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Product Details
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| 1. If You Got The Money I've Got The Time | |||
| 2. I Love You A Thousand Ways | |||
| 3. Look What Thoughts Will Do | |||
| 4. Shine, Shave, Shower (It's Saturday) | |||
| 5. I Want To Be With You Always | |||
| 6. Always Late (With Your Kisses) | |||
| 7. Mom & Dad's Waltz | |||
| 8. Travellin' Blues | |||
| 9. Give Me More, More, More (Of Your Kisses) | |||
| 10. How Long Will It Take (To Stop Lovin' You) | |||
| 11. Don't Stay Away (Till Love Grows Cold) | |||
| 12. Forever (And Always) | |||
| 13. I'm An Old, Old Man (Tryin' To Live While I Can) | |||
| 14. (Honey Baby Hurry!) Bring Your Sweet Love Back To Me | |||
| 15. Rum 'Em Off | |||
| 16. I Love You Mostly | |||
| 17. Cigarettes & Coffee Blues | |||
| 18. Long Black Veil | |||
| 19. Saginaw Michigan | |||
| 20. She's Gone, Gone, Gone | |||
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Most Helpful Customer Reviews
14 of 14 people found the following review helpful:
5.0 out of 5 stars
Great Introduction To The Legend Of Lefty,
By
This review is from: That's the Way Life Goes: Hit Songs 1950-1975 (Audio CD)
A link between Mississippi's Jimmie Rodgers and California's Merle Haggard, smooth Texas crooner William Orville ("Lefty") Frizzell made #1 with both sides of his 1950 debut: "If You've Got The Money, I've Got The Time" (featuring Madge Suttee's rinky-tinky piano) and "I Love You A Thousand Ways." 1951 brought four simultaneous top-tenners: "I Want To Be With You Always," sappy "Mom And Dad's Waltz," laid-back "Always Late (With Your Kisses)" and a cover of Rodgers' 1931 "Travellin' Blues." But after '54, he only cracked the Top 10 twice: with `59's eerie "The Long Black Veil" (a future cover for The Band, The Chieftains and others) and `63's "Saginaw Michigan" with its final comic twist.
Raven's nicely remastered and annotated 28-song That's The Way Life Goes has nothing Frizzell aficionados don't already have on Varese Sarabande's That's The Way Love Goes collection that covers `70s ABC tracks or Columbia/Legacy's 1950-65 two-CD Look What Thoughts Will Do. Still, it's a fine introduction to a singer who explained, "I wanted to hold one word through a whole line of melody, to linger with it all the way down. I didn't want to let go of that no more than I wanted to let go of the woman I loved."
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