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Tetro


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Product Details

  • Actors: Vincent Gallo
  • Directors: Francis Ford Coppola
  • Format: Multiple Formats, AC-3, Closed-captioned, Color, Dolby, NTSC, Subtitled, Widescreen
  • Language: English
  • Subtitles: English, Spanish
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 2.35:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Lions Gate - Mongrel Media
  • DVD Release Date: May 4, 2010
  • Run Time: 127 minutes
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (32 customer reviews)
  • ASIN: B0035L1PHI
  • Amazon Best Sellers Rank: #128,871 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Tetro" on IMDb

Special Features

None.

Editorial Reviews

Product Description

Fresh-faced and naive, 17-year-old Bennie (Alden Ehrenreich) arrives in Buenos Aires to search for his older brother who has been missing for more than a decade. The family had emigrated from Italy to Argentina, but with the great musical success of their father Carlo (Klaus Maria Brandauer), an acclaimed symphony conductor, the family moved from Argentina to New York. When Bennie finds his brother, the volatile and melancholy poet Tetro (Vincent Gallo), he is not at all what Bennie expected. In the course of staying with Tetro and his girlfriend Miranda (Maribel Verdú), Bennie grapples with his brother and the haunting experiences of their shared past in this widely acclaimed film by legendary director Francis Ford Coppola.

Amazon.com

Even assuming one agrees that Tetro is Francis Ford Coppola's "best since Apocalypse Now," as one pundit put it, that's not saying a whole lot--the three decades since the latter film, the culmination of a decade (the 1970s) in which Coppola also turned out the first two Godfather chapters and The Conversation, haven't exactly witnessed an unbroken string of artistic and commercial triumphs for the director-writer-producer. Still, Tetro, a breathtakingly gorgeous film addressing such timeless themes as dark family secrets and father-son rivalries, has a great deal going for it. As the story begins, soon-to-be 18-year-old Bennie Tetrocini (Alden Ehrenreich) finds himself in Buenos Aires, where the cruise ship on which he works has stopped for repairs. As it happens, that's also where his half-brother Angelo (Vincent Gallo), who now calls himself Tetro, lives with his smart, pretty girlfriend, Miranda (Maribel Verdu). But when Bennie appears at the couple's apartment, his reception isn't exactly warm and fuzzy. Tetro, an unfulfilled writer (he's "a genius without enough accomplishments," says Miranda), is an angry, bitter fellow who has long since ceased all contact with his family, admonishing his sibling that "in our family, love is a quick stab in the heart." Most of his rage is directed toward his father (Klaus Maria Brandauer, seen only in flashback), a world-famous symphony conductor and a profoundly conceited, cruel man, but there's more--much more, and as Tetro grudgingly lets Bennie into his life, shocking incidents and revelations of many long-hidden truths ensue. Most of this is presented in luminous black and white (the flashbacks are in color), courtesy of cinematographer Mihai Malaimare Jr.; the film is wonderful to look at, and Coppola's sure hand behind the camera combines with evocative music, the richness of the setting, and some excellent acting to make Tetro a vivid and rewarding viewing experience. Copious bonus material includes a director's commentary track and a clutch of featurettes. --Sam Graham

Stills from Tetro (Click for larger image)



Customer Reviews

Well acted, great story, somewhat relate-able with a twist ending.
M. White
Tetro is a beautiful film that feels like an evocative book and I wonder if Coppola was mindful of this while writing the original screenplay or during filming.
Goughy
His best since "Apocalypse Now" is definitely "Bram Stoker's Dracula".
Hudson

Most Helpful Customer Reviews

31 of 39 people found the following review helpful By Jacques COULARDEAU on January 30, 2010
Format: DVD
This film cannot in any way be summarized without destroying all possible pleasure in the spectator or viewer. It is a film that is full of various keys and enigmas, each one about what follows or what precedes, anaphora and cataphora melting into catatonia.

Let's say that Coppola deals here with the eternal theme of the relation between the father and the son but he multiplies the relation like with a mirror and ends up with the impossibility to know who the father is and who the son is, who the fathers are and who their sons are.

