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Ten

Jason MoranAudio CD
4.1 out of 5 stars  See all reviews (11 customer reviews)

Price: $15.72 & FREE Shipping on orders over $35. Details
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Blue Blocks 4:35$1.29  Buy MP3 
listen  2. RFK In The Land Of Apartheid 4:10$1.29  Buy MP3 
listen  3. Feedback Pt. 2 4:53$1.29  Buy MP3 
listen  4. Crepuscule With Nellie 5:57$1.29  Buy MP3 
listen  5. Study No. 6 3:16$1.29  Buy MP3 
listen  6. Pas De Deux - Lines Ballet 3:31$1.29  Buy MP3 
listen  7. Study No. 6 4:04$1.29  Buy MP3 
listen  8. Gangsterism Over 10 Years 6:55$1.29  Buy MP3 
listen  9. Big Stuff 5:16$1.29  Buy MP3 
listen10. Play To Live 4:20$1.29  Buy MP3 
listen11. The Subtle One 5:35$1.29  Buy MP3 
listen12. To Bob Vatel Of Paris 6:05$1.29  Buy MP3 
listen13. Old Babies 5:43$1.29  Buy MP3 


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Biography

JASON MORAN

“Fats Waller is a special kind of provocateur. It stems mainly from the fact that he was a singer as well as a pianist. Sometimes he was like an MC. It has always amazed me that a pianist whose playing was so deep could sing and keep a running commentary of what was going on around him all at the same time.”

Jason Moran's description of Thomas Wright ... Read more in Amazon's Jason Moran Store

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Product Details

  • Audio CD (June 21, 2010)
  • Original Release Date: 2010
  • Number of Discs: 1
  • Label: Blue Note Records
  • ASIN: B003L7JVFY
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon Best Sellers Rank: #93,518 in Music (See Top 100 in Music)

Editorial Reviews

About the Artist

Since his formidable emergence on the music scene in the late 90s, jazz pianist Jason Moran has proven more than his brilliance as a performer. The Blue Note Records recording artist has established himself as a risk-taker and innovator of new directions for jazz as a whole.

In almost every category that matters - improvisation, composition, group concept, repertoire, technique and experimentation - Moran, and his group The Bandwagon - with bassist Tarus Mateen and drummer Nasheet Waits - have challenged the status quo, and earned the reputation as "the future of jazz."

Frequently influenced by the wider world of art as his muse, Moran has found inspiration in edgy 20th century painters like Jean-Michel Basquiat (check out "JAMO Meets SAMO" from Soundtrack to Human Motion, as well as his ongoing series of "Gangsterism" compositions); Egon Schiele (whose painting "Facing Left" provided the eponymous title to Moran's second album); and Robert Rauschenberg, whose chaotic refinement inspired Moran's third album Black Stars, featuring the legendary Sam Rivers.

Moran is currently preparing for the release of TEN, his 10th anniversary album with The Bandwagon, on June 22, 2010. The trailblazing trio has proven to be one of the most enduring and creative piano trios in jazz today. TEN represents their most assured and focused album to date.

Moran's debut recording as a leader, Soundtrack to Human Motion, was released in 1999 to great critical praise. Ben Ratliff of The New York Times named it the best album of the year and the Jazz Journalists Association awarded it "Best Debut Recording." The following year, Facing Left, established The Bandwagon trio with bassist Tarus Mateen and drummer Nasheet Waits, and prompted JazzTimes Magazine to declare the album "an instant classic." Moran augmented the trio for his third Blue Note release, Black Stars, adding avant-garde icon Sam Rivers, who plays saxophone, flute and piano on the recording. Gary Giddins of the Village Voice exclaimed, "Black Stars is possibly a Blue Note benchmark, definitely one of 2000's outstanding discs."

In 2002, Moran released his universally acclaimed solo piano disc Modernistic, prompting the Cork (Ireland) Jazz Festival to award him the 2002 Guinness Rising Star Award. Preeminent jazz critic Gary Giddins proclaimed it "a benchmark achievement and a profound illustration of his capacity to combine classicism and maverick innovation."

