Somewhere in this book, Wharton observes that clever liars always come up with good stories to back up their fabrications, but that really clever liars don't bother to explain anything at all. This is the kind of insight that makes The Age of Innocence
so indispensable. Wharton's story of the upper classes of Old New York, and Newland Archer's impossible love for the disgraced Countess Olenska, is a perfectly wrought book about an era when upper-class culture in this country was still a mixture of American and European extracts, and when "society" had rules as rigid as any in history.
--This text refers to an out of print or unavailable edition of this title.
Editor's Introduction by Carol J. Singley A Note on the Text I. The Age of Innocence II. Background Readings Questions of Culture Thomas Bender, from "The Metropolitan Gentry: Culture against Politics" George Sanyayana, from "The Genteel Tradition in American Philosophy" Walt Whitman, from "Democratic Vistas" Calvin Tomkins, from "Merchants and Masterpieces: The Story of the Metropolitan Museum of Art" Ida Van Gastel, "The Location and Decoration of Houses in The Age of Innocence" Marriage and Divorce Steven Mintz and Susan Kellogg, from Domestic Revolutions J. Foote Bingham, from "For the Wedding Night" Travel and Sport Donald Ross and James J. Schramer, from the Introduction to American Travel Writers, 1850-1915 Henry James, from "Americans Abroad" Henry James, from "Newport" William J. Baker, from "The Lawn Set" III. Other Writings by Edith Wharton Writing The Age of Innocence The Ways of Old New York The Childishness of American Women "The Valley of Childish Things" Winning the Pulitizer Prize IV. Critical Readings Alan Price, from "The Composition of Edith Wharton's The Age of Innocence" Elizabeth Ammons, from "Cool Diana and the Blood-Red Muse: Edith Wharton on Innocence and Art" Judith P. Saunders, from "Becoming the Mask: Edith Wharton's Ingenues" Sandra M. Gilbert and Susan Gubar, from "Angel of Devastation: Edith Wharton on the Arts of the Enslaved" Katherine Joslin, from "The Age of Innocence and the Bohemian Peril" James W. Tuttleton, from "Edith Wharton: The Archeological Motive" Nancy Bentley, from "'Hunting for the Real': Wharton and the Science of Manners" Linda W. Wagner, from "A Note on Wharton's Use of Faust" Gary H. Lindberg, from "The Mind in Chains: Public Plots and Personal Fables" Donald Pizer, from "American Naturalism in Its 'Perfected' State: The Age of Innocence and An American Tragedy Ian Christie, from "The Scorsese Interview: On Filming The Age of Innocence" Gore Vidal, "Of Writers and Class: In Praise of Edith Wharton"