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Testament VOL 04: Exodus
 
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Testament VOL 04: Exodus [Paperback]

Douglas Rushkoff (Author)
4.0 out of 5 stars  See all reviews (1 customer review)

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Testament VOL 04: Exodus + Testament VOL 03: Babel + Testament Vol. 2: West of Eden (Testament)
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Product Details

  • Paperback: 144 pages
  • Publisher: Vertigo (August 19, 2008)
  • Language: English
  • ISBN-10: 1401218113
  • ISBN-13: 978-1401218119
  • Product Dimensions: 6.6 x 0.3 x 10.3 inches
  • Shipping Weight: 11.5 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,124,264 in Books (See Top 100 in Books)

More About the Author

Winner of the first Neil Postman award for Career Achievement in Public Intellectual Activity, Douglas Rushkoff is an author, teacher, and documentarian who focuses on the ways people, cultures, and institutions create, share, and influence each other's values. He sees "media" as the landscape where this interaction takes place, and "literacy" as the ability to participate consciously in it.

His ten best-selling books on new media and popular culture have been translated to over thirty languages. They include Cyberia, Media Virus, Playing the Future, Nothing Sacred: The Truth about Judaism, and Coercion, winner of the Marshall Mcluhan Award for best media book. Rushkoff also wrote the acclaimed novels Ecstasy Club and Exit Strategy and graphic novel, Club Zero-G. He has just finished a book for HarperBusiness, applying renaissance principles to today's complex economic landscape, Get Back in the Box: Innovation from the Inside Out. He's now writing a monthly comic book for Vertigo called Testament.

He has written and hosted two award-winning Frontline documentaries - The Merchants of Cool looked at the influence of corporations on youth culture, and The Persuaders, about the cluttered landscape of marketing, and new efforts to overcome consumer resistance.

Rushkoff's commentaries air on CBS Sunday Morning and NPR's All Things Considered, and have appeared in publications from The New York Times to Time magazine. He wrote the first syndicated column on cyberculture for The New York Times and Guardian of London, as well as a column on wireless for The Feature and a new column for the music and culture magazine, Arthur.

Rushkoff founded the Narrative Lab at NYU's Interactive Telecommunications Program, and lectures about media, art, society, and change at conferences and universities around the world.

He is Advisor to the United Nations Commission on World Culture, on the Board of Directors of the Media Ecology Association, The Center for Cognitive Liberty and Ethics, and as a founding member of Technorealism. He has been awarded Senior Fellowships by the Markle Foundation and the Center for Global Communications Fellow of the International University of Japan.

He regularly appears on TV shows from NBC Nightly News to Larry King and Bill Maher. He is writing a new monthly comic book for Vertigo, and developed the Electronic Oracle software series for HarperCollins Interactive.

Rushkoff is on the board of several new media non-profits and companies, and regularly consults on new media arts and ethics to museums, governments, synagogues, churches, and universities, as well as Sony, TCI, advertising agencies, and other Fortune 500 companies.

Rushkoff graduated magna cum laude from Princeton University, received an MFA in Directing from California Institute of the Arts, a post-graduate fellowship (MFA) from The American Film Institute, and a Director's Grant from the Academy of Motion Picture Arts and Sciences. He has worked as a certified stage fight choreographer, and as keyboardist for the industrial band PsychicTV.

He lives in Park Slope Brooklyn with his wife, Barbara, and daughter Mamie.

 

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1 of 1 people found the following review helpful:
4.0 out of 5 stars A Fitting, If Strange, Conclusion, October 12, 2008
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This review is from: Testament VOL 04: Exodus (Paperback)
Spoilers May Be Included In This Review

Testament always suffered from the problem that the bible stories were the more fascinating component. This last book wraps up the struggle between humans, gods and their new god, currency by allowing humans to transcend into the realm of the gods. It feels, rightfully so, since it was canceled early, that this was a stopgap ending, and much more was desired to be explored. Regardless, it works, we see our characters end up where they need to be, and the ideas toyed with are novel. I would love for Rushkoff to tackle another comics project, be it series length or a mini-series.
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