Introduction It's an era of rebirth and what do you see? Take a close look. Textured hairstyles are everywhere. Sexy cornrows and bushy afros work the runways of Paris and Milan, the sidewalks of both Tokyo and Philadelphia, as well as the sweaty courts of the NBA and WNBA. Locs and twists adorn the heads of your favorite celebrities. It's no wonder. Textured Hair is Beautiful Hair!
Most women desire something other than what they already have, especially when it comes to our own hair. We want longer, fuller, thicker hair with more manageability, control, flexibility, and options. Well, I have one word for you -- texture. Texture will give you everything you're seeking and then some. Textured hair allows you to have it all.
Sometimes reinvention is the mother of invention. With that said, I'd like to offer a new spin on something we've known all along. Texture is what you can see with your eyes and feel to the touch. Texture, as it relates to hair, refers to the straightness or curliness of the hair's surface, yet it is also the softness, roughness, or coarseness, if you will. Texture is straight, wavy, curly, very curly, and tightly coiled hair, too. Cornrows, afros, locs, twists, braids, and knots are styles with texture. Texture is what we all desire and want.
No longer must we apologize for our textured hair. Instead we should celebrate, love, and appreciate our God-given texture. This begins with taking pride in acknowledging that certain styles originated from specific regions in Africa. The Samburu people of the Massai Tribe in Kenya and Tanzania wore locs first.
The Samburus were herders who lived above the equator. Before becoming warriors, the young boys prepared their hair with ochre, a red clay mask. The boys would fling their ochre-colored hair in the face of girls they wanted to meet and the girls would flirt back with the young warriors.
The soft, wavy, textured hair like that of the cover model Waris Dirie is common in her homeland of Ethiopia. West Africa is the birthplace of Senegalese twists and many braided styles.
Our flair with textured hair in America is nothing new. It's merely a rediscovery. In the roaring 20s, the Marcel curls and waves were worn by practically every woman, both black and white. In fact, when Cicely Tyson needed to portray a character who wore Marcel waves during that era for the movie Hoodlum, she turned to Helen Graine Faulk, the oldest living cosmetologist at the time in Ohio. Apparently no one on the set knew how to create the waves without relaxing Ms. Tyson's natural hair (which was completely unacceptable to her). Ms. Faulk consulted with Cicely Tyson and created the beautiful waves by pressing her hair and using Marcel irons.
Think back to the shiny, slicked-back ponytail of the lovely Billie Holiday in the 40s, the luscious waves of Dorothy Dandridge in the 40s and 50s, and the fierce yet sexy afro of Pam Grier in the 70s.
Michaela Angela Davis, former editor-in-chief of Honey magazine, remembers getting her hair cornrowed and rocking afros in the 70s. "When the other kids in high school wore relaxers, I wore braids," says Michaela. "In D.C., there were braiders at the museum on Saturdays and Sundays braiding hair."
Remember the long loc extensions of Lisa Bonet in the 80s? Let's not forget Janet Jackson's Casamas braids in Poetic Justice. Many braiders can attest to clients, both regular and new, requesting the "Janet Jackson braids." And no one can deny the impact of Brandy's individual braids worn in various lengths, widths, and styles during the 90s.
Today we see the vibrant wavy hair of Tracee Ellis Ross on UPN's Girlfriends, the exotic cornrow extensions of Alicia Keys and Christina Aguilera, the sensuous, full, naturally coily 'fros of Lenny Kravitz and Maxwell, and the texturized Caesar worn by Blair Underwood in Sex and the City. The possibilities are infinite with Textured Hair.
As a natural hair care specialist, colorist, and precision cutter over the past 15 years, I've seen many of my own textured creations become hair trends, including the Cosmicloc (a loc extension) that appeared in Moods magazine in 1990. In the early 90s, while working with model/owner Peggy Dillard of Turning Heads, one of the top-rated natural hair salons in New York City, I got my first big break. Essence magazine called the salon to request a style that I called the "Twist Out." Since then my work has appeared on their covers and in their fashion and beauty pages. I've also had the privilege of being the Hair and Beauty Advisor of Heart & Soul magazine as well as the first Hair Editor for Honey magazine. However, one of my greatest accomplishments was creating and owning Dyaspora Salon and Spa in New York City. This inspiring, trend-setting salon was created to bring artists together in different forums, such as book signings by authors and original artwork showings by painters, where clients would be pampered in a relaxed, cozy environment. It had been my dream since the day I first entered Robert Fiance Hair Design Institute in New York City, just two years after graduating from Pace University with a bachelor's degree in Business Administration and Marketing. I birthed many young, talented stylists, many of whom went on to open their very own salons.
