[Notabene: this is a review of the Dutch translation of this book.] I have read only one book by Alain de Botton so far, namely his eminently readable but highly imaginative and evocative 'The Art of Travel'. I was so enamoured by that particular book, that I highly anticipated his 'The Architecture of Happiness', and bought it without any doubts as what to expect (and so should anyone else who loved his 'The Art of Travel, I believe ;-)
This book is - to my eyes - a pure little gem of often seemingly simple and evident (so often a sign of greatness), but at the same time deep insights into the ways in which architecture reflects (and influences) all of our grandest - and at the same time all of our smallest - aspirations, ideas, hopes, wishes and pleasures. Reading 'The Architecture of Happiness' is ever so often (like his 'The Art of Travel') an 'Aha-Erlebnis': to your feelings and experiences, when reading his book, Alain de Botton's insights and observations could only be so, as it were :-)
For example, one of the author's most important observations comes about a quarter on the way, at the end of the second chapter. Forming the basis for the rest of his discourse, is his central statement (in fact his main conclusion) that [NB: following is my own, probably not very accurate translation from the Dutch translation!] "every designed object will give an impression of the psychological and moral standards it upholds", going on to say that "designed objects and architecture essentially tell us about the way of life that would be most appropriate in their vicinity. They tell us about the moods they would like to encourage and strengthen in their users. Except that they keep us warm and that they offer us practical support, they also stimulate us to be a certain kind of people. They speak of certain ideas of happiness." In other words, de Botton stresses the 'values' that buildings propagate, and it is his belief that discussions about 'fitting' architecture should center more around this issue of values (the ways that architecture speaks to us, stimulating and encouraging us), than about any "strictly visual aspects", making the goals of our discussions about what is 'fitting' architecture much clearer.
To understand why we love a certain architectural style more than another, we need to understand the psychology behind taste (which is based on psychological needs), thus de Botton. He furthermore stresses the need for a deeper understanding of the many different 'esthetical virtues' (a direct consequence of those psychological needs), to help us in our discussions about 'fitting' architecture.
Anyhow, in this book the author displays his enormous gift of relating - in colorful, sometimes almost poetic, prose - all kinds of economical, political, social and artistic developments to architecture, connecting them - interlaced with delightful humorous observations here and there - with philosophical thoughts and associations about the ways architecture taps into our values and emotions (what do we 'feel' or 'need' when experiencing specific forms of architecture?), thereby opening up new and delightful insights into the deep relevance and connection of architecture to ALL of us ...
Well, all of this doesn't help any would-be buyer or reader much concerning the actual 'contents' of this book from 'chapter to chapter, paragraph to paragraph', but anyhow, that would only spoil all the fun for any future reader of this delightful book. I would like to say: please, do yourself a favour and buy this book from Alain de Botton, and let him take you on an interesting, wonderful journey, a sort of 'philosophically inspired architectural travelogue', from the comforts of your own home, and enjoy it when you also enjoyed, like I did, his 'The Art of Travel'. Anyhow, you will simply be delighted and surprised!