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Terry Gilliam: Interviews (Conversations with Filmmakers)
 
 
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Terry Gilliam: Interviews (Conversations with Filmmakers) [Paperback]

David Sterritt (Editor), Lucille Rhodes (Editor)
4.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

Conversations with Filmmakers February 13, 2004

This collection of interviews with the renowned filmmaker, animator, artist, and member of the Monty Python comedy troupe covers the phases of his career from his early work as a cartoonist and animator through his most recent and most difficult projects.

Among many subjects, Gilliam discusses his formative years as an artist and humor-magazine cartoonist, his move from the United States to England, his entry into British television, and his success as resident animator for the Monty Python's Flying Circus television show.

As co-director of Monty Python and the Holy Grail and as director of Jabberwocky Gilliam made his advent as a maker of feature films, followed by such popular movies as Time Bandits and The Fisher King. A mixture of critical acclaim and film-studio animosity greeted his epic Brazil. Gilliam discusses all these, as well as the damage The Adventures of Baron Munchausen did to his career and the disasters that plagued his attempt to film a time-travel comedy called The Man Who Killed Don Quixote after the commercial disappointment of his unexpectedly acerbic Fear and Loathing in Las Vegas.

In his conversations with a diverse array of interviewers Gilliam talks about an eclectic succession of topics, including his idiosyncratic tastes in painting and architecture, his fascination with the art and history of medieval Europe, his outspoken hostility for the commercial film industry, his views on comedy, fantasy, and film, and his philosophical perspectives on contemporary society.

"I like the idea," he says, "of actual demons sucking your brains out--envy and greed, these things being tangible. It's somehow on a common level, a more sensible way of dealing with the world. . . ."

David Sterritt is film critic for the Christian Science Monitor and a professor of theater and film at Long Island University and Columbia University. He is the editor of Robert Altman: Interviews and Jean-Luc Godard: Interviews (both published by the University Press of Mississippi).

Lucille Rhodes, an independent filmmaker who lives in New York City, is a retired professor of film at Long Island University.


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Editorial Reviews

From Booklist

Director Sam Fuller famously noted that "film is a battleground." That certainly seems to be the case for Gilliam, whose struggles to get his personal combination of visual flamboyance and an idiosyncratic worldview on screen have become as renowned as his movies. His battles with studio heads over his dystopian epic, Brazil, are the stuff of legend, and the 2000 meltdown of his decade-long effort to film Don Quixote was the subject of a recent documentary. The 18 interviews collected here make a strong case for Gilliam, who began his filmmaking career creating animations for Monty Python's Flying Circus, as a reasonable man working in the inherently unreasonable world of Hollywood. The conversations cover Gilliam's post-Python career, from the surprise hit Time Bandits through further hits (The Fisher King, Baron Munchausen) and some misfires (Fear and Loathing in Las Vegas) to the ironically quixotic quixote project, which Gilliam insists he will resume. Throughout, Gilliam comes across as outspoken, intelligent, and highly entertaining--qualities he shares with his impressive oeuvre. Gordon Flagg
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

Review

"I like the idea of amazing and astounding people. That's great, and that's what I do for a living." - Terry Gilliam"

Product Details

  • Paperback: 227 pages
  • Publisher: University Press of Mississippi (February 13, 2004)
  • Language: English
  • ISBN-10: 1578066247
  • ISBN-13: 978-1578066247
  • Product Dimensions: 8.9 x 6.1 x 0.8 inches
  • Shipping Weight: 13.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,134,704 in Books (See Top 100 in Books)

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1 of 1 people found the following review helpful:
4.0 out of 5 stars valuable, if often rather repetetive collection of interviews with Gilliam over a 30-year career, September 29, 2009
By 
Muzzlehatch (the walls of Gormenghast) - See all my reviews
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This review is from: Terry Gilliam: Interviews (Conversations with Filmmakers) (Paperback)
I haven't taken a look yet at the Faber & Faber "Gilliam on Gilliam" which I suppose could be seen as a competitor to this book. If the format to that is similar to their "Scorsese on Scorsese", it might be a better choice for an overview collection, at least if you want to cut to the quick. The problem with this generally solid book is that it often gives multiple interviews done at approximately the same time - sometimes on the same promotional tour for the same film - so it can often seem like going over similar or identical ground twice or even three times.

That said, it's still a valuable book for the Gilliam fan or completist. The interviews date back to his work on MONTY PYTHON AND THE HOLY GRAIL (1975), his first film as director (co-directed with Terry Jones, the only time he has collaborated on helming duties) and continuing up through FEAR AND LOATHING IN LAS VEGAS (1998) and his attempted and aborted (though conceivably soon-to-be-reactivated as I write this) film of THE MAN WHO KILLED DON QUIXOTE in 2002-3. Gilliam is an expansive, highly cine-literate, entertaining and witty subject - especially when paired with a fellow Python as he is a couple of times. Some of the interviews are transcriptions of live sessions in front of audiences or for TV, others are the more typical sitting-in-a-hotel-lobby press type. The director's interest in comics, the middle ages, and the nature of fantasy and dreams come up again and again, as well as politics and his rage against much of what he sees wrong with America (a country he left more or less for good in the late 1960s for England) over his lifetime. He has certainly softened somewhat as he has reached middle age and is entering his autumnal years, and is often much more generous in later interviews towards onetime foes such as Sid Sheinberg (producer and near-destroyer of BRAZIL) than in earlier, more wrathful and youthful periods.

The interviews range from quite short - 3 or 4 pages - to pretty lengthy, 40 or more pages - and given, as I said, the repetetive nature of the multiple interviews/same time period structure, you might find as I did that skipping around the book is more interesting. Recommended certainly for the fan, but you might have a look at the Faber & Faber volume as well.
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Inside This Book (learn more)
First Sentence:
HE CERTAINLY LOOKS ENGLISH: Cockney face, spiky-cut long hair, bright corduroys. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
studio people, wonderful film
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Monty Python, New York, Time Bandits, Terry Gilliam, Fisher King, Twelve Monkeys, Holy Grail, Baron Munchausen, Los Angeles, Terry Jones, Tex Avery, Bruce Willis, John Cleese, Middle Ages, Las Vegas, Michael Palin, Brad Pitt, Eric Idle, Life of Brian, The Defective Detective, Alex Cox, Blade Runner, Chuck Jones, Graham Chapman, Harvey Kurtzman
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