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Leonardo DiCaprio stars as Howard Hughes, the billionaire, the filmmaker, the recluse and The Aviator. After inheriting his father's machine tool company, the young Howard Hughes discovers he can combine his passions--flying, moviemaking and women--by coming to Hollywood. In 1930, while building one of the world's largest aviation companies, Hughes produces Hell's Angels, a perfectionist's homage to World War I flyers. The man who eventually produces almost 30 films shocks society with The Outlaw, starring buxom Jane Russell, builds the world's largest airplane, sets the world speed record and invents the half-cup bra.]]>
From Hollywood's legendary Cocoanut Grove to the pioneering conquest of the wild blue yonder, Martin Scorsese's The Aviator celebrates old-school filmmaking at its finest. We say "old school" only because Scorsese's love of golden-age Hollywood is evident in his approach to his subject--Howard Hughes in his prime (played by Leonardo DiCaprio in his)--and especially in his technical mastery of the medium reflecting his love for classical filmmaking of the studio era. Even when he's using state-of-the-art digital trickery for the film's exciting flight scenes (including one of the most spectacular crashes ever filmed), Scorsese's meticulous attention to art direction and costume design suggests an impassioned pursuit of craftsmanship from a bygone era; every frame seems to glow with gilded detail. And while DiCaprio bears little physical resemblance to Hughes during the film's 20-year span (late 1920s to late '40s), he efficiently captures the eccentric millionaire's golden-boy essence, and his tragic descent into obsessive-compulsive seclusion. Bolstered by Cate Blanchett's uncannily accurate portrayal of Katharine Hepburn as Hughes' most beloved lover, The Aviator is easily Scorsese's most accessible film, inviting mainstream popularity without compromising Scorsese's artistic reputation. As compelling crowd-pleasers go, it's a class act from start to finish. --Jeff Shannon
In his commentary track, director Martin Scorsese offers his own impressions of Howard Hughes and rattles off his memories of experiencing Hughes's films. He mentions how he made Cate Blanchett watch every Katharine Hepburn film from the '30s on the big screen, and observes that Kate Beckinsale had "a real sense of the stature of a Hollywood goddess." But in general he doesn't talk much about the craft of making the film. That area is covered better by editor Thelma Schoonmaker, who also appears on the commentary track, and producer Michael Mann makes a few appearances (all were recorded separately). The picture is brilliant, but the 5.1 sound is not as aggressive in the rear speakers and subwoofer as one might expect, other than some nice surround effects in the Hell's Angels flying sequence.
The second disc collects almost three hours of features. There's one unnecessary deleted scene, and an 11-minute making-of featurette that's basically the cast and director heaping praise on each other. More interesting are the short featurettes on visual effects (including the XF-11 scene, of course), production design, costumes, hair and makeup, and score, and Loudon Wainwright discusses his and his children's musical performances. Historical perspective is provided by spotlights on Hughes's role in aviation and his obsessive-compulsive disorder, and a 43-minute Hughes documentary from the History Channel (part of the Modern Marvels series, it focuses on his mechanical innovations and spends less than a minute on his movies). More unusual are DiCaprio and Scorsese's appearance on an OCD panel, and a half-hour interview segment DiCaprio did with Alan Alda. --David Horiuchi
The Personalities of The Aviator
| Leonardo DiCaprio as Howard Hughes |
"Sometimes I truly fear that I... am losing my mind. And if I did it... it would be like flying blind."
| Cate Blanchett as Katharine Hepburn |
Howard Hughes: "You're the tallest woman I have ever met."
Katharine Hepburn: "And all sharp elbows and knees. Beware."
| Kate Beckinsale as Ava Gardner |
Howard Hughes: "Does that look clean to you?"
Ava Gardner: "Nothing's clean, Howard. But we do our best, right?"
| Gwen Stefani as Jean Harlow |
Jean Harlow in Hell's Angels: "Would you be shocked if I put on something more comfortable?"
| Jude Law as Errol Flynn |
Errol Flynn in Captain Blood: "Up the riggings, you monkeys! Break out those sails and watch them fill with the wind that's carrying us all to freedom!"
| Director Martin Scorsese |
"You get a sense of Howard Hughes being Icarus with the wax wings. Those wings were great for a while, but he flies too close to the sun." --Martin Scorsese
Other Movies by The Aviator's Oscar® Winners
The Aviator at Amazon.com
The Aviator soundtrack
Howard