From Publishers Weekly
Gently stripping the life of Jesus bare of its mythical trappings, Ricci (The Book of Saints, etc.) presents a lyrical, searching version of the biblical tale, grounding his work in the historical realities of the time and telling Jesus' story from four different perspectives. Two of the novel's narrators, Judas and Jesus' mother, Mary, eschew supernatural explanations of Jesus' ministry and describe him as an eccentric, depressive genius. The other two narrators, Mary Magdalene and a shepherd named Simon of Gergesa, witness moments in Jesus' ministry that they believe to be otherworldly. Set against each other, these four accounts reveal the ways in which ordinary acts come to seem miraculous, through repetition and suggestion. The biblical interpretation of key events is re-examined, too. In Ricci's novel, the pretext for Jesus' arrest and eventual crucifixion is not his betrayal by Judas, but his association with him, since Judas is part of an insurrectionist group. And when Jesus' body disappears from the tomb, Simon of Gergesa assumes this has to do with the practice of paying Roman guards to look the other way while family members claim crucified bodies. At a deeper level, Ricci seeks to present Jesus as a man whose powers spring simply from great compassion and the ability to see beyond appearances. Ricci's lucid, thoughtful storytelling and his ability to shed fresh light on an oft-told tale makes this a valuable entry in the annals of fiction inspired by the Gospels, from Renan's Life of Jesus to Jim Crace's Quarantine.
Copyright 2003 Reed Business Information, Inc.
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Ricci is Canadian, but his renown is international, based on his best-selling trilogy of autobiographical novels,
The Book of Saints (1991),
In a Glass House (1995), and
Where She Has Gone (1998). His latest book is a stunning historical novel that will only enhance his high reputation. Basically, it is a reconstruction of the life of Jesus. That said, what Ricci does is build an absolutely beautiful, rigorously intelligent, fiercely thoughtful fictional biography that views the historical Jesus from the perspective of four individuals who knew him: Judas, Mary Magdalen, his mother, and a young fictitious shepherd. Historical novels, to be successful, must create an atmosphere appropriate to the times ("historical plausibility," as Ricci refers to it) and understand the psychology of living in that particular time and place. Ricci accomplishes both splendidly, from seeing Judas' role as a participant in a liberation movement against Rome (which is the basis of his view of Jesus) to Mary's rape by a Roman soldier, which resulted in the birth of the boy she called Jesus. Ricci's interpretation will spark controversy among readers with a background in religion; those who simply enjoy well-grounded historical novels as well as a lovely prose style will appreciate it for its fictional merits alone. Expect demand based not only on publicity but also word of mouth.
Brad HooperCopyright © American Library Association. All rights reserved
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