The Aeneid (Vintage Classics) [Paperback]

Virgil (Author), Robert Fitzgerald (Translator)

Book Description

Release date: June 16, 1990 | Series: Vintage Classics

Virgil's great epic transforms the Homeric tradition into a triumphal statement of the Roman civilizing mission. Translated by Robert Fitzgerald.

Editorial Reviews

Amazon.com Review

Arma virumque cano: "I sing of warfare and a man at war." Long the bane of second-year Latin students thrust into a rhetoric of sweeping, seemingly endless sentences full of difficult verb forms and obscure words, Virgil's Aeneid finds a helpful translator in Robert Fitzgerald, who turns the lines into beautiful, accessible American English. Full of betrayal, heartache, seduction, elation, and violence, the Aeneid is the great founding epic of the Roman empire. Its pages sing of the Roman vision of self, the Roman ideal of what it meant to be a citizen of the world's greatest power. The epic's force carries across the centuries, and remains essential reading. --This text refers to the Hardcover edition.

Review

"Fitzgerald's is so decisively the best modern Aeneid that it is unthinkable that anyone will want to use any other version for a long time to come."--New York Review of Books

"From the beginning to the end of this English poem...the reader will find the same sure control of English rhythms, the same deft phrasing, and an energy which urges the eye onward."--The New Republic

"A rendering that is both marvelously readable and scrupulously faithful.... Fitzgerald has managed, by a sensitive use of faintly archaic vocabulary and a keen ear for sound and rhythm, to suggest the solemnity and the movement of Virgil's poetry as no previous translator has done (including Dryden).... This is a sustained achievement of beauty and power."--Boston Globe

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Product Details

• Paperback: 442 pages
• Publisher: Vintage; REVISED edition (June 16, 1990)
• Language: English
• ISBN-10: 0679729526
• ISBN-13: 978-0679729525
• Product Dimensions: 5.2 x 0.9 x 8 inches
• Shipping Weight: 15.2 ounces (View shipping rates and policies)
• Average Customer Review: 4.2 out of 5 stars  See all reviews (79 customer reviews)
• Amazon Best Sellers Rank: #17,035 in Books (See Top 100 in Books)
  • #24 in Books > Literature & Fiction > Poetry > Epic
  • #32 in Books > Literature & Fiction > Poetry > Ancient, Classical & Medieval

Most Helpful Customer Reviews

139 of 144 people found the following review helpful

5.0 out of 5 stars The "other" side of the Trojan war February 20, 2000

By D. Roberts VINE™ VOICE

Format:Paperback|Amazon Verified Purchase

Publius Vergilius Maro was commisioned by Caesar Augustus to author a national epic for Rome. The work which Virgil composed for this purpose was the Aeneid. It is an epic poem that tells the story of a minor character from Homer's Iliad who leads a rag-tag band from the smouldering ruins of Troy in order to found a "New Troy" to the west: Rome. It is in the Aeneid, not the Iliad (as most people who have not read the works tend to believe) that we see the spectacle of the Trojan Horse & the famous line "I do not trust Greeks bearing gifts." The Iliad ends with the death of Hektor - before the plan of the Trojan Horse is devised by Odysseus. The Odyssey picks up after the sack of Troy. The Aeneid fills in the gaps & narrates the story of the few Trojans who escape the wrath of the Greeks. According to legend, Romulus & Remes (the two brothers who eventually founded the city itself) were descendents of Aeneas. As is usual, Fitzgerald's translation is top notch. I have read Mandelbaum's rendition as well & much prefer Mr. Fitzgerald. The book also contains a useful glossary & postscript which help elucidate the allusions to Hannibal & Cleopatra which the Romans of Virgil's day would have picked up right away, but which might be unfamiliar to modern day readers. Also, it is HIGHLY recommended that one read the Iliad & the Odyssey before embarking on Virgil's work. [...] But, for a quick answer: the reason that Juno (Hera in the Greek) has a vendetta against Aeneas is due to the fact that he is Trojan. This all derives from the judgment of Paris when Juno was "jilted" by the bribe that Aphrodite offered Paris (also a Trojan). To offer any more info at this point would be too great of a digression, but what I will say is that this work is NOT (I repeat NOT) for someone to merely pick up & dive into w/out doing his or her pre-requisite reading. Do your homework, become familiar with the myths & tales of what has gone on before, then read the Aeneid. You will be glad you did, for this is an extraordinary epic. Also, for those who harbor the ambition, the university of Oxford professor Peter Levi has recently written a wonderful, succinct biography of Virgil. "The Death Of Virgil" by Hermann Broch is a mind-blowing masterpiece as well. Indeed, one can never get enough Virgil.

