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Maryanna Diduska is the spoilt only daughter of a wealthy Polish landowner. Piotro Bandura is the son of a poverty-stricken Ukrainian peasant. Their paths should never cross.
But fate has other ideas.
Set in 19th century Eastern Europe, within the Austro-Hungarian Empire, from Poland to Vienna, The Amber Heart is a passionate (and at times explicit) love story of two people whose lives will be inextricably and hopelessly entwined.
‘Stefan took a pouch from his jacket and scattered coins as though scattering grain, watching them spread out and dive, hunting among grasses, squabbling volubly, fighting for what they could find, like so many starlings. But one of them didn’t move. He was the tallest and the oldest, a boy of perhaps eleven, his hair black and matted, his face sallow under the grime, his eyes an unexpectedly bright cornflower blue. He stood still, hands hanging by his sides, fists clenched, and he stared up at Maryanna, unsmiling, unmoving. She shifted uneasily. For perhaps the first time in her life, she saw a gaze of pure resentment directed straight at herself. She turned her head into her father’s jacket. ‘Daddy, tell the boy not to look at me,’ she whispered.
The Amber Heart is a big, compelling family saga, the story of the beautiful pancake yellow house of Lisko, Maryanna’s beloved childhood home, and the way in which the lives of a fascinating array of characters are disrupted by the political turmoil of the times. If you love the movie versions of Dr Zhivago and, more recently, Anna Karenina, tales of passion, betrayal and tragedy in an extraordinarily romantic setting, this is the historical novel for you.
Writing in the Indie E-Book Review, Cally Phillips says, ‘Passionate obsession is honestly dealt with in this novel. Czerkawska skilfully negotiates the love scenes, which are erotic but never pure erotica - they serve the purpose of the novel rather than being placed for titillation.’
Catherine Czerkawska is an award winning writer of historical and contemporary novels, short stories and many plays for the stage and for BBC Radio 4. You’ll find many of her books now on Kindle. When not writing, she also finds time to collect and deal in antique and vintage textiles and costume, at least some of which seem to find their way into her fiction as well.
The Amber Heart is wide open like a panoramic movie. It encompasses the historic situation of Poland, Vienna and other places and drags along the hearts of people who lived in those awful and majestic times. This novel offers an intimate view of passionate love that cannot be denied though the lovers try hard to part. They indeed lose each other and build lives of their own only to be drawn together again and again. Any reader who loves danger, drama, romance, history and all that makes a book good must read The Amber Heart.
'The Amber Heart', set in 19th century Poland, is an impressive, far-reaching story covering both decades and a large swathe of central and Eastern Europe. The central character is Maryanna, an unconventional noblewoman, and it is through her life that we gain an insight into the turbulent political situation of the time. Poland's internal divisions are reflected in Maryanna's intense, passionate love for Piotro, a Ukrainian peasant. Convention dictates that these two characters can never be together, and yet their lives are bound together in ways beyond their control, and their passion for each other overrides everything else.
Though the novel could be classified as both romance and family saga, it's not in the least fluffy or cozy. It deals with politics, sex, love, and relationships in a frank, forthright manner. The characters, too, are not standard romantic leads, but real, flawed people. Maryanna can be contrary and brattish, and Piotro at his worst is despicable, and yet - like Heathcliff and Cathy, who they represent in so many ways - their stories are told in such a way as to rule out outright moral censure. Instead, we experience the world through their eyes, finding out why they behave as they do and the extent to which they have been formed by events beyond their control. The novel is by turns sad, joyful, moving, thrilling and - at one point - genuinely creepy.
'The Amber Heart' made 19th century Poland, about which I know very little, come to life, from the beauty and mystery of the countryside to the social, religious and ethnic divides of the people living there. Czerkawska's writing and characterisation was effortless throughout. Highly recommended.
it was a love story not an historical novel. Yes, it was set in the Austrian -Hungarian empire when some of Poland territories were part of the realm but that is where the history ends.
Catherine Czerkawska is an award winning writer of historical novels, short stories, poems and many plays for the stage and for BBC Radio 4. Her novel The Curiosity Cabinet, a love story set in the Western Isles of Scotland and spanning several centuries, was one of three finalists for the Dundee Book Prize. It was published by Polygon, but is now available on Kindle, while God's Islanders, a major hardback study of the history of the Hebridean Isle of Gigha, was published by Birlinn in November 2006. She has embraced the digital revolution with enthusiasm, and you'll find a brand new novel called Bird of Passage, only on Kindle, as well as some small collections of short stories: A Quiet Afternoon in the Museum of Torture, and a trio of ghost stories called Stained Glass. A new historical novel, set in nineteenth century Poland, was published straight to Kindle in spring 2012. Described as a 'Polish Gone With The Wind', The Amber Heart is a vivid, dramatic and intensely romantic story of obsessive love and and loyalty, a tale of personal tragedy and triumph, set against the background of a turbulent time and place. Catherine's blog is at http://wordarts.blogspot.com and she also blogs regularly for a group of experienced authors publishing eBooks: Authors Electric. When not writing, she finds time to collect and deal in antique and vintage textiles, especially those with a Scottish or Irish provenance. She's rivetted by costume history and often finds that textiles of one kind or another, embroideries, lace, silks and satins, find their way into her fiction.
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