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Thar They Blow
 
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Thar They Blow

The Nuclear Whales Saxophone Orchestra (Artist), Kenny Ball (Composer), Ashwin Batish (Composer), Aaron Copland (Composer), Noel George da Costa (Composer), Rach Cztar (Composer), Louis Moreau Gottschalk (Composer), Leroy Anderson (Composer)
4.0 out of 5 stars See all reviews (6 customer reviews) More about this product

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Thar They Blow + Gone Fission + Fathom This
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Product Details


Listen to Samples

To hear a song sample, click on "Listen" by that sample. Visit our audio help page for more information.
 
1. Fanfare for the Common Man
2. Midnight in Moscow
3. Duke Ellington Medley: Do Nothing 'Til You Hear from Me/Come Sunday/C
4. Dancing in the Dark
5. Casbah Shuffle
6. New York City Ghost
7. Sweet Georgia Brown
8. Mold, Mold
9. Humpback Boogie
10. Tiger Rag
11. Souvenir de Puerto Rico
12. Requiem
13. Bugler's Holiday
14. Take Me Out to the Ball Game
15. Also Sprach Zarathustra

On this CD:
  1. Fanfare for the Common Man, for brass & percussion (from Symphony No. 3)
    Composed by Aaron Copland
    with Galen Lemmon, Ashwin Batish, Vince Lateano

  2. Midnight in Moscow
    Composed by Kenny Ball
    with Galen Lemmon, Ashwin Batish, Vince Lateano

  3. Work(s) Duke Ellington Medley (Do Nothing 'Til You Hear From Me, Come Sunday, Caravan)
    Composed by Edward "Duke" Ellington
    with Galen Lemmon, Ashwin Batish, Vince Lateano

  4. Dancing in the Dark
    Composed by Arthur Schwartz
    with Galen Lemmon, Ashwin Batish, Vince Lateano

  5. Casbah Shuffle
    Composed by Ashwin Batish
    with Galen Lemmon, Ashwin Batish, Vince Lateano

  6. New York City Ghost
    Composed by Victor Young
    with Galen Lemmon, Ashwin Batish, Vince Lateano

  7. Sweet Georgia Brown
    Composed by Kenneth Casey, Maceo Pinkard, Ben Bernie
    with Galen Lemmon, Ashwin Batish, Vince Lateano

  8. Mold, Mold
    Composed by Ann Merrell
    with Galen Lemmon, Ashwin Batish, Vince Lateano

  9. Humpback Boogie
    Composed by Art Springs
    with Galen Lemmon, Ashwin Batish, Vince Lateano

  10. Tiger Rag, for ensemble
    Composed by Noel George da Costa
    with Galen Lemmon, Ashwin Batish, Vince Lateano

  11. Souvenir de Porto Rico, marche des gibaros for piano, Op. 31, D. 147 (RO 250)
    Composed by Louis Moreau Gottschalk
    with Galen Lemmon, Ashwin Batish, Vince Lateano

  12. Requiem
    Composed by Rach Cztar
    with Galen Lemmon, Ashwin Batish, Vince Lateano

  13. Bugler's Holiday, arranged for band
    Composed by Leroy Anderson
    with Galen Lemmon, Ashwin Batish, Vince Lateano

  14. Take Me Out to the Ball Game
    Composed by Albert von Tilzer
    with Galen Lemmon, Ashwin Batish, Vince Lateano

  15. Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)
    Composed by Richard Strauss
    with Galen Lemmon, Ashwin Batish, Vince Lateano


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Customer Reviews

6 Reviews
5 star:
 (3)
4 star:
 (2)
3 star:    (0)
2 star:    (0)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.0 out of 5 stars (6 customer reviews)
 
 
 
 
Share your thoughts with other customers:
Most Helpful Customer Reviews

 
9 of 10 people found the following review helpful:
5.0 out of 5 stars Totally enthralling!, September 30, 2000
By J. G. Heiser (Sunninghill, Berks) - See all my reviews
(REAL NAME)   
If you only have one saxophone ensemble CD, it should be from the Whales. And if you don't like saxophone, buy this anyways--you will still like it. Good music is music that sounds good, right?

This CD starts, appropriately enough, with a fanfare (Fanfare for the Common Man), which makes great use of the soprano lead. The lower voices are gradually layered in, but they don't bring out all the horns until the second track, which rotates the leads among all the players, including Don Stevens on the Contrabass.

To put it mildly, the Contrabass sax is more than a bit unusual, and there are only a few in existence. Stevens' horn was fortuitously discovered in a New Jersey warehouse just before demolition. The difference between a more standard quartet and this orchestra is the addition of 50% more players and additional voices. The Whales always supplemented the standard 4 saxes (soprano, alto, tenor, and bari) with sopranino and bass. Adding the contrabsss makes this pure magic. Nobody can listen to a contrabass sax without cracking a smile.

I'm a sucker for Ellington, so when it is played by a talented group of musicians like this--especially a sax ensemble--its irresistable to me. The Ellington medley is exquisite, with a tearful interpretation of "Come Sunday" immediately followed by a novel rendition of "Caravan."