2003's release The Bandwagon, culled from the trio's six-day stint at New York's Village Vanguard, earned the team of Moran-Mateen-Waits a title as "the best new rhythm section in jazz! --NY Times." The Jazz Journalists Association awarded Moran with the "Up-n-Coming Jazz Musician" of 2003. Moran topped The Downbeat Critics Poll in three categories in 2003 and 2004 - Rising Star Jazz Artist, Rising Star Pianist, Rising Star Composer.

In 2005, his blues homage, Same Mother was released. This same year he received the first ever Playboy Jazz Artist of the Year award. Artist in Residence debuted in 2006 and showcased Moran's signature brilliance with ambitious undertakings. In the span of one year, Moran accepted and recorded three separate commissions from three pre-eminent and very diverse American arts institutions: The Walker Art Center in Minneapolis, the Dia Art Foundation, and Jazz at Lincoln Center.

In 2007, Moran was commissioned to create IN MY MIND: Monk at Town Hall, 1959, the critically-acclaimed multi-media performance investigating Thelonious Monk's famous recording, Monk at Town Hall. IN MY MIND examines Monk's process of creating this seminal concert using audio of conversations with Monk and the arranger Hal Overton.

This personal experience has been transformed into a feature documentary entitled IN MY MIND by director Gary Hawkins. The film premiered at the 13th Annual Full Frame Documentary Festival, and will have a special screening with the New York Public Library in April as part of the Jazz Loft Project exhibition.

Not surprising, the legendary Monk had a pivotal role in influencing young Moran to become a jazz musician. In 1981, at the age of six, the Houston native began studying the piano, but longed to quit until he first heard the sounds of Monk, an experience that established an early role model in Moran's creative development. Moran later honed his musical education at New York's Manhattan School of Music.

Music education still plays a central role in Moran's life. He is on the piano faculty at Manhattan School of Music. He has been lecturer/instructor at Yale University, Dartmouth University, University of Pennsylvania, Eastman School of Music, The Kennedy Center, The New School, New York's Museum of Modern Art, Banff Center for The Arts, Denmarks' Vallekilde Jazz Camp, Skidmore and Stanford Jazz Workshop.

A musician of diverse cultural interests, Moran is a connoisseur of modern furniture design who now exclusively performs in a chair specially built for him by the Danish designer Susanne Forsgreen. He is also a devotee of the painter Jean Michel Basquiat whose work continues to fuel his "Gangsterism..." series of compositions first heard on his debut's instant classic "Gangsterism on Canvas." That series reappears twice on Same Mother's opening and closing numbers, "Gangsterism on the Rise" and "Gangsterism on the Set," which correlate stride and dissonance.

Moran has performed and/or recorded with artists Cassandra Wilson, Wayne Shorter, Charles Lloyd, Dave Holland, Marian McPartland, Don Byron, Joe Lovano, Greg Osby, Steve Coleman, Von Freeman, Andrew Hill (duo), Uri Caine (duo), Bunky Green, Sam Rivers, Lee Konitz, Paul Motian, Chris Potter, Jenny Scheinman, Christian McBride, and Stefon Harris.

Product Description

"In 1999, the same year that Jason Moran released his debut Soundtrack To Human Motion, the prodigy pianist and composer also joined New Directions, a band made up of young stars from the Blue Note roster that went on tour in celebration of the label's 60th anniversary. At the core of New Directions was the genesis of a rhythm section-with Moran, bassist Tarus Mateen, and drummer Nasheet Waits-that would go on to become one of the most enduringly creative piano trios in jazz. Ten years later, the trailblazing trio-which Moran has since dubbed The Bandwagon-headed into Avatar Studios in Manhattan to record Ten, the most assured and focused album of Moran's acclaimed career, a snapshot of a mature band with a decade of shared musical experience from which to draw."

