The Andrew Lloyd Webber Collection

Andrew Lloyd Webber (Composer), David Caddick (Conductor), Harry Rabinowitz (Conductor), Michael Reed (Conductor), Cliff Richard (Performer), John Gielgud (Performer), José Carreras (Performer), Michael Crawford (Performer), Sarah Brightman (Performer)

Product Details

• Performer: Cliff Richard, John Gielgud, José Carreras, Michael Crawford, Sarah Brightman
• Conductor: David Caddick, Harry Rabinowitz, Michael Reed
• Composer: Andrew Lloyd Webber
• Audio CD (June 1, 1999)
• Number of Discs: 1
• Label: Decca Broadway
• ASIN: B00000I0XW
• Also Available in: Audio Cassette  |  MP3 Download
• Average Customer Review: 4.2 out of 5 stars See all reviews (97 customer reviews)
• Amazon.com Sales Rank: #4,122 in Music (See Bestsellers in Music)

  Popular in these categories: (What's this?)

  #3 in	Music > Classical > Historical Periods > Early Music > Forms & Genres > Requiems
  #4 in	Music > Opera & Vocal > Featured Performers, A-Z > A to B > Brightman, Sarah
  #5 in	Music > Classical > Historical Periods > Early Music > Sacred & Religious

• This is item 1 in The Andrew Lloyd Webber Collection Series.

Editorial Reviews

Amazon.com essential recording
Sarah Brightman's career was launched by her success in Andrew Lloyd Webber's Phantom of the Opera, so it's no surprise to hear the soprano paying homage to the composer on this disc. Really a Brightman best-of, the album includes the Phantom theme (a duet with Michael Crawford), the light-opera fare of "Chanson D'enfance" from Aspects of Love, "Don't Cry for Me, Argentina" from Evita, and numerous other Lloyd Webber classics. Throughout, Brightman's diminutive voice lends a fragility to these musical theater tunes that you'll either love or despise. On Evita's "Another Suitcase, Another Hall" and Cats' "Memory," she literally chirps through the vocal lines. No matter. The growing legion of Brightman fans wouldn't have it any other way. --Jason Verlinde

Product Description
Another Compilation of Stage Favourites - Some Tracks Are Hard to Find Elsewhere.

Customer Reviews

Most Helpful Customer Reviews

36 of 38 people found the following review helpful:

4.0 out of 5 stars Spotty "Collection", July 19, 2004

By	E. A Solinas "ea_solinas" (MD USA) - See all my reviews (TOP 10 REVIEWER)    (REAL NAME)

Not many people have a musical written around their voice, but that's what Andrew Lloyd Webber did for ex-wife Sarah Brightman, by creating the classic "Phantom of the Opera" musical. And in "The Andrew Lloyd Webber Collection," Brightman sings various songs from Webber's works -- some mesh with her voice, and some don't.

It starts off on a strong note with the gothic "The Phantom Of The Opera," a duet with Michael Crawford. Following that is the ethereal "Unexpected Song," the rich but forgettable "Chanson D'Enfance," and the enchanting "All I Ask Of You," a duet with Cliff Richards. Following a few dud songs are the warm "Love Changes Everything," the Latin-tinged "Amigos Para Siempre (Friends For Life)" with Jose Carreras, and the entertaining duet with John Gielgud, "Gus the Theatre Cat."

Brightman starts to falter with "Don't Cry For Me Argentina," "Another Suitcase in Another Hall," and "Memory." Her voice sounds restricted and uneasy, and at times her crystalline vocals sound shrill. "Maclivity: The Mystery Cat" is perhaps the lowest point of "Collection," with Brightman sounding completely weird. But the album rises again with the gently melancholy "Tell Me on a Sunday," soaring "Wishing You Were Somehow Here Again," and finishing up with the majestic "Music of the Night."

Certain voices are best suited for certain songs, and Brightman's vocals are clearly suited for songs from "Phantom of the Opera" and "Aspects of Love." Some of the songs sound astounding and heartfelt, but some of them just sound strange coming in her rich soprano.

Brightman's voice is given a good range -- she can sing in a little high girlish voice, soar like an operatic diva, or just sound sweet. At her best, Brightman can give you goosebumps. In many of the songs, she emotes subtlely, as if she really feels the heartbreak, joy and fear behind the songs. But when her voice is poorly used, as in the "Evita" songs, she just sounds confused.

The selection itself can't be faulted -- there's stuff from "Cats," "Phantom," "Evita," and other Webber musicals. And Webber's writing is just beautiful, simple and heartfelt: "In all your fantasies/You always knew/That man and mystery/ Were both in you..."

Sarah Brightman is not in top form in the "Andrew Lloyd Webber Collection," but in several songs she is simply astounding. Flawed but definitely worth checking out.

21 of 21 people found the following review helpful:

5.0 out of 5 stars I'm "Amigos Para siempre", September 29, 2000

By	Anthony Morelli "Woofbear" (Montreal, Canada) - See all my reviews (REAL NAME)

Anything with "Phantom" music is great. This cd shows Sarah's multi-talented career back in the 80's. All the material on the disc are original versions of her songs.

Every one of the 16 tracks are unique. The moods change from playful broadway to sad and gloomy. Sarah sounds so different, you just have to like her. The tracks from "Cats" are two very original tracks. "Gus the theatre cat" is solemn. "Macavity" is broadway. "Love changes everything" is the only track on this compilation that actually made it to a Brightman album. You'll find it on the import album "As I came of age". It's sung in her whiny, little girl voice.

The "Phantom" tracks are great, especially "The phantom of the opera", used as the opening. There are 4 tracks from the said musical.

When I purchased "The A.L.W.collection", "Time to say goodbye" was already out. Although I thought I wasted my money, I took it home anyhow, expecting the worst. Considering there were many tracks I previously did not know, I had made a great choice. The compilation is definitely a best seller, not to mention a great addition to anyone's collection.

My Sarah collection started with "Dive" back in 93. I wasn't sure what she'd come out with next, if anything at all. Even though she played the leading role as Christine in "The phantom..." I never was able to believe that she was the same person as in 93. I've bought every disc from then on. Go out & buy the disc, or buy it on the net. You won't regret it.

21 of 22 people found the following review helpful:

5.0 out of 5 stars She's still happily married to his music, January 7, 2002

By	Neal C. Reynolds (Indianapolis, Indiana) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

Sarah Brightman and Andrew Lloyd Webber are no longer married to each other, but as I stated above, she's still happily married to his music. I was raised during the Rodgers & Hammerstein era nd it took me time to grow to apprciate Webber's influence on musical drama. Sarah Brightman's performances of Webber's music has been instrumental in my tastes maturing with the development of Broadway musical plays. No matter how often I listen to them, "Phantom of the Opera", "All I Ask of You", "Music of the Night", "Don't Cry For Me, Argentina", "Memory", all remain fresh while the less familiar works become more precious with repeat listening. Also outstanding is the theme song Webber wrote for the Barcelona games and sung by Sarah and Jose Carreras, "Amigos Por Siempre". And don't overlook the devout rendition of "Pie Jesus", a duet with Paul Miles-Kingston, from "Requiem". Other notable voices on the CD are: Michael Crawford, Cliff Richard, and Sir John Gielgud.

There are those who might not like this CD which is one of my favorites, but the only people I would advise not to buy this are those who just don't like the modern theater music as represented by Andrew Lloyd Webber.