From Publishers Weekly
Hughes, who surprised the political world by leaving her post as counselor to President Bush in July 2002, to pursue a more normal family life in Texas, here offers a relentlessly upbeat account of life as Bushs chief communications strategist. Hughes begins by detailing her upbringing as an army brat, her career as a TV reporter in Texas and her entry into politics as a press officer for the 1984 Reagan presidential campaign. The heart of the story is her relationship with Bush ("my boss"), whom she has served since his 1994 campaign for governor of Texas. Hughes praises Bushs "laser-like" mind, humble spirit and moral courage; she also praises almost everyone else in the administration, including political strategist Karl Rove, with whom she was reported to have frequently sparred. And not surprisingly for a famously disciplined, on-message spokesperson, she directs her most pointed barbs at those who leak information to the press. While Hughes doesnt offer a balanced take on Bush and company, then, she does offer something equally tantalizinga deep insiders take on what it is like to work at the side of the most powerful man in the world. She also provides Bush fans with a well-crafted, robust paean to the president. And both these reasons are why this book has found a place on major national bestseller lists.
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From AudioFile
Hughes describes the juggling she had to do in her demanding roles as counselor to President Bush, wife, mother, and active church member. A dynamo of energy, she has a natural ability to spin facts that made her invaluable to the Bush White House. Eventually, however, the call of family responsibilities resulted in her resignation and return to Texas with her husband and son. There she keeps in daily touch with the White House via a special telephone line and frequent visits to Washington. Her account of the horror of 9/11 is particularly effective, as are her conversations with women friends who face the same career/family conflicts she does. Production shortcomings include dialogue repetition, hurried chapter introductions, and bland theme music. L.C. © AudioFile 2004, Portland, Maine--
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