I firmly believe that it is my calling to educate both consumers and professionals with this informative and inspirational natural/textured hairstyling guide that you hold in your very hands. I am an artist at heart and hair is my first canvas. My color tint brush, my shears, and my hands are my tools. I prep the canvas (your hair) before I lay the foundation for every style, then sketch the style that I create for all textures. The goal is to achieve the look. The maintenance serves as the sketch, the plan.
Many of my clients say that I'm a hairstylist to the stars. They say I have magic hands. But if I could perform any trick, it would be to help you rediscover and fall in love with your textured hair, be it straight, wavy, curly, or tightly coiled. Learning to love your textured hair and truly loving yourself go hand in hand. Trust me, I know from personal experience.
As a child I didn't fully appreciate what beautiful textured hair I had. My hair was thick, curly, and naturally long, but I wanted more manageability. I wanted it straighter, so I tried to roller-set my natural hair. That didn't work. It left my hair puffy and out of control.
Like many of you, I still vividly remember my grandmother pressing my hair. My cousins and I would line up one by one in her kitchen and wait for our turn to get our hair straightened by my grandmother. She pressed each and every one of our heads. My hair was bone straight with tons of oil, and it took quite a few hours to accomplish this task.
As I grew older I learned to care for my own hair. To the surprise of no one, at 15, I became the hairstylist for the entire family -- cutting, styling, braiding, plaiting, and creating coils with a wide-tooth comb.
Like many of you, I've sported every relaxed hairstyle imaginable -- short and long bobs, straight, and asymmetrical, and in practically every color, too! You name it, I wore it and loved it. Yet it was always in the back of my mind to lock my hair.
In 1986, after one full year of contemplation, I decided to shed my relaxed hair and go natural. I wanted to explore and experiment with the God-given texture of my hair. Instead of locking right away, I went to Kinapps, a renowned hair salon I'd read about in Essence, to cut off eight inches of my relaxed hair. As I looked in the mirror and watched Dexter, the barber, gather his shears, I reassured him continuously that this was indeed what I wanted. Dexter was still reluctant. He didn't want me to cut off my thick head of hair, but I insisted. I finally won, though he actually ended up leaving some relaxed hair in the front. Later I would cut it all off.
As I watched him cut my straight hair off inch by inch, it was simultaneously jarring and liberating. Waves of relaxed hair fell past my shoulder and onto the floor, while curly new growth peeked out at my roots.
My boyfriend at the time was shocked and hated it. Quite honestly, it took me a couple of weeks to adjust. But I had made up my mind that I wanted my hair natural and I wanted to lock it. I didn't simply adjust. I made the shift and fell in love with my texture. I began a wonderful, brand-new relationship with my textured hair and we've been in love ever since.
"Textured Hair allows you flexibility and versatility whether worn natural or relaxed," says celebrity stylist Oscar James. Accepting and loving your hair texture will enable you to try all textured hairstyles, providing you with versatility and options. Believe me, I've tried practically every textured hairstyle too, including Caesars; short, medium, and long cuts; braids (micros, cornrows, Cherokee, individuals); coils; twists; Senegalese twists; the Twist Out; flat twists; locs (crimped, rolled, rodded, and colored from black to blonde); and Genilocs. Not only have I had my hair done by African hair braiders, but I've also experimented with fusion and interlocking weaves. Now I don't care whether my hair is long or short. My only concern is that my hair is healthy, shiny, and manageable. If I want longer hair I just add braid extensions. I no longer have to overprocess or over-blow-dry and neither do you. Options, options, we all have options.
We are living in a hair movement. So many of us are wearing our hair natural and free. We should really understand what a privilege it is to be able to wear natural styles in all walks of life. Not long ago, textured styles were viewed as political or unprofessional. Our natural hair pioneers like Sonia Sanchez, Angela Davis, and Nikki Giovanni wore textured styles and were often prejudged and sometimes shunned. However, today we see our people in any profession sporting locs, braids, and twists with much more assuredness and much less retribution.
In Sisters of the Yam,