Customer Reviews

4.1 out of 5 stars
(11)
4.1 out of 5 stars
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Most Helpful Customer Reviews
39 of 44 people found the following review helpful
5.0 out of 5 stars Ten-acious Trio June 26, 2010
Format:Audio CD|Verified Purchase
Overview:
Ten celebrates 10 years of Jason's bandwagon band with a release of new songs and arrangements. While previous bandwagon CDs tended to be driven by a concept, this CD is just straight forward playing by the trio. Bandwagon is made of up Jason Moran on piano, Nasheet Waits on drums, and Tarus Mateen on bass. In my opinion Jason is the top jazz pianist playing today. Of course there are many other pianists equally deserving this title, but for my taste Jason is the best. His technical ability is phenomenal. He can solo equally well with both hands, and can solo with both hands at the same time. He has his own distinct style and personality which you can hear not only in his compositions, but also, in his arrangements of standards. His style is modern sounding, primarily post bop, but with a touch of free jazz, and avante garde. From both his playing style and compositions you can tell he is a deep thinker.

This is my favorite Jason Moran CD to date. The CD features 6 songs written by Moran, 1 co-written by Moran and Andrew Hill, 1 by bassist Mateen, 1 by Thelonious Monk, 1 by Leonard Bernstein, 1 by Jaki Byard (a former teacher of Moran), and 2 versions of a song written by Conlon Nancarrow. The CD has a good mix of up tempo songs, and ballads. The only area I see for improvement would be to write some bigger parts for drummer Nasheet Waits. He plays great throughout the CD, but doesn't really get a chance to show off his skills. Typically you see more opportunities for the drummer to show off their stuff in a piano/bass/drums format. Overall a great CD and a must have for fans of the piano/bass/drums format, pianists, and Jason Moran fans.

Song Highlights:

Gangsterism over 10 years - This song has a raucous Wild West swinging feel to it.
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4 of 5 people found the following review helpful
5.0 out of 5 stars monk, know monk, the innards November 15, 2011
Format:Audio CD
Ten is moran at his best. his style of playing finds space in unexpected places. foremost on compositions by thelonious monk. on Ten, moran describes his treatment of monk's Crepuscule with Nellie as tampering. monk's compositions command a scored approach, forcing musicians to interpret his work with the subtlety of say the best interpreters of a beethoven sonata, no matter how talented and original the sound of the artist, all of the notes scored are expected to be executed without deviation. moran more than tampers, he goes in like a surgeon or a focused bird of prey, a promethean eagle for particular viscera, slowly moving about parts, while leaving the body of monk recognizable as monk, but with a replaced organ or, to extend my metaphor, in removing the organ, his devouring becomes a form of borrowing, and when he's done with his improvisation, and flown away, the next musician to fly along has monk intact to contend with. i say Ten is moran at his best, but what takes place here is a group effort so neat seams do not show. call mateen on bass and waits on drums moran's wings.

moran's gangsterism pieces over a ten year span, inspired by the artist, jean-michael basquiat, are turning out to be variations on a theme of erato by andrew hill in the tradition of bach's Goldberg Variations. i suspect i'm not the only listener of moran's music to play his gangsterism pieces in tandem as they fly out the studios.

a single irritant, Feedback PT. 2, contains the deliberate overlay of feedback as tribute to the legendary jimi hendrix in concert. otherwise, a superb piano trio cd.
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7 of 10 people found the following review helpful
5.0 out of 5 stars The best Jazz album of 2010 April 5, 2011
By Dave
Format:Audio CD|Verified Purchase
Voted the best Jazz album of 2010 by the Village Voice Critics Poll, and certainly deserved it. Virtuoso playing with a heck of a lot of soul. This is where jazz is today.
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5.0 out of 5 stars perfect for the winter blahs March 2, 2014
By ladyday
Format:Audio CD|Verified Purchase
This really is a breakout album for Moran. The pieces are clever and whimsical, but understated. And it's not so avante garde that the casual listener -- ie, Mr. Day -- can't enjoy the album as well. I've been playing it often during the cold afternoons of this endless winter, and find it challenging but contemplative.
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5.0 out of 5 stars Great CD February 21, 2013
Format:Audio CD|Verified Purchase
I have never heard about Jason until I read about it on a magazine, and I can tell you that his music is extraordinary.....
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1 of 2 people found the following review helpful
5.0 out of 5 stars One of his best September 17, 2011
Format:Audio CD|Verified Purchase
I'm a big Jason Moran fan and this latest CD doesn't disappoint in the least. His style and creativity are as strong as ever. This is a must for Jason Moran fans and a good introduction for those who aren't so familiar with him.
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