timeless in its relevance and actuality.

Highly recommended also for beginners in the study of the ancient Greek language, because of its many Greek quotes (in Greek letters, no less)!

Altogether a highly readable, informative, insightful and educational book with a rarely found mix (in ancient literature) of both the "higher" things and the eminently practical.

I feel privileged to be a privy party to this great inheritance of ancient learning. And I thank the Internet and Amazon for enabling those of us who are interested in learning to have access to this great library with its wonderful database, which makes everything not only easy to find but also to possess (and to own).

The humanist's dream! Your own infinite library. Cyber-Gutenberg!

Excellent Transaction! Fast shipping service once order was placed and will do business Again. This product had everything I needed to know and understand for each and every one of my projects! Great Buy!

This book is a MUST for every interested mind to understanding the basics and logic to why construction and design is, what it is! Today construction throws logic out the door and is based off of money ... short term return. This book along with Palladio's book, Four Books of Architecture, will be the corner stone of a new chapter in construction and design. Designers, Builders and politicians (who should not be in the mix of decision makers) all talk the talk of "Green", proving to be a farce in many ways. Simple concepts explained and set in these two books prove more "Green" than anything brought up today in this world based off of fade and fashion.

Just make it simple, get these two books into your reading schedule and learn what was forgotten. The thought process becomes clear once taken the time to just sit down and READ!!!

Michael in Charlotte, NC
(previously of FL, previously of NV, previously of CA, previously of DC, previously of PA)

I downloaded the sample and saw the "Image not Available" icon and assumed they just withheld it for the trial version, but no, this edition nonsensically lacks the illustrations in the slightly older edition of the book. good thing it was only 99 cents. Maybe the translation is better, haven't gotten that far yet, but to start out with that gaping void in a book talking about aesthetics among other things is rather disappointing.

This is a wonderful look at the world and its building materials through the eyes of Roman. Great insights into Roman perceptions about how the world worked.

A book which was at the heart of architectural theory for over 1500 years can't be entirely outdated. Many of the issues and ideas which Vitruvius brings up are still relevant to modern architecture and, at the very least, give us an idea of the theory behind much architecture, both before and after Vitruvius' life. Of course, it can't be relied upon as a comprehensive guide to architecture and there are some points which are innacurate in terms of history or theory, but you take this book with a pinch of salt, and accept that this is where architectural theory started, and you have to respect it for that!