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The Age of Innocence: by Edith Wharton Paperback – August 27, 2010


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Editorial Reviews

Amazon.com Review

Somewhere in this book, Wharton observes that clever liars always come up with good stories to back up their fabrications, but that really clever liars don't bother to explain anything at all. This is the kind of insight that makes The Age of Innocence so indispensable. Wharton's story of the upper classes of Old New York, and Newland Archer's impossible love for the disgraced Countess Olenska, is a perfectly wrought book about an era when upper-class culture in this country was still a mixture of American and European extracts, and when "society" had rules as rigid as any in history. --This text refers to an out of print or unavailable edition of this title.

Review

"America's greatest woman novelist" Sunday Times "I love virtually all of Edith Wharton, but this one's my favourite... I admire her prose style, which is lucid, intelligent, and artful rather than arty; she is eloquent but never fussy, and always clear. She never seems to be writing well to show off. As for The Age of Innocence, it's a poignant story that, typically for Wharton, illustrates the bind women found themselves in when trapped hazily between a demeaning if relaxing servitude and real if frightening independence, and that both sexes find themselves in when trapped between the demands of morality and the demands of the heart. The novel is romantic but not sentimental, and I'm a sucker for unhappy endings" -- Lionel Shriver "There is no woman in American literature as fascinating as the doomed Madame Olenska... Traditionally, Henry James has always been placed slightly higher up the slope of Parnassus than Edith Wharton. But now that the prejudice against the female writer is on the wane, they look to be exactly what they are: giants, equals, the tutelary and benign gods of our American literature" -- Gore Vidal "Will writers ever recover that peculiar blend of security and alertness which characterizes Mrs. Wharton and her tradition?" -- E. M. Forster "Wharton's dazzling skills as a stylist, creator of character, ironical observer and unveiler of passionate, thwarted emotions have earned her a devoted following" -- Hermione Lee Sunday Times --This text refers to the Hardcover edition.
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Product Details

  • Paperback: 192 pages
  • Publisher: CreateSpace Independent Publishing Platform (August 27, 2010)
  • Language: English
  • ISBN-10: 1453783466
  • ISBN-13: 978-1453783467
  • Product Dimensions: 6 x 0.5 x 9 inches
  • Shipping Weight: 13.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (393 customer reviews)
  • Amazon Best Sellers Rank: #1,977,339 in Books (See Top 100 in Books)

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Customer Reviews

This book is a classic and one will do oneself good to read it.
Max Nightingale
Wharton's prose, such as her metaphors and similes, are superb and always serve the character or the story.
Alex
It was an interesting way to end the book and I was very intrigued by it.
brookerie

Most Helpful Customer Reviews

196 of 197 people found the following review helpful By E. A Solinas HALL OF FAMETOP 100 REVIEWERVINE VOICE on February 13, 2010
Format: Kindle Edition
It was a glittering, sumptuous time when hypocrisy was expected, discreet infidelity tolerated, and unconventionality ostracized.

That is the Gilded Age, and nobody knew its hypocrises better than Edith Wharton.... and nobody portrayed them as well. "The Age of Innocence" is a trip back in time to the stuffy upper crust of "old New York," taking us through one respectable man's hopeless love affair with a beautiful woman -- and the life he isn't brave enough to have.

Newland Archer, of a wealthy old New York family, has become engaged to pretty, naive May Welland. But as he tries to get their wedding date moved up, he becomes acquainted with May's exotic cousin, Countess Ellen Olenska, who has returned home after dumping her cheating husband. At first, the two are just friends, but Newland becomes more and more entranced by the Countess' easy, free-spirited European charm.

After Newland marries May, the attraction to the mysterious Countess and her free, unconventional life becomes even stronger. He starts to rebel in little ways, but he's still mired in a 100% conventional marriage, job and life. Will he become an outcast and go away with the beautiful countess, or will he stick with May and the safe, dull life that he has condemned in others?

There's nothing too scandalous about "Age of Innocence" in a time when starlets acquire and discard boyfriends and husbands like old pantyhose -- it probably wasn't in the 1920s when it was first published. But then, this isn't a book about sexiness and steam -- it's part bittersweet romance, part social satire, and a look at what happens when human beings lose all spontaneity and passion.
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68 of 68 people found the following review helpful By Mary Whipple HALL OF FAMETOP 500 REVIEWER on March 1, 2005
Format: Paperback
Newland Archer, the protagonist of this ironically entitled novel set in the late nineteenth century, is a proper New York gentleman, and part of a society which adheres to strict social codes, subordinating all aspects of life to doing what is expected, which is synonymous with doing what it right. As the author remarks early in the novel, "Few things were more awful than an offense against Taste." Newland meets and marries May Welland, an unimaginative, shallow young woman whose upbringing has made her the perfect, inoffensive wife, one who knows how to behave and how to adhere to the "rules" of the society in which they live.

When Newland is reintroduced to May's cousin, Countess Ellen Olenska, who has left her husband in Europe and now wants a divorce, he finds himself utterly captivated by her independence and her willingness to risk all, socially, by flouting convention. Both Ellen and Newland are products of their upbringing and their culture, however, and they resist their feelings because of their separate social obligations. Various meetings between them suggest that their feelings are far stronger than what is obvious on the surface, and the question of whether they will finally state the obvious or act on their feelings constitutes the plot.

Wharton creates an exceptionally realistic picture of New York in the post-Civil War era, a time in which aristocrats of inherited wealth found themselves competing socially with parvenus. Her ability to show the conflict between a person's need for social acceptance and the desire for personal freedom is striking.
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51 of 52 people found the following review helpful By Mary Whipple HALL OF FAMETOP 500 REVIEWER on May 6, 2005
Format: Mass Market Paperback
Newland Archer, the protagonist of this ironically entitled novel set in the late nineteenth century, is a proper New York gentleman, and part of a society which adheres to strict social codes, subordinating all aspects of life to doing what is expected, which is synonymous with doing what it right. As the author remarks early in the novel, "Few things were more awful than an offense against Taste." Newland meets and marries May Welland, an unimaginative, shallow young woman whose upbringing has made her the perfect, inoffensive wife, one who knows how to behave and how to adhere to the "rules" of the society in which they live.

When Newland is reintroduced to May's cousin, Countess Ellen Olenska, who has left her husband in Europe and now wants a divorce, he finds himself utterly captivated by her freedom and her willingness to risk all, socially, by flouting convention. Both Ellen and Newland, however, are products of their upbringing and their culture, and they dutifully resist their feelings because of their separate social obligations. Various meetings between them suggest that their feelings are far stronger than what is obvious on the surface, and the question of whether either of them will finally state their feelings pervades the novel.

Wharton creates an exceptionally realistic picture of New York in the post-Civil War era, a time in which aristocrats of inherited wealth found themselves competing socially with parvenus, and social rules were changing. Her ability to show the conflict between a person's desire for freedom and his/her need for social acceptance is striking.
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