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Some of those shut out of the industry weren't even actual Communists, but ran into them as part of broader leftist activities. Character actor Lionel Stander, for example, became an actor in order to support his extravagant lifestyle; when the film jobs disappeared, he waited out the studios on the stock market. "It seems that if my face or figure got on the screen, so delicate was the balance of the American socioeconomic and political scene at the time that I would throw the thing right off the tightrope," he recalls drolly. "But I could go to Wall Street and invest the savings of widows and orphans with impunity." At turns mirthful and tragic, Tender Comrades presents an unfiltered perspective on the cold war that should be studied by anyone interested in the effects of a government persecuting its own people. --Ron Hogan
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Most Helpful Customer Reviews
3 of 3 people found the following review helpful:
5.0 out of 5 stars
Very Interesting,
By Dorothy (New York City) - See all my reviews
This review is from: Tender Comrades: A Backstory of the Hollywood Blacklist (Paperback)
I had the opportunity to work with Kim Ornitz, whose grandfather, Samuel Ornitz was part of the Hollywood ten, and he gave me this book to review.
While much of the stories and anecdotes encased in this work moves very slowly, the work itself projects some interesting ideologies. It is well written, and details the perspectives of many who fell victim to the red scare during the McCarthyism period. A must read for any film buff out there.
16 of 23 people found the following review helpful:
5.0 out of 5 stars
Image shattering,
By
This review is from: Tender Comrades: A Backstory of the Hollywood Blacklist (Hardcover)
I grew up midwestern 1950's, in a hotbed of Mc Carthyism. Needless to mention, my ingrained image of who and what was a communist was somewhat different from the thoroughly humanized portraits that emerge in the pages of the book. Not that the interviews with individual victims of the blacklist result in glamorized or enviable cameos. They don't. Instead, we get a glimpse of what life was like for people of strong conviction who defied the fashion of their day even when it cost them dearly. The fact that most were communists was enough to demonize them in the eyes of so many of us, who, when it comes right down to it, were victims ourselves.
To those who have been assailed by America's peculiarly virulent strain of anti-communism, please read the book. It won't make a communist of you, but it will give you second thoughts about a political culture that regularly demonizes its opposition, whoever that may be. The interviews reveal not only an America that was, but in many ways an America that still is. The individual stories themselves are fascinating. The names are ones you may have seen briefly on a late night movie credit crawl. Here they come alive in their own words, names and faces that were on the screen one day, then gone the next. Not celebrities, but the kind of people who made movies memorable because they brought more than varying degrees of talent to their work, they brought social commitment. I hope the authors soon bring us a similar volume on non-Hollywood victims of the purges, of which, I gather, there were thousands. Folks without marquee names, but with their own stories to tell about how the world was made safe for democracy.
1 of 1 people found the following review helpful:
5.0 out of 5 stars
Deal or No Deal: Will you trade honor for career?,
By
Amazon Verified Purchase(What's this?)
This review is from: Tender Comrades: A Backstory of the Hollywood Blacklist (Paperback)
That was the question during the "red scare" in Hollywood. Ironically, the government knew all the names of everyone involved in the Communist Party. What they wanted from Hollywood directors, actors, and writers was humble submission...give us names, pledge allegiance to the flag, abandon your liberal stances. As explained in this book...the issue was never whether the individual was to the right or to the left. It was always an issue of morality and honor. Many very impressive actors and directors bowed to political pressure. This book is the oral history of those...who did not. For example, Allen Boretz was offered a half million dollars for a popular script that could be turned into a film...but the deal included one extra condition - he had to confess his associations with others in the communist party, an organization he left years before. He explained that even if he was offered 900 million dollars for the script, he would not betray confidences. How many of us possess that kind of courage?
It's a good idea to read this book in conjunction with "An Empire of Their Own: How the Jews Invented Hollywood" by Neal Gabler. Fundamentally, this is an essential story of the movie industry, and by extension, America. Interviews with very intelligent persons (mostly scriptwriters - some directors...some actors/actresses) cover several topics: The individual's life in Hollywood, what attracted them to film business, their contributions to the art of filmmaking, their private thoughts about other actors and films, the reason they were attracted to liberal and sometimes communist party positions, and their lives after the blacklist. Obviously, there is some very interesting Hollywood "gossip" that might fascinate film buffs. (For example, how scriptwriter John Bright helped James Cagney get his big break in the gangster role in "Public Enemy.") But the larger theme is the Hollywood Blacklist and the very harsh impact it had on the people who protested against it. Dalton Trumbo summarized the era best: "I look back on two decades through which good friends stood together, moved forward a little, dreamed that the world could be better and tried to make it so, tasted the joy of small victories, wounded each other, made mistakes, suffered much injury, and stood silent in the chamber of liars."
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