He then multiplies the rivalries and desires of all type, sexual, emotional, professional or whatever among and around these men. We don't know who made who and who is made by whom, and when these binary relations turn ternary, the trios are absolutely undecipherable. The father makes the son and the son makes the father, for sure, but in what order and in what direction.

This brings us to a far more interesting aspect of the film. The creative act itself, the act of procreation sublimated into a work of literature or drama, into writing, front side back and back side front and maybe some other possibilities too. Then this act is at once surrounded by the ambition, the jealousy and the greed of all those who could in a way or another put their grubby hands onto the work of art and especially the royalties that could be generated by success. And we come to the idea that it takes far more than one father to produce a work of art and the work of art is the son of far more than one father. And anyway this work of art is nothing but a lie and a confused disguise for the real reality that the main concerned people do not want to let out.
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6 of 6 people found the following review helpful By Grady Harp HALL OF FAMETOP 100 REVIEWERVINE VOICE on May 30, 2010
Format: DVD
Francis For Coppola has created a major cinematic miracle in his TETRO. The film is hauntingly beautiful to see, to hear, and to challenge the minds of the viewers. This is what great cinema is all about - taking the risks of storytelling to the impossible extremes available to only the great writer/directors such as Federico Fellini, Alain Resnais, Alexander Sokurov, François Truffaut, Jean Renoir, Akira Kurosawa, Ingmar Bergman, and Luis Buñuel. Heady company, this, but Coppola rises to the occasion with this multilayered exploration of family secrets and the dissection of the concept of 'genius' - all in the quiet guise of autobiographical references that make this work more than simply one of his many successful films. He has the grace to select artists of his own caliber to assist him: the cinematography (as complex a marriage of rich black and white and stunning color as anyone has achieved) is by Mihai Malaimare, Jr.; the musical score is by the brilliant Argentinean composer Osvaldo Golijov whose atmospheric compositions mesh perfectly with the influential moments of Puccini, Brahms, Offenbach, and Delibes; and a group of actors whose range of talent spans decades of experience and levels of finesse. It all works to one end, and that end is a celebration of a master's art of making memorable film.

The setting is Buenos Aires where Tetro (Vincent Gallo), a writer of plays and novels, all incomplete and written in code and confusing manner - never having published any of his output, lives with Miranda (the brilliant Maribel Verdú), a doctor at the 'insane asylum' where she met Tetro as her patient.
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17 of 23 people found the following review helpful By D. Hartley on May 3, 2010
Format: DVD
It's official now. With his latest film, Tetro, a mad fever dream of a family angst drama that plays out like a telenovela on acid, Francis Ford Coppola has become Colonel Kurtz. OK, perhaps I exaggerate a tad. I don't really mean to insinuate that the venerable 70-year old director has literally gone completely around the bend in his new film; but as an artist, it signals that he has come full circle-in a sort of insane fashion. Back in 1963, under the auspices of the famously "no-budget" producer Roger Corman, a then 24-year old Coppola wrote and directed a B & W horror cheapie called Dementia 13. The story revolved around a twisted family with dark secrets; and in one scene I seem to remember one of the family members creeping about the estate wielding an axe. While it's not techinically "horror", one could thumbnail Tetro as a B & W film revolving around a twisted family with dark secrets; and, oddly enough, there is a scene wherein a family member creeps about an estate...wielding an axe.

Coppola has cooked up a Tennessee Williams meets Douglas Sirk family stew (with just a hint of balletic Powell and Pressburger opera tossed in for flavoring). Tetro (Vincent Gallo) is an ex-pat living in Buenos Aires with his therapist turned girlfriend Miranda (Mirabel Verdu). Tetro is a troubled soul; a highly gifted but unpublished writer-poet with a history of mental breakdowns who has willfully estranged himself from his family (for complex reasons that are unraveled in very deliberate, sudsy fashion). He is quite chagrined when an unwelcomed boulder comes smashing through this wall of self-imposed exile in the form of his younger brother Bennie (Alden Ehrenreich), who shows up on his doorstep one day.
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