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The '59 Sound


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Audio CD, August 19, 2008
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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Great Expectations 3:09$1.29  Buy MP3 
listen  2. The '59 Sound 3:17$1.29  Buy MP3 
listen  3. Old White Lincoln 3:29$1.29  Buy MP3 
listen  4. High Lonesome 3:09$0.99  Buy MP3 
listen  5. Film Noir 3:37$0.99  Buy MP3 
listen  6. Miles Davis & The Cool 4:16$0.99  Buy MP3 
listen  7. The Patient Ferris Wheel 3:37$0.99  Buy MP3 
listen  8. Casanova, Baby! 3:09$0.99  Buy MP3 
listen  9. Even Cowgirls Get The Blues 3:34$0.99  Buy MP3 
listen10. Meet Me By The River's Edge 3:22$0.99  Buy MP3 
listen11. Here's Looking At You, Kid 3:41$0.99  Buy MP3 
listen12. The Backseat 4:21$0.99  Buy MP3 

Amazon's The Gaslight Anthem Store

Music

Image of album by The Gaslight Anthem

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Biography

The Gaslight Anthem has always been hard; with GET HURT, the New Jersey-based rock ‘n’ roll band get heavy. Since coming together in 2007, the band has joyfully injected aspects of rock’s most universal languages – arena rock and barroom blues, folk and pure pop – into punk’s round hole, ultimately forging its own powerful, populist sound. 2012’s ... Read more in Amazon's The Gaslight Anthem Store

Visit Amazon's The Gaslight Anthem Store
for 7 albums, 11 photos, and 2 full streaming songs.


Frequently Bought Together

The '59 Sound + Handwritten + Get Hurt (Deluxe)
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Product Details

  • Audio CD (August 19, 2008)
  • Original Release Date: 2008
  • Number of Discs: 1
  • Label: Side One Dummy
  • ASIN: B0017V7GTY
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (87 customer reviews)
  • Amazon Best Sellers Rank: #6,875 in Music (See Top 100 in Music)

Editorial Reviews

Although New Brunswick, NJ's Gaslight Anthem have only been around a couple years, they've become one of the punk underground's most celebrated acts. They've toured with Against Me, The Loved Ones, and The Bouncing Souls. Their Side One Dummy debut reconciles their love of classic rock and soul icons Bruce Springsteen, Otis Redding, and Tom Petty with their NJ punk roots to create a unique musical amalgam.

Customer Reviews

Every song is good..no throwaways.
Barbara
The songs are very well written and there are even some lyrics from other songs to add to the story.
Jason Rowe
The Bands other works are excellant as well, The EP, and the Debut album (Sink or Swim).
Erik J. Pierson

Most Helpful Customer Reviews

30 of 30 people found the following review helpful By A. M. Lewis on October 4, 2009
Format: Audio CD
If Social Distortion met The Strokes and invited over the Kings of Leon where they jammed out to Bruce Springsteen and Tom Petty all night, you just might have an idea of what you're going to hear when you drop the needle on "The '59 Sound" by the Gaslight Anthem. From the very moment Great Expectations kicks in, you know you are in for something special. The next two songs only help to further that notion, and by the time you get to the Counting Crows references on the fourth track ("High Lonesome"), you know you're hearing a potentially life changing record. That's a feeling I haven't had in a very very long time, and truth be told, I didn't know if I would ever have it again. Now whether or not this is that kind of album remains to be seen, but it certainly has the potential. Every song is good if not great, and often the songs on this record transition seamlessly into each other, such as when "Miles Davis & The Cool" crashes right into "The Patient Ferris Wheel", which features guest vocals by Dicky F'n Barrett of the Mighty Mighty Bosstones.

"The '59 Sound" sounds like a tribute to all of the bands that The Gaslight Anthem enjoys from another generation. There are obvious hints throughout the record of Tom Petty and especially Bruce Springsteen, and even Creedence Clearwater Revival ("Casanova Baby" starts off suspiciously similar to "Looking Out My Back Door"). Even the titles of the songs ("Meet Me by The River's Edge", "Old White Lincoln") sound like something you'd see on the back of a record from your mom or dad's vinyl collection.

"The '59 Sound" is ultimately one of those unique albums where you feel sort of torn. One part of you wants to call up everyone you know and tell them to go buy it. Another part of you wants to keep it for yourself.
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25 of 28 people found the following review helpful By Christopher T. Witham on August 19, 2008
Format: Audio CD Verified Purchase
This album is made of the songs you would hear the band play in some bar and get lost in the sway of the music with some other aimless soul or just get lost riding into the lonely nights with a pack of cigarettes and a half tank of gas.

This band has amazed me from my first listen, always inspiring the hopeless romantic in me. It's just as well suited to night drives as either of their other albums and continues to deliver exactly like these guys do. I can't say enough for how good they are. Their Sink or Swim and Senor and the Queen albums were my top two albums to listen to both this and last year. I can't get enough.

Trust me, it's worth it. I recommend them to everyone. Three thumbs up!
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17 of 19 people found the following review helpful By Derek on September 2, 2008
Format: Audio CD
Alright, to start with the Gaslight Anthem isn't a punk band. They're on a punk label (more or less) and tour with punk bands, but don't think you're getting a straight up punk cd. This is a classic rock record that falls firmly in between some of the classic songs of Springsteen and Tom Petty. Bouncy, catchy rock tunes about teen loves and '50's culture. It's good. It's real good.
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5 of 5 people found the following review helpful By James Mathers on May 15, 2010
Format: Audio CD
All I can remember is my old man pissing and moaning about how there's no good music anymore. He misses the old days. When I was 12 my Dad introduced me to The Clash, and my mother never forgave him for it. Since then I've a little bit of Strummer in my step. Well, with all the belly-aching about piss poor music I never thought I'd find an album I could share with the old man that he'd like...until I heard this.

It's easy to get behing a "working mans band" when you've never been a working man. Let someone else do the tough stuff and you can enjoy the tales they tell with their raspy voices. You can read the lyrics they write with their calloused hands. But for an ACTUAL working man to get behind a band...that's something special.
My Dad is 46 and tough as nails. He's worked the long hours and been run through the grinder more than his share.

And he Loves The Gaslight Anthem.
You're welcome Dad.
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20 of 26 people found the following review helpful By adamKS on August 21, 2008
Format: Audio CD
well, the release date for this album was set back earlier this year (maybe march/april), and i'm glad it's finally out there. i believe i read about these guys in a music magazine earlier in the year and everything i heard/read about these guys was positive. so, i figured i'd give them a chance so i bought both their debut from 2007 "sink or swim", and their recently released ep (senor and the queen) for both reasonable prices. instantly, i fell in love with the band. their heartfelt lyrics about lost loves, second chances, and living life was what i needed to hear at that time in my life and it really hit home with me. it seems that i could relate to what they were saying in their songs and it feels like they're talking to me (except for the references to specific names). that's why this band works. this is why this band has a cult/legion of fans. this is why the band are getting all types of buzz about their new album. this is why this band could be the next big thing in rock music.

the stories, the references, the lyrics, the honesty, the emotion, that are coming from a real place is what could prepel them to rock stars. it seems like rock critics have been trying to find this decade's "nirvana" and some bands have come close but never panned out all the way. i know, i know...nirvana are legends and i'm in no way comparing gaslight to nirvana. no way, their music and message are almost completely different. or is it? i remember back in the early part of the decade three bands were tagged on being the next big thing or movement in rock. they were at the drive in, jimmy eat world, and thursday. all bands are excellent, amazing artists but they never panned out for some reason. maybe the message wasn't right.
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