The contrabass totally rocks on "Casbah Shuffle". That thing just kind of thwops-it is almost percussive, which makes a great effect in conjunction with the tabla (the Indian drum that goes `dweep, dweep, dweep') and tam tam. With a soprano lead, it has a real Don Ellis "Electric Bath" kind of feel. This is fun stuff-I can't imagine anyone not liking this.

No group located in a tree-hugging locale like Santa Cruz, CA would name themselves Nuclear Whales if they didn't have a sense of humor, but a novelty number like "Shuffle" is immediately followed by a completely serious number, "New York City Ghost," which is so haunting it gives me goose bumps. Interestingly, they don't identify the soloists, and I'm not sure which of the 3 soprano-players does the lead in this one. For the most part, they arrange their own stuff, but this one is arranged by Lennie Niehaus.

Back to another upbeat number; "Sweet Georgia Brown" must have been written with the saxophone in mind. This is the thwoppiest chart for the contrabass. It's followed by an original vocal piece by baritonist Ann Merrell called "Mold, Mold" that would be perfect for some of the Louis Jordan-inspired swing bands that were popular a couple years back.

The rest of the album is more of the same, alternating grit, swing & jazz with Richard Strauss and Louis Gottschalk. This group can play anything, and it sounds great.

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2 of 2 people found the following review helpful:
5.0 out of 5 stars Much Larger Than Whales!!, April 7, 1999
By A Customer
Folks, this is simply ensemble sax at it's finest! It don't get much better!

Being a lover of Bass Sax, the Contrabass only added more musical jucies to my ears and pulled untold watts from my system!

UNBELIEVABLE arrangements! GENIUS! More genius are the artists! You have no idea what takes as a musician to get to this plateau, and beyond that, get THIS many together as a group and WHALE away!

The NW are the Canadian Brass, only with reeds! And MORE! A MUST if you are an audiophile! If you are a reed player, you already own it. If not, GET IT!

From Dixieland to Classical and everything inbetween, they have it all. The campiness of various tunes exude artististic virtuosity and push the creative envelope!

You MUST hear this on a high end system as I have. Bozak 310-B Concert Masters do very fine with this range of frequences. (28 cycles required--minimum, to hear it all!).

CRANK IT! You will feel things you never felt before! The arrangements are spectacular!!!

A VERY good HIGH quality recording. No limiters or balonery! Just a PURE sound without distortion.

I can't say enough. Simply the best stuff I have heard in YEARS!

I'm in Milwaukee. If you are near or get by here, look me up and HEAR this correctly!

That's how strongly I feel about the Nuclear Whales! Simply a joy and acts as auricle viagra!

Greg Kalkhoff

Call me: 1-414-447-7500 Let's talk Whales!

You will NOT be dissapointed!

Comment Comment | Permalink | Was this review helpful to you? Yes No (Report this)



 
4 of 5 people found the following review helpful:
5.0 out of 5 stars Much Larger Than Whales!!, April 7, 1999
By gkalkhof@execpc.com (Milwaukee, WI) - See all my reviews
Folks, this is simply ensemble sax at it's finest! It don't get much better!

Being a lover of Bass Sax, the Contrabass only added more musical jucies to my ears and pulled untold watts from my system!

UNBELIEVABLE arrangements! GENIUS! More genius are the artists! You have no idea what takes as a musician to get to this plateau, and beyond that, get THIS many together as a group and WHALE away!

The NW are the Canadian Brass, only with reeds! And MORE! A MUST if you are an audiophile! If you are a reed player, you already own it. If not, GET IT!

From Dixieland to Classical and everything inbetween, they have it all. The campiness of various tunes exude artististic virtuosity and push the creative envelope!

You MUST hear this on a high end system as I have. Bozak 310-B Concert Masters do very fine with this range of frequences. (28 cycles required--minimum, to hear it all!).

CRANK IT! You will feel things you never felt before! The arrangements are spectacular!!!

A VERY good HIGH quality recording. No limiters or balonery! Just a PURE sound without distortion.

I can't say enough. Simply the best stuff I have heard in YEARS!

I'm in Milwaukee. If you are near or get by here, look me up and HEAR this correctly!

That's how strongly I feel about the Nuclear Whales! Simply a joy and acts as auricle viagra!

Greg Kalkhoff

Call me: 1-414-447-7500 Let's talk Whales!

You will NOT be dissapointed!

Comment Comment | Permalink | Was this review helpful to you? Yes No (Report this)


Share your thoughts with other customers: Create your own review
 
 
 
Most Recent Customer Reviews

4.0 out of 5 stars This is DEFINITELY worth a listen!
I am a sax player as well as a music teacher and have found this CD to be well worth the money! Not only do you get a wide variety of styles, but you also get to hear one of the... Read more
Published on January 16, 2007 by Amanda Allen

1.0 out of 5 stars DO NOT BUY THIS CD!!!
What a major disappointment. Has this group ever heard of intonation, vibrato, or articulation? There are several spots on this CD where the "ensemble" is just not even close to... Read more
Published on September 17, 2005 by J. Gehring

4.0 out of 5 stars Unusual ensemble, commercially presented.
This saxophone sextet presents an enjoyable, although occasionally silly mix of selections. The CD is worth having if only to hear a sounds of a contra-bass saxophone. Read more
Published on January 30, 1999 by dcraff@erols.com

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Thar They Blow
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