Tetro 2008 R CC

Amazon Instant Video

(25) IMDb 6.9/10
Available in HD

Legendary director Francis Ford Coppola delivers his first original screenplay since THE CONVERSATION - and his most autobiographical work ever - in this hauntingly beautiful drama shot entirely in Argentina.

Starring:
Vincent Gallo, Maribel Verdú
Runtime:
2 hours 8 minutes

Available in HD on supported devices.

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Tetro

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Tetro [Blu-ray]

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Product Details

Genres Drama
Director Francis Ford Coppola
Starring Vincent Gallo, Maribel Verdú
Supporting actors Maribel Verdú, Silvia Pérez, Rodrigo De la Serna, Erica Rivas, Mike Amigorena, Lucas Di Conza, Adriana Mastrángelo, Klaus Maria Brandauer, Leticia Brédice, Sofía Gala, Jean-François Casanovas, Carmen Maura, Francesca De Sapio, Ximena Maria Iacono, Susana Giménez, Pochi Ducasse, Nora Elisabeth Robles, Pedro Arturo Calveyra
Studio Lionsgate
MPAA rating R (Restricted)
Captions and subtitles English Details
Rental rights 24 hour viewing period. Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

Customer Reviews

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See all 25 customer reviews
This is a very important concept to understand for the evolution of life on this planet.
Jagran Frank Laurie
Tetro is a beautiful film that feels like an evocative book and I wonder if Coppola was mindful of this while writing the original screenplay or during filming.
Goughy
Coppola has made an intriguing set of characters, though I found myself not really caring about them.
Hudson

Most Helpful Customer Reviews

30 of 38 people found the following review helpful By Jacques COULARDEAU on January 30, 2010
Format: DVD
This film cannot in any way be summarized without destroying all possible pleasure in the spectator or viewer. It is a film that is full of various keys and enigmas, each one about what follows or what precedes, anaphora and cataphora melting into catatonia.

Let's say that Coppola deals here with the eternal theme of the relation between the father and the son but he multiplies the relation like with a mirror and ends up with the impossibility to know who the father is and who the son is, who the fathers are and who their sons are.

He then multiplies the rivalries and desires of all type, sexual, emotional, professional or whatever among and around these men. We don't know who made who and who is made by whom, and when these binary relations turn ternary, the trios are absolutely undecipherable. The father makes the son and the son makes the father, for sure, but in what order and in what direction.

This brings us to a far more interesting aspect of the film. The creative act itself, the act of procreation sublimated into a work of literature or drama, into writing, front side back and back side front and maybe some other possibilities too. Then this act is at once surrounded by the ambition, the jealousy and the greed of all those who could in a way or another put their grubby hands onto the work of art and especially the royalties that could be generated by success. And we come to the idea that it takes far more than one father to produce a work of art and the work of art is the son of far more than one father. And anyway this work of art is nothing but a lie and a confused disguise for the real reality that the main concerned people do not want to let out.
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5 of 5 people found the following review helpful By Grady Harp HALL OF FAMETOP 50 REVIEWERVINE VOICE on May 30, 2010
Format: DVD
Francis For Coppola has created a major cinematic miracle in his TETRO. The film is hauntingly beautiful to see, to hear, and to challenge the minds of the viewers. This is what great cinema is all about - taking the risks of storytelling to the impossible extremes available to only the great writer/directors such as Federico Fellini, Alain Resnais, Alexander Sokurov, Franois Truffaut, Jean Renoir, Akira Kurosawa, Ingmar Bergman, and Luis Buñuel. Heady company, this, but Coppola rises to the occasion with this multilayered exploration of family secrets and the dissection of the concept of 'genius' - all in the quiet guise of autobiographical references that make this work more than simply one of his many successful films. He has the grace to select artists of his own caliber to assist him: the cinematography (as complex a marriage of rich black and white and stunning color as anyone has achieved) is by Mihai Malaimare, Jr.; the musical score is by the brilliant Argentinean composer Osvaldo Golijov whose atmospheric compositions mesh perfectly with the influential moments of Puccini, Brahms, Offenbach, and Delibes; and a group of actors whose range of talent spans decades of experience and levels of finesse. It all works to one end, and that end is a celebration of a master's art of making memorable film.

The setting is Buenos Aires where Tetro (Vincent Gallo), a writer of plays and novels, all incomplete and written in code and confusing manner - never having published any of his output, lives with Miranda (the brilliant Maribel Verdú), a doctor at the 'insane asylum' where she met Tetro as her patient.
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17 of 23 people found the following review helpful By D. Hartley on May 3, 2010
Format: DVD
It's official now. With his latest film, Tetro, a mad fever dream of a family angst drama that plays out like a telenovela on acid, Francis Ford Coppola has become Colonel Kurtz. OK, perhaps I exaggerate a tad. I don't really mean to insinuate that the venerable 70-year old director has literally gone completely around the bend in his new film; but as an artist, it signals that he has come full circle-in a sort of insane fashion. Back in 1963, under the auspices of the famously "no-budget" producer Roger Corman, a then 24-year old Coppola wrote and directed a B & W horror cheapie called Dementia 13. The story revolved around a twisted family with dark secrets; and in one scene I seem to remember one of the family members creeping about the estate wielding an axe. While it's not techinically "horror", one could thumbnail Tetro as a B & W film revolving around a twisted family with dark secrets; and, oddly enough, there is a scene wherein a family member creeps about an estate...wielding an axe.

Coppola has cooked up a Tennessee Williams meets Douglas Sirk family stew (with just a hint of balletic Powell and Pressburger opera tossed in for flavoring). Tetro (Vincent Gallo) is an ex-pat living in Buenos Aires with his therapist turned girlfriend Miranda (Mirabel Verdu). Tetro is a troubled soul; a highly gifted but unpublished writer-poet with a history of mental breakdowns who has willfully estranged himself from his family (for complex reasons that are unraveled in very deliberate, sudsy fashion). He is quite chagrined when an unwelcomed boulder comes smashing through this wall of self-imposed exile in the form of his younger brother Bennie (Alden Ehrenreich), who shows up on his doorstep one day.
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