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The Texas Stories of Nelson Algren
  
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The Texas Stories of Nelson Algren [Hardcover]

Nelson Algren (Author), Bettina Drew (Editor)
3.5 out of 5 stars  See all reviews (2 customer reviews)


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Book Description

1995
Larry McMurtry once wrote that Nelson Algren held the best literary claim to the Rio Grande Valley of Texas, though few people realize that "the poet of the Chicago slums" ever lived or wrote here. Yet it was in Depression-era Texas that Algren developed his instinctive need to speak for the powerless--a need that made him one of the foremost chroniclers of the American outcast. The Texas that Algren understood was a world where impoverished people lived among simmering yet casual violence, a world where the law--racist, abusive, and corrupt--ruled with an utter ruthlessness and power.

The Texas Stories vividly re-creates this now-vanished world. The collection includes "So Help Me," winner of a 1935 O'Henry Award; "The Last Carousel," which won the 1972 Playboy Fiction Award; and the early "Thundermug," a piece that was censored when it appeared in the radical Windsor Quarterly in 1935. Here too is Algren's unique retelling of the legend of Bonnie and Clyde. Including work from more than four decades, The Texas Stories provides a much-needed overview of Algren's artistic development. It will be enthusiastically welcomed by Algren fans, Texans, literary scholars, Western historians, and many others.


Editorial Reviews

From Library Journal

Best known for his tales of urban slums, Algren also wrote eloquently about the Rio Grande Valley of Texas. He first experienced this region in 1932 as a wandering college graduate who could find no job. Surrounded by desperation and casual violence, Algren produced semi-autobiographical stories like "So Help Me," which dramatizes brutal exploitation. Set apart by his Jewishness, Algren also observed and recorded episodes of racism and discrimination. After stealing a typewriter, Algren spent several weeks in jail, and this experience provided impetus for his pervasive theme of the individual oppressed by corrupt authority. Later works in this collection, like "The Last Carousel," provide more detached and bemused treatments of Algren's Texas experiences. Spanning more than four decades, these 12 stories display nicely the evolution of Algren's style. Recommended both for historical interest and literary merit.?Albert E. Wilhelm, Tennessee Technological Univ., Cookeville
Copyright 1995 Reed Business Information, Inc.

Product Details

  • Hardcover: 179 pages
  • Publisher: University of Texas Press; 1st edition (1995)
  • Language: English
  • ISBN-10: 0292715773
  • ISBN-13: 978-0292715776
  • Product Dimensions: 8.7 x 5.7 x 0.7 inches
  • Shipping Weight: 15 ounces
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #6,032,134 in Books (See Top 100 in Books)

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1 of 1 people found the following review helpful:
4.0 out of 5 stars 30's era "Texas Stories" rings with a contemporary resonance, October 16, 1997
"The Texas Stories of Nelson Algren." Edited and with an introduction by Bettina Drew. University of Texas Press, 1995

In "Texas Stories", Nelson Algren - the"bard of the stumblebum" best known for his 1949 novel "The Man With The Golden Arm" - peoples his hardscrabble vignettes with the flotsam and jetsam of Depression-era America ; characters who obsessively drift across the desolate and windswept Texas landscape like so many sagebrushes tumbling down the gullies of a prairie ghost town.

But even though the tramps, loners, carnival hustlers, whores, illiterate Okies and Mexican convicts on the run gathered in these 14 short stories and sketches written at different stages of Algren's long career belong to an era long since passed, "Texas Stories" rings with a surprisingly contemporary resonance.

This is because Algren, who died in 1981, blends a sharply honed psychology with his trenchant social protest, avoiding cheap sentimentality by focusing as equally on the tragic-comic and grotesque aspects of his character's motives as he does on the underlying economic and social wrongs that have sent them spinning to their fate.

At his best, in short stories like "Kewpie Doll", the balance works superbly. Here a mundane, almost descriptive account of a boisterous crowd of poverty-stricken rural towns people pilfering a train for winter coal yields sharply to a horrifying conclusion - the decapitation of a child on the tracks as the train takes off, all the more tragic for its seeming randomness.

Curtis Price

Baltimore, USA

cansv@igc.apc.org

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2 of 3 people found the following review helpful:
3.0 out of 5 stars Better examples of his short stoties elswhere, June 12, 1999
By 
k.plant@unn.ac.uk (Newcastle, United Kingdom) - See all my reviews
The majority of the short stories in this book are early attempts of parts of his first novel: Somebody in boots. These stories show the promise of the writer to come, but, unless you are a ardent fan, there are better collections of his short stories than this on the market.
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