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Testaments Betrayed: An Essay in Nine Parts
 
 
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Testaments Betrayed: An Essay in Nine Parts [Hardcover]

Milan Kundera (Author), Linda Asher (Translator)
4.7 out of 5 stars  See all reviews (6 customer reviews)


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Book Description

September 1995
The author of the modern classic novel The Unbearable Lightness of Being, and one of the masters of 20th century fiction composes a brilliant essay that celebrates the art of the novel. From Rabelais and Cervantes to Flaubert, Tolstoy, Kafka and Hemingway, Kundera traces the history of the novel from its birth through its flowering in successive centuries..


Editorial Reviews

Amazon.com Review

Milan Kundera, one of the twentieth century's masters of fiction and author of The Unbearable Lightness of Being and Immortality, offers a brilliant and thought provoking essay, following in the tradition of his highly regarded The Art of the Novel. Testaments Betrayed is written like a novel: the same characters appear and reappear throughout the nine parts of the book, as do the principal themes that preoccupy the author. Kundera once again celebrates the art of the novel, from its birth in a spirit of humor unique to European culture and sensibility - illustrated by some wonderful examples from the work of Rabelais and Cervantes - through its flowering in successive centuries. He celebrates the particular wisdom the novel offers about human existence.

From Publishers Weekly

In this stimulating, free-form essay, Czech novelist Kundera (The Art of the Novel) traces the evolution of the novel from Rabelais to Kafka and draws parallels between literature and music as he shuttles effortlessly among Tolstoy, Nietzsche, Chopin, Thomas Mann, Bach and Andre Breton. The betrayals implied by the title include conductor Ernest Ansermet's rejection of the music of his erstwhile friend Igor Stravinsky; the halfhearted support for Salman Rushdie by intellectuals who misconstrued his Satanic Verses as an attack on religious faith; and Hemingway biographer Jeffrey Meyers's "kitsch-making" interpretations, which, in Kundera's view, confuse Hemingway's life with his fiction. Another alleged "testament betrayed" involves Max Brod, Kafka's friend and literary executor, accused here of promoting an image of Kafka as saintly martyr. Because of Brod, Kundera argues, Kafka's works tend to be read either as autobiographical or as religious allegories instead of as "the real world transformed by an immense imagination." First serial to the New York Review of Books.
Copyright 1995 Reed Business Information, Inc.

Product Details

  • Hardcover: 288 pages
  • Publisher: Harpercollins; 1st edition (September 1995)
  • Language: English
  • ISBN-10: 0060171456
  • ISBN-13: 978-0060171452
  • Product Dimensions: 9.2 x 5.6 x 1.1 inches
  • Shipping Weight: 1 pounds
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #1,975,570 in Books (See Top 100 in Books)

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Average Customer Review
4.7 out of 5 stars (6 customer reviews)
 
 
 
 
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15 of 16 people found the following review helpful:
5.0 out of 5 stars Read This Book, June 22, 2000
This is one of the most important books I've ever read. It is of interest, of course, to people involved with literature, music, translation, or who are interested in Kafka, Picasso, Hemmingway, Stravinsky, or others Kundera talks about. But I think the real importance of this book applies to any reader. It has to do with Milan Kundera's beautiful illustrations as to how we as humans try to make our own heroes everyone else's heroes, too, and in the process destroy many of the things we value and love about them. This is a vital idea in the modern world, where celebrity, biography, and voyeurism are always so present. Also, the statements Kundera makes on the nature of friendship inspire deep reflection on the qualities of our relationships with those we hold dear.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars A fantastic & amusing trip through the history of the novel, March 19, 1997
By A Customer
In Testaments Betrayed, Kundera describes the waning days of modernism (focusing on the novel) in an historical (and at times hysterical) light. But what makes this book of interest to people who usually like to read novels rather than critiques of novels, is Kundera's marvelous ability to combine the lucid explanation and analysis of ideas with marvelous wit that seems almost foreign to serious tone of most modern literary criticism. In reading Testaments Betrayed I repeatedly experienced the wonderfully paradoxical feeling of laughing because of the profoundness, the very seriousness of Kundera's ideas
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4 of 4 people found the following review helpful:
5.0 out of 5 stars A moving book on Western Culture, the novel and music.`, February 4, 1999
By A Customer
This is a moving book, written in Kundera`s clear, humorous style which talks about the novel and warns us from distortions of novels` meanings by translators who do not understand the authors. Kundera`s love for his art and breadth of vision is astounding and his teachings on life and philosophy on which this book is based on are very inspiring. Reading this brilliant masterpiece we will learn one thing: history- we can never get rid of history: "how sweet it would be to forget that monster". The suitable book for lover`s of Milan Kundera.
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First Sentence:
The pregnant Madame Grandgousier ate too much tripe, and they had to give her a purgative; it was so strong that the placenta let go, the fetus Gargantua slipped into a vein, traveled up her system, and came out of his mama's ear. Read the first page
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Modern Era, Max Brod, The Satanic, Franz Kafka, Recherche du Présent Perdu, Thomas Mann, Orson Welles, The Joke, Following Brod, Hills Like White Elephants, Hunger Artist, Pierre Bezukhov, The Cunning Little, Hermann Broch, Sir Charles Mackerras, The Possessed
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