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Chamoiseau begins in the present with the arrival of an urban planner, whom the residents of Texaco mistake for Christ. It then spins back in time to the birth of Esternome and the death of his father, who was suspected of witchcraft by a white plantation owner. In myriad short sequences, the novel follows Esternome's progress as he is first freed by his master, then drawn away from the plantation by the lure of St. Pierre--"City" in the minds of the disenfranchised black population of Martinique. He is eventually washed up on the outskirts of Fort-de-France, which becomes "City" after St. Pierre is destroyed by a volcanic eruption. With the birth of Marie-Sophie, Chamoiseau takes the reader into the present century--through two world wars, riots, famine, political turmoil. The tension always simmers between "City," a metaphor for France, and the countryside where black Martinique's collective consciousness resides. --This text refers to an out of print or unavailable edition of this title.
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Most Helpful Customer Reviews
11 of 11 people found the following review helpful:
5.0 out of 5 stars
Excellent! Pure Oiseu de Cham!,
By marcia m mayne (New York, NY United States) - See all my reviews
This review is from: Texaco: A Novel (Paperback)
It took me a little while to get into the rhythm of this book...I had just recently finished reading another book with a more linear storyline, but I kept at it and was rewarded with a wonderful, highly nuanced, passionate, and an ultimately funny story told by Marie-Sophie, Texaco's protector. Texaco, the place, is the heartbeat of the Creole nation of Martinique. Texaco, the book is peppered with ideas that are more eloquently described by Creole words or phrases. Chamoiseau is a brilliant writer who for me recalls Gabriel Garcia Marquez and Umberto Eco. I highly enjoy his work.
7 of 7 people found the following review helpful:
5.0 out of 5 stars
Beautifully writted and translated mosaic,
By powar@cibc.com (New York, New York) - See all my reviews
This review is from: Texaco: A Novel (Paperback)
Chamioseau has written a beautifully compelling novel that traces the sources of conflict and conciliation among the peoples of Martinique through the experiences over two centuries of a father and daughter. Told largely through the eyes of Marie-Sophie, the daughter, the book traces the emergence of Martinican society through her experiences and those of her father, Esternome, within, without, above, below, beyond and through all elements of the island culture. Marie-Sophie and Esternome live and brush against the lives of each of the contributing elements of modern Martinican society -- plantation slaves, maroon escapees, free blacks, Creoles, poor white underclass, and white "beke" aristocracy. Each tile of this mosaic is lovingly painted, whether it displays steadfast endurance, sexual bliss, or stubborn cruelty. Each section can be surprising as displayed under a different light. Viewed as a whole, the glory of the complete work surpasses, but can not be distingushed from, the sum of its parts. Chamoiseau thus demonstrates that the Martinican civilization is itself the harmonious sum of seemingly dissonant parts. Collective history is made up of individual stories -- some profound, some profane. The stories -- the lives -- of the strugglers, the stragglers can not be ignored. Their lives are the history, the essence, the being of the island. They must not be bulldozed into oblivion. Texaco must survive.
5 of 5 people found the following review helpful:
5.0 out of 5 stars
Oiseau de Cham sings of New History,
By hfancy@spenceschool.org (New York City) - See all my reviews
This review is from: Texaco: A Novel (Paperback)
From beginning to end, Chamoiseau provides a delightful yet difficult read. This challenging text is not for the faint of heart for it pushes the reader to read contrapuntally, against the grain; in fact, one is not so much reading as listening. A brilliant translation of the French captures this challenge. The prose is startingly original, and the turns of phrase will spark devotion.The reader is asked to trace the history of Sophie Laborieux as she labors to carve a space for herself in a History that will not hear her. Texaco represent the dangers in all post-imperial nations not only external, as the title suggests, but also internal, the loss of imagination, creativity, heterodoxy. What emerges, in short, is a personal yet univeral narrative, one that bridges the gap between story telling and history making. This text aligns itself with other notable works by Amin Maalouf, Salman Rushdie, and Ben Okri.
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