I write as someone with an English ancestry going back three centuries and a passionate love for Hardy's novels and poetry. I live within five miles of Dorset and have visited practically all the towns and villages mentioned by Hardy using his Wessex aliases. I was prepared to scoff at Tess - Polish director on the run from US police, a German girl in the title role, French locations and finance...even a mock Stonehenge. I was wrong, hopelessly wrong. Today I remain in total thrall to this movie, Roman Polanski and Nastassja Kinski. I believe it is an artistic masterpiece just as important in its own way as an Old Master painting or a Shakespearean sonnet. Tess has enriched my life, and, having it watched it at least 50 times, provides an enduring source of pleasure to me. Yes, there are moments that jar - Nastassja's occasionally-heard Teutonic accent as in "Let me see that ledder (letter)" and, in one hilarious moment, even balalaika music - but I can forgive them without the slightest hesitation. I know the area in which Hardy set Tess, and, astonishingly - as he filmed it in Normandy - Polanski has managed to recreate some Dorset settings with almost mystical skill. Marnhull, or Hardy's Marlot, for example, has a real-life church on a hill that can be seen for miles - so does the village as seen in the film. Was it accidental, or just another example of Polanski's passion for detail and authenticity for which he is justly renowned? Unfortunately, Nastassja has made some real lemons since Tess and sadly she may never turn in another performance of such outstanding brilliance. Or will she? Hardy's remaining works may give her that chance. How would she fare, for example, as Bathsheba in Far From the Madding Crowd? If you want my opinion, divinely.