The night the stars fell, we could hear the sounds: that low thump-thump from somewhere in the sky, like the beating of some gigantic heart...In Sylvan County, Virginia, strange sounds often accompany the coming of darkness. They drift among the remote and shadowed hills, mountains, and valleys as if with a purpose...cognizant...alive. Like an ominous fugue, this music emanates from portals unknown, weaving a soundtrack for the night itself...a dirge for those who dare to venture into the mysterious and forbidding spheres beyond sound.
--This text refers to the
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Book Description
Editorial Reviews
From the Author
"The stories in THE LAST TRUMPET are set in the fictional southern Virginia locale that has been a part of much of my fiction over the years. Taking off on a tangent from H. P. Lovecraft's 'The Music of Erich Zann', these stories explore the concept of sound as an elemental force, and how interacting with this force has the ability to reshape the nature of reality as we know it."
--This text refers to the
Paperback
edition.
About the Author
Stephen Mark Rainey is author of the novels BALAK, THE LEBO COVEN, DARK SHADOWS: DREAMS OF THE DARK (with Elizabeth Massie), BLUE DEVIL ISLAND, and THE NIGHTMARE FRONTIER; the short story collections FUGUE DEVIL & OTHER WEIRD HORRORS, THE LAST TRUMPET, LEGENDS OF THE NIGHT, OTHER GODS, and THE GAKI & OTHER HUNGRY SPIRITS; the scripts for three DARK SHADOWS audio dramas (THE PATH OF FATE, CURSE OF THE PHARAOH, and BLOOD DANCE); and over 90 published works of short fiction. For ten years, he edited the award-winning DEATHREALM magazine, and has edited three anthologies (SONG OF CTHULHU, DEATHREALMS, and EVERMORE). Mark lives in Greensboro, NC.
--This text refers to the
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More About the Author
The writer is not the infamous Stephen King antihero Mort Rainey, but the far more nefarious author of the novels Dark Shadows: Dreams of the Dark (with Elizabeth Massie, HarperCollins, 1999), Balak (Wildside Books, 2000), The Lebo Coven (Thomson Gale/Five Star Books, 2004), The Nightmare Frontier (Sarob Press, 2006, and in e-book format by Crossroads Press, 2010), and Blue Devil Island (Thomson Gale/Five Star Books, 2007); three short story collections; and over 80 published works of short fiction.
Those with long memories may recall that I edited Deathrealm magazine, from 1987 to 1997. In its decade-long history, Deathrealm won a bunch of nice awards and featured hundreds of short stories, poems, and essays by authors ranging from the most established professionals to young, aspiring first-timers, many of whom proceeded to carve out names for themselves in the horror/dark fantasy field.
In 2004, I edited a new anthology for Delirium Books, titled Deathrealms, which features a wide selection of short stories from the magazine. I've edited a couple of other anthologies as well. The Song of Cthulhu (Chaosium, 2001) features 20 stories of Lovecraftian horror, and in 2006, I co-edited (with James Robert Smith) a new anthology for Arkham House titled Evermore, which features short stories about Edgar Allan Poe.
In summer, 2008, Dark Regions Press released a new collection of my short fiction, titled Other Gods, featuring 16 of my tales. Dark Regions is scheduled to release another collection of my short fiction, titled The Gaki & Other Hungry Spirits in 2011.
Those with long memories may recall that I edited Deathrealm magazine, from 1987 to 1997. In its decade-long history, Deathrealm won a bunch of nice awards and featured hundreds of short stories, poems, and essays by authors ranging from the most established professionals to young, aspiring first-timers, many of whom proceeded to carve out names for themselves in the horror/dark fantasy field.
In 2004, I edited a new anthology for Delirium Books, titled Deathrealms, which features a wide selection of short stories from the magazine. I've edited a couple of other anthologies as well. The Song of Cthulhu (Chaosium, 2001) features 20 stories of Lovecraftian horror, and in 2006, I co-edited (with James Robert Smith) a new anthology for Arkham House titled Evermore, which features short stories about Edgar Allan Poe.
In summer, 2008, Dark Regions Press released a new collection of my short fiction, titled Other Gods, featuring 16 of my tales. Dark Regions is scheduled to release another collection of my short fiction, titled The Gaki & Other Hungry Spirits in 2011.
