Every fan of the graphic novel format chooses for themselves the moment at which the medium "broke out." Watchmen. Miracle Man. Dark Knight Returns. The Contract With God Trilogy. While there can be no right answer to this question, for me it lies with Sandman, Neil Gaiman's brilliant, literate, and highly entertaining romp through areas as diverse as pop culture, Kaballah, Freudian analysis, serial killers, Shakespeare, death, and other areas too many to number. The story follows one of the endless, creatures that exist as personifications of certain eternal forces, Despair, Destiny, Delusion, Desire, etc, in this case Dream.
The story begins with Dream's capture by mystics in Britain between the world wars and takes off at his release in modern times, following his struggle to rebuild his realm, shattered and abandoned for his absence. While the first few issues touch at the edges of the traditional comic universe, Gaiman quickly departs this and enters his own deep textual musings. While a thread binds all the tales here together, a passion play of rise, fall, and self realization, what one finds here most pleasurable are the stories. Dream is the keeper of tales and many are to be found here. Shakespeare's troop performing a Midsummer Night's Dream for the real King Oberon, a man gifted with eternal life, another of a writer who captures and holds bound a muse for her stories, yet another of the trials of ruling hell, and many others.
Nor does this volume stand along on its prose, for the art too may be some of the most lovely in any modern graphic novel, rich and varied. While the book comes pricey, fans will love the oversized format and those beginning the collection will quickly notice that the price is only nominally higher then buying the individual soft back volumes. Of one thing I am certain, no one will likely regret taking this fine work home.