Customer Reviews

Testimonies: A Novel

5 star:		(10)
4 star:		(2)
3 star:		(1)
2 star:		(0)
1 star:		(0)

 

 

Patrick O'Brian is more than a writer. He's a publishing phenomenon via his superb Aubrey-Maturin series.
But TESTIMONIES was his first novel, originally published in 1952. It tells of an English professor of Welsh origins, Joseph Pugh, who abandons teaching at Oxford and moves to a cottage in Wales. There he explores the primal mountain back country and tries to understand the farming culture of his ancestral land. A lonely, middle-aged bachelor, Pugh can hardly keep house, even to basics--cooking, cleaning, maintaining his clothes. He has never known intimacy, let alone close friendship, but he falls fatally in love with the wife of his sheep-farmer neighbor Emyr Vaughan, a violent man . . . He pines for months, keeping his love sickness to himself, but when he becomes gravely ill he is taken into the Vaughan house, where he and Bronwen discover each others' feelings, with tender reserve. The denouement is poignant, inevitable, yet O'Brian handles this difficult material deftly, without over-writing. For a beginning writer in his 20s this is masterful work at the pinnacle of writing.
An acute recorder of time and place, human behavior and motivation, action and reaction, O'Brian uses words persuasively, passionately, a craftsman to the core. He captures country, culture and character with Hardy's lyrical affection, idiosyncratic ethnicity, thoughtfully observed. His meticulous work is reminiscent of the great American writers Faulkner, Steinbeck and Capote, or O'Brian's fellow Brits John Fowles and William Golding.
Back in 1952 O'Brian anticipated with TESTIMONIES the struggle for relationships, understanding and love in an era--the last half of the 20th century--in which men and women judge and choose first from ethnic or cultural biases or appearances or political/social correctness and only later, maybe, start to understand each other and become acquainted. Or is xenophobia genetic, eternal?
Fast forward to Norton's republishing of TESTIMONIES in 1983. We see that beyond Aubrey-Maturin, O'Brian had the chops in 1952, though few knew and it took many years for many of us to find him. Doris Lessing in the '90s offered two books under assumed names to test the market for unknowns. Result: rejection (she couldn't even get the books read!). So how many others like O'Brian flower unknown, unappreciated? What is their 'testimony?'
Napoleon allegedly remarked that ability is useless without opportunity. O'Brian won his opportunity, finally, and made the most of it. We are the beneficiaries and TESTIMONIES is the proof--res ipsa loquitur.
This book is one of those few that is unforgettable and will remain in the mind and heart for the rest of the reader's life.

I cannot describe how much I think of this book, even 4 years after reading it. How many books have that effect?! For me, it was one of the most vivid renderings of passion, loneliness, the relationship between men and women, and most importantly, the parallel of our emotional state to the land we occupy. The country of Wales was just as powerful as the relationship between the characters in the novel. What more can you ask for? Find a quiet spot and read this book!

I can only describe the book's effect on me. I was unable to put the book down until finished, and then unable to forget the story. Don't expect a happy ending story in the vein of OBrian's Seafaring historical novels. This novel is very different.

Having been so affected by this book, it is so pleasing to see the unanimity of readers. I finished the book last evening and have been engrossed all of today without waning; it just won't go away. What a mavelous love story where passion is never enjoined except in the spirit. What a painful tragedy that leaves one stunned and wishing himself dead. What a range of humanity. What a blessing on us all that there are writers of the power and imagination of Patrick O'Brian.

This book hit me hard. Both with the sheer power of its carefully choosen words and the awesome might of its collective stories. And there is more than one story here. There is the tale of the rugged, unforgiving land of Wales and the equally hard people it has produced; there is the parable of a tragic entanglement between two people who do everything to avoid it; and there is the epic hint of a final justice for the characters, and a final truth for us all. I read this novel four years ago this summer and I can still vividly recall the ecstasy of emotion that I felt when I finished it.

As much as I love the Aubrey/Maturin series, I could wish the author never had been distracted by them, and away from this kind of early work. Testimonies is darker than anything in the sea-faring books and much more mysterious. The impact of the book is indescribable. A wonderful read.

I only bought this book because I'm a big fan of his seafaring series. I really did not like his Rendezvous at all.

Normally I would much rather walk over hot coals than read a romance novel. But this book hooks you from the beginning. It starts in a timid way about a timid man and gradually builds toward a real tragedy.

Descriptions of Wales and the people are well done. But kind of disheartening to read how unkind people can be towards each other ...for no real reason....just spite and meanness. I guess people are the same everywhere.
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As the other reviewer mentioned, this book will affect you. It stays with you after you finish it. Not normally something that happens to me.

O'Brian conveys the feel of rural Wales in the fifties perfectly. I cared what happened to Pugh and Bronwen. I cared not a jot for the fate of any of the characters in the Catalans.

Perhaps one of the more interesting parts of this book, I thought, was the introspective view of the world situation as voiced by Pugh to Bronwen. Keeping in mind this was originally published in 1952 that would mean some of what was at issue for O'Brian was the Cold War and the nuclear threat, but it is fairly easy to interpret the concerns as equally applicable to today. The threat is different but the results on the human psyche are the same, as are Bronwen's curious response asking how that relates to the idea that a person has a soul.
Other interesting tidbits include Pugh's description of characters such as Lloyd, Ellis, and Skinner. Loved this bit on Skinner: "The stuff he adduced was such an intolerable farrago of rubbish that I was shocked that it should have imposed upon a man of education and some reading. It was such an incoherent, verbose mumbo-jumbo, with esoteric twaddle jostling Gnosticism, scholarship of the lucus a non lucendo order that I could not refrain (burning with my private fire) from saying some sharp things about his authors." (p. 124)
I had no issue with the person playing "Q" assuming it was just a rhetorical device.

This is the sort of book that, when you finish the last page, compels you to sit in silence for at least half an hour, contemplating it. It doesn't allow you to pick up another book right away because you don't want to break the spell that's been cast over you, and the spell lingers for hours and days.
I already knew, from the Aubrey-Maturin books, that O'Brian was a master of characterization and of plot and action, but here, with the sailing and the battles removed, I could see even more clearly how masterful his prose is. It is hauntingly beautiful.
Like some other reviewers, I was confused and unsure what to think of the ending. There was a part of me that thought O'Brian was pulling a fast one, which I didn't like, but the other part of me was so enamored of the characters and the writing that I just didn't care. Especially when you consider that this was his first novel, you simply can't ask for better. It has echoes of Hardy, or even (if you remove all the melodramatic passion--just my opinion) of Wuthering Heights, with the harsh but beautiful landscape mirroring the harsh but beautiful people.
Highly recommended.