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Ten Days in the Hills Hardcover – Deckle Edge, February 13, 2007


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This Book Is Bound with "Deckle Edge" Paper
You may have noticed that some of our books are identified as "deckle edge" in the title. Deckle edge books are bound with pages that are made to resemble handmade paper by applying a frayed texture to the edges. Deckle edge is an ornamental feature designed to set certain titles apart from books with machine-cut pages. See a larger image.

Product Details

  • Hardcover: 464 pages
  • Publisher: Knopf; First Edition edition (February 13, 2007)
  • Language: English
  • ISBN-10: 1400040612
  • ISBN-13: 978-1400040612
  • Product Dimensions: 9.4 x 6.6 x 1.5 inches
  • Shipping Weight: 1.8 pounds
  • Average Customer Review: 2.5 out of 5 stars  See all reviews (87 customer reviews)
  • Amazon Best Sellers Rank: #1,455,613 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

Starred Review. Smiley (A Thousand Acres) goes Hollywood in this scintillating tale of an extended Decameron-esque L.A. house party. Gathering at the home of washed-up director Max the morning after the 2003 Academy Awards are his Iraq-obsessed girlfriend, Elena; his movie-diva ex-wife Zoe and her yoga instructor–cum–therapist–cum– boyfriend Paul; Max's insufferably PC daughter, Isabel, and his feckless agent, Stoney, who are conducting a secret affair; Zoe's oracular mother, Delphine; and Max's boyhood friend and token Republican irritant Charlie. They watch movies, negotiate their clashing diets and health regimens, indulge in a roundelay of lasciviously detailed sexual encounters and, most of all, talk—holding absurd, meandering, beguiling conversation about movies, Hollywood, relationships, the war and the state of the world. Through it all, they compulsively reimagine daily life as art: Max dreams of making My Lovemaking with Elena, an all-nude, sexually explicit indie talk-fest inspired by My Dinner with Andre, but Stoney wants him to remake the Cossack epic Taras Bulba. Smiley delivers a delightful, subtly observant sendup of Tinseltown folly, yet she treats her characters, their concern with compelling surfaces and their perpetual quest to capture reality through artifice, with warmth and seriousness. In their shallowness, she finds a kind of profundity. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine

Jane Smiley, who won the 1992 Pulitzer Prize for A Thousand Acres, has written on a range of topics: horses, midwestern university life, real estate, Greenland, and, most recently, literature (13 Ways of Looking at the Novel, ***1/2 Jan/Feb 2006). Ten Days, a social satire, tackles the superficial lives of Hollywood denizens—to mixed acclaim. Many reviewers were sufficiently entertained by watching Smiley's set of spoiled, if smart, individuals interact and ruminate on their self-involved concerns; others found the conversations hackneyed. While Smiley's use of the Iraq war created some enlightened discussion, it also seemed like a heavy-handed device. Critics similarly diverged on the characters, which reflected their own view of the novel: some characters stood out; others did not. A few learned important lessons at the end of ten days—but most did not.
Copyright © 2004 Phillips & Nelson Media, Inc.

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Customer Reviews

I gave this book 200 pages to hook me and it failed miserably.
Gaychoo
The sex is supposed to be what sets Smiley's book apart and makes it so daring, but I found much of it just boring and certainly no reason to recommend it.
Christine Zibas
Some characters are well drawn and very 3D; some seemed flat and thin.
Mark Stevens

