Tenor Arias from Italian Opera

Luciano Pavarotti | Format: MP3 Download

Product Details

• Original Release Date: November 13, 2007
• Release Date: November 13, 2007
• Label: Decca
• Copyright: (C) 2007 Decca Music Group Limited
• Record Company Required Metadata: Music file contains unique purchase identifier. Learn more.
• Total Length: 51:37
• Genres:
• ASIN: B000Y94V7A
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #257,025 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)

Customer Reviews

Most Helpful Customer Reviews

4 of 4 people found the following review helpful:

5.0 out of 5 stars Pavarotti's voice at its best, October 23, 2009

By 

Ralph Moore "Ralph operaphile" (Bishop's Stortford, UK) - See all my reviews
(TOP 500 REVIEWER)   

Amazon Verified Purchase

This review is from: Luciano Pavarotti Sings Tenor Arias from William Tell, I Puritani, Don Pasquale and Others (Audio CD)

In this recital CD, a youthful Pavarotti sings nine arias: eight favourites including extended excerpts from "Guglielmo Tell" and "Trovatore" and a rarity, "Io conosco un giardino" from Petri's "Maristella". Four are with the Vienna Philharmonic conducted by Callas' long-time accompanist Nicola Rescigno and the other five are with the New Philharmonia ably conducted by the then husband of Mirella Freni (like Pavarotti, from Modena) Leone Magiera. Pavarotti is supported by the Ambrosian Singers in "Com'e gentil" and a variety of competent comprimario singers, including a young Arleen Auger. In other words, Decca spared no expense in their production of recordings by their star tenor property.

As a result, Pavarotti made a dozen or so mostly superb recitals for Decca and here is a very pleasing selection, showcasing his voice in finest estate. He is thrilling, expressive, tender and impassioned, only very occasionally lapsing into the slightly irritating glottal habit but mostly singing with flawless legato and pellucid enunciation of the text. He was exceptionally consistent in his prime and there is little difference between these arias and the complete opera recordings of the Rossini, Bellini or "La Boheme". Particularly fine is his gentle moulding of that most affectingly plangent of arias, "E la solita storia"; the shading of his mezza voce and pianissimi is truly beautiful. It is easily my favourite item on this disc and gives the lie to the accusation that Pavarotti just stood and sang in stentorian manner.

This album makes a lovely companion piece to his earlier Verdi and Donizetti recital conducted by Edward Downes. Between them, those two discs illustrate what the fuss was all about.