I have found the history of British science to be one of the best ways to study the intellectual history of the 19th century. This book, which focuses upon the period between Captain Cook's first voyage in 1768 and Darwin's Beagle journey in 1831,takes the story of British science back a bit earlier, and explains some of the important precursor developments to the later dazzling Victorian period. If that was all it did, that would be plenty for the author has written a fine scientific history. But the book is far richer than even this accomplishment for it seeks to establish ties between science and the British Romantics, surprisingly demonstrating that not only did Romantic poets and painters not run away from science, some of them embraced and even engaged in it. Along the way, the profession of scientific researcher emerged as well as some of our basic ideas about scientific progress.
The narrative is built around a series of significant individuals, for whom the author creates scientific biographies. The first is Joseph Banks (1743-1820) who became the godfather of British science during this period from his post as President of the Royal Society. One of the major sciences that underwent development during this period was astronomy; several chapters are devoted to the pathbreaking work of William Herschel (who discovered Uranus) and his sister Carolyn who pioneered new developments and telescopic designs. In the process their work turned the attention of artists to the skies and the evolutin of universe. A chapter catches the excitement of early balloonists and the Romantic wake they left behind as they explored the skies. Exploration was anordsother feature of the period, and was encouraged by Banks who had been on Cook's first voyage to the South Pacific. Mungo Park (1771-1806) anchors a chapter on this, and his tragic disappearance (as well as many other African explorers) reminds us how overwhelming a challenge African exploration presented during this period. Chemistry was another of the major sciences that took off during this period, as demonstrated in the fascinating activities of Humphry Davy (1778-1829), who pioneered in studying gases, electro-chemical analysis, agricultural chemistry, and became a great popularizer of scientific developments. The author frequently links up scientific developments with poetry, with Coleridge, Wordsworth, Keats, Byron, and Tennyson all making appearances, some supportive others not, and with painters whose portrayals of balloons and scientific breakthroughs conveyed the excitement of the period. Davy himself wrote poetry which he recorded in his lab books along with experimental data.
Many of these scientific developments seemed to challenge traditional religious views and raised new philosophical issues. I found the discussion of "Dr Frankenstein and the Soul" highly interesting. The "Vitalism debate" of 1816-22 centered on the issue of whether there was a life force at work, despite scientific scepticism. Naturphilosohie, a form of scientific mysticism, arose to challenge materialistic interpretations of life. The author does a fine job in explaining how Mary Shelley's novel pictured scientists as being potentially dangerous and raised fundamental issues about the human soul. By the 1830's the British Association for the Advancement of Science is launched and we are on the cusp of the "golden age of Victorian science."
The author seems equally at home in science or poetry and art, having written extensively on Coleridge. The book includes a large number of breathtaking color plates which help the reader grasp what the narrative is discussing. The research is impeccable, with 27 pages of notes, a 12-page cast list of mini-biographies of anyone mentioned in the text, and an 11-page bibliography broken down by topic. Poetry is not my thing. Nonetheless, i found this book to be incredibly rich in ideas and perceptive analysis. A rare bird to be sure.