82 of 86 people found the following review helpful

5.0 out of 5 stars imagine that he almost burned it June 10, 2000

By M. H. Bayliss

Format:Paperback

Although Virgil spent years writing the Aeneid, by his death, he felt that it was imperfect and asked that it be burned. Luckily for all concerned, his request was denied or we'd never have this epic. If you are new to Greek and Roman epics, I'd recommend starting with the Iliad and the Odyssey first. Not only will most novices find them more readable (especially the Odyssey), any reader will pick up important background information that will help immeasurably in following the Aeneid. Although I'm a huge fan of the Aeneid and have read many of the books in the original Latin, I'd suggest to most readers just to read books 1,2,4 and 6 unless you are really drawn in. It's not that the other books are not great (they are), it's just that unless you are a specialist, you won't want to read all about the battles and extra stuff -- book 4 is the love story of Dido and Aeneus and for many is the highlight of the poem. Book 6 is the trip to to the underworld which is so important to later writers and poets like Dante, TS Eliot, etc.... The fall of Troy is contained in books 1 and 2. I enjoy Fitzgerald's translation, but as an amateur Latinist, I prefer Allan Mandelbaum's translation with Moser's illustrations. When I was translating from the Latin, only Mandelbaum was so close to the original that he could help a student. I think Mandelbaum is a genius for rendering the poem so close to the original. It's unfair to call him wooden -- Virgil wrote the whole thing in Dacytlic hexameter which is hardly wooden in Latin, although it can be repetitive at times. Not to worry -- he used a lot of spondaic substititions (altering a long, short short with a long, long) to vary the meter.

So, if you just want a taste, read books 1,2,4 and 6 and if you love it, by all means read the whole epic.

37 of 37 people found the following review helpful

5.0 out of 5 stars Diamond Hard and Bright. March 7, 2006

By Billyjack D'Urberville

Format:Paperback

The editorial reviews shoud be heeded: this is, and remains, the best Aeneid in English. Fitzgerald's rendition is hard as a diamond and as crystal clear and brilliant, stately and spell-binding as watching a tall ship move across the bay.

For many years there was no satisfactory Virgil in modern English, and this was the first. There are now several, and many interesting, but this one should remain paramount because acquaintence with this poem is absolutely essential. It is often overlooked in world lit survey courses which go no farther than the Greeks. There is a lingering prejudice that Roman literature is inferior. That may well be generally true, but Virgil towers above all his Roman peers -- no one approaches him. He is the necessary link and pivot between the ancient understanding of man and civilization and ours; he is our ground, as Dante well recognized by honoring him as guide in the the Divine Comedy.

Love the Greeks as one must, the added dimension of heterosexual passion brought into classical literature by Virgil is breath-taking. Hopefully, you will never be the same after reading the great Aeneas-Dido affair -- to date there is really nothing like it in world literature. Oh yes, the Greeks were interested in women, even intelligent ones, especially honorouble ones, frequently devilish and playful and meddling ones. But Woman was first conveyed in all wholeness, dimensionality and grandeur by this poet -- perhaps something your teacher or mum failed to mention -- but no excuse for missing it now. Makes that business about Helen and Troy seem like bad comix . . . .