Most Helpful Customer Reviews

56 of 67 people found the following review helpful By Roni Jordan on March 26, 2007
Format: Hardcover Verified Purchase
Jane Smiley does indeed have a keen ear and masterful touch with dialogue, but....449 pages of eavesdropping on the rambling conversations of these assorted Hollywood stereotypes does not add up to an engrossing read. Like many others, after 150 pages of hoping for some redeeming quality in this work, I threw my copy in the trash. This book evoked the same visceral reaction I have to people carrying on cell phone conversations in public places - the instinct for fight or flight.
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26 of 31 people found the following review helpful By Linda Pagliuco TOP 1000 REVIEWERVINE VOICE on May 9, 2007
Format: Hardcover
Much as I hate to, I have to cast my vote in the negative column. Usually, a book written by a writer as gifted as Jane Smiley would garner an automatic 2 stars just to start. Her way with words is masterful - usually. But this novel is so mind-numbingly slow, and the characters so egocentric and shallow, that it would be difficult to spend 30 minutes in a room with them in person, never mind trying to spend umpteen pages reading about their every physical sensation. It seems none of them have very many intellectual sensations. Seinfeld was the show about nothing, but the characters and conversation were quirky, honest, and funny. This book about nothing has none of those advantages.
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40 of 50 people found the following review helpful By Richard S. Sackler on March 23, 2007
Format: Hardcover
This book has a lot of sex, but it has no redeeming importance, social, politcal, personal, or otherwise. It isn't just that the basic premise of analagizing the War in Iraq to the Great Plague in Europe in the 14th century is rediculous and offensive. Worse still is the fact that the book has no reason for being written or read. It is vacuous.

I wish I had read my fellow suckers' reviews and saved my money and my time. I got to page 35 and couldn't remember much of anything, because there is nothing memorable. I kept reading, but it only got more dreary. Amazing that Knopf published this MS that should have been left on the cutting room floor as a novel out-take. An equally good alternative would have been to have all the copies put into a burn bag in the CIA so that no one would have even known it existed. The author should be ashamed. The editor should be dismissed.

This book may have some use other than recycling. You can serve the Green Revolution by stoking your wood-burning stove.
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8 of 8 people found the following review helpful By SKM on October 13, 2007
Format: Hardcover
I have loved everything Jane Smiley has written, but this book was tedious. I skipped entire passages because they were repetititve and added little the story. If you haven't read any Smiley, skip this book and go directly to The Age of Grief.
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6 of 6 people found the following review helpful By J. L. Rubenking on April 12, 2007
Format: Hardcover
It's 2003, the war in Iraq has just begun, and a group of Hollywood players converge on the home of a movie producer for an unplanned and seemingly interminable week and a half. The characters are somewhat interesting: there's Max (the producer) and his lover Elena; his daughter and her son; his ex-wife, the gorgeous and famous Zoe, along with her lover, the yoga practitioner/ guru; the agent who is trying to take Max in a `relevant' new direction; the childhood friend who is a big blowhard; Zoe's mother, who lives on Max's property despite the divorce; and the longtime neighbor. We are treated to graphically detailed descriptions of sex, down to the anatomical, practically molecular nitty-gritty. Each character also expounds on life, war, religion, George W. Bush, freedom, movies, blah blah blah. Not one character really breaks out of a mold of self absorption; each one seems to simply want to stridently hold forth and impress the others.
I know Smiley is attempting to model this book on Boccaccio's Decameron, and the characters do tell stories, mostly about their own lives, but when I reached a slightly more than halfway point in the book, I began to feel like Zoe's guru/lover, as he listens to her daughter `drone on': "He sighed. They made him sigh. It was not precisely that they were boring, but more that they caused the expansion of time, so that every second, every moment, swelled to infinity.... It was as if he could remember every thought he had ever thought, and every one of them was futile." That Smiley is aware of her characters' limitations is obvious, and I `get' the satire implied. This insider knowledge is not, however, enough to make me care.
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19 of 24 people found the following review helpful By Driver9 on May 21, 2007
Format: Hardcover
By trying a structure and style that are not based on traditional plot structure and character development, Smiley takes the reader into unfamiliar waters, and it is not always entertaining. But does a novel have to be entertaining? Does every book we read have to deliver the same satisfaction of a neatly wrapped package? Isn't that more the role of television? For me, I don't mind a challenge when an author is trying to something different. I found Ten Days in the Hills to be deeply engrossing, dense and true. Smiley recreated the conversations of her characters with alarming authenticity. But for sure, this book is not for everybody, as is evident from the trouncing she gets here in Amazon.

The other risk Smiley takes is her choice of characters. Rich, snotty, Hollywood types with huge houses and too much sex. What's not to hate? But I admired the writing and the concept behind the work, if not the characters themselves, and to me her novel is a fascinating experiment. Suspend the need to relate to the characters on a personal level and the book comes alive in a very unique way. That's what I thought.
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