Review
On judging a book by its cover: Depending on the p.o.v., one could either be drawn into or turned off by the depiction of an unseasoned, nubile, nude Tennessee (cut off discreetly at the waist) against a vibrant blue background above the dunes and edged in shocking pink. Since this is a slim paperbound volume, some snap judgments might be drawn. They would most likely all be wrong. What Kaplan, Williams specialist and "curator" of the newly inaugurated Provincetown Tennessee Williams Festival, has done is to produce a carefully researched scholarly monograph concentrating on the four summers (1940, 41, 44, 47) that Williams spent in P-town.... Much of the story told here by Kaplan is new material. He dug into archives, interviewed many survivors of the P-town days, and found the original text of the one-act play "The Parade," that was wrenched from the anguished Williams after the loss of his first love Kip Kiernan (Bernard Dubowsky), a twenty-two year old Canadian dancer. The play, says Kaplan, written in July and August of 1940, was lost, like the love it depicts, and not rediscovered until years later.... Recommended for all theater collections and personally for Williams afficionados. RICHARD M. BUCK, The New York Public Library for the Performing Arts (Retired). Copyright 2007 Theatre Library Association. All rights reserved. --Broadside, vol 34, no 2 (Winter 2007)
Product Description
Tennesse Williams in Provincetown is the story of Tennesse Williams' four summer seasons in Provincetown, Massachusetts: 1940, '41, '44 and '47. During that time he wrote plays, short stories, and jewel-like poems. In Provincetown Williams fell in love unguardedly for perhaps the only time in his life. He had his heart broken there, perhaps irraparably. The man he thought might replace his first lover tried to kill him there, or at least Williams thought so. Williams drank in Provincetown, he swam there, and he took conga lessons there. He was poor and then rich there; he was photographed naked and clothed there. He was unknown and then famous--and throughout it all Williams wrote every morning. The list of plays Williams worked on in Provincetown include The Glass Menagerie, A Streetcar Named Desire, Summer and Smoke, the beginnings of The Night of the Iguana and Suddenly Last Summer, and an abandoned autobiographical play set in Provincetown, The Parade. Tennessee Williams in Provincetown collects original interviews, journals, letters, photographs, accounts from previous biographies, newspapers from the period, and Williams' own writing to establish how the time Williams spent in Provincetown shaped him for the rest of his life. The book identifies major themes in Williams' work that derive from his experience in Provincetown, in particular the necessity of recollection given the short season of love. The book also connects Williams mature theatrical experiments to his early friendships with Jackson Pollack, Lee Krasner and the German performance artist Valeska Gert. Tennessee Williams in Provincetown, based on several years of extensive research and interviews, includes previously unpublished photographs, previously unpublished poetry, and anecdotes by those who were there.