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Most Helpful Customer Reviews
9 of 9 people found the following review helpful:
5.0 out of 5 stars
Non-derivative Mythos stories - masterful!,
By A Customer
This review is from: The Last Trumpet (Paperback)
Rainey does what so many Cthulhu Mythos fans cannot - he takes the idea of unknowable horror, things that see us as nothing, and places that idea firmly in the modern day without doing a Lovecraft pastiche. His stories in this volume are all connected by locale, but range in horror from trapped heroes, doomed to a grisly fate, to a feisty futuristic heroine, fighting for survival after the stars have become right. Satisfying work, set in the Mythos, but without the standard trappings so many authors feel necessary to throw in (the million moldy volumes, rattling through the entire Old One pantheon, etc.). Highest recommendations. I've just ordered Balak, his novel, after finishing the collection, and can't wait for it to arrive!
8 of 8 people found the following review helpful:
5.0 out of 5 stars
Recommendable R'lyehan reading,
By michael maisch (Tuebingen Germany) - See all my reviews
This review is from: The Last Trumpet (Paperback)
What a bore and nuiscance it is to read through the piles and piles of Lovecraft pastiches that have accumulated in the past decades. Sometimes one is left to wonder why ever H. P. L. encouraged anybody at all to contribute to his phantastic creation, forgetting too soon about some of the writers who have really done a lot to expand the mythos in its masterminds' sense, and to keep it alive through now almost 80 years, people like Fritz Leiber, Ramsey campbell -or Stephen Mark Rainey.Not too full of hope, but impressed by the overwhelmingly positive reviews the book got, I started to read through the first story, and actually became so absorbed that I could not stop until I finished the last page. It is true, Rainey has managed something all too rare: to write explicit Cthulhu-Mythos fiction without being derivative (at least as far as it is possible), bringing in a whole lot of new -and not so new- interesting aspects and ideas with an originality and, particularly, quality of style that would have made H. P. L. proud ! Although the last of the stories seemed to me a little bit like one might imagine the multiplayer mode of the upcoming Doom III-game, it nevertheless gave me some quite unpleasant nightmares (and usually I did not get any from reading horror fiction since I read "The dreams in the witch house" by Lovecraft at age 14). But to get to the point: Rainey's stories are all centred, in a way, around an imaginary Virginia County, surrounding the (fictious) town of Beckham, and around a couple of protagonists that are, often in a subtle way, connected to each other. But apart from that arkhamasque resemblance, the similarity to Lovecraft's imaginary Massachussetts realms ends. The southern background and the distinctly postmodern settings of the stories leave little room for comparison to Lovecraft's creations. A major influence on Rainey's book was obviously the role of SOUND in the opening of vistas into the great (and terrible) beyond, influenced (admittedly) by H. P. L.'s "The music of Erich Zann", and, certainly, some of his other, less explicit, stories & a variety of other sources. Whatever the origins, the idea is presented with overwhelming originality and a sense of weirdness that reminds of some of Ramsey Campbell's best and most disturbing stories in places. All of the stories, which Rainey published over a long period of time, are interconnected in a complex but enjoyable way, with a lot of cross-references, so that one is almost left uncertain whether this is a collection of short stories or a caleidoscopic novel. The more playful of readers may also expect a lot of really enjoyable Mythos in-jokes that offer some relief from the partially almost unbearable darkness of the stories (be prepared e. g., to meet a certain ghoul named "Richard" under the most appropriate circumstances in a story that would have found the approvement even of Lord Dunsany himself, if he'd been in one of his most sinister moods). Rainey manages easily to write in an almost dreamy and surrealistic Dunsanian, as well as in a realistic, dialogue-and action-based, stephenkingesque manner, but always keeps far away from merely copying these or any other writers, particularly never-ever copying H. P. L. himself. Read one of the deceased Lin Carter's stories (whose work as an editor I admire, but, frankly, not his writings) and compare it to one of Stephen Mark Rainey's best efforts as "To be like them", "Sabbath of the black goat" or "The fugue devil", and you will immediately recognize what unfathomable abyss lieth inbetween. Highly recommended. I'm certainly up to buy anything the man has ever written.
7 of 7 people found the following review helpful:
5.0 out of 5 stars
Quality, not Buzzwords,
By
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This review is from: The Last Trumpet (Paperback)
If you love the Cthulhu Mythos for its sheer alienness & imcomprensability instead of for repetative buzzwords (you know them) then this is for you. With his own setting & minimal direct connection with the mythos, Rainey has expanded far beyond the traditional pastiches that make up the majority of material being offered. These stories show how truly brain-twisting impossible realities can affect people. Great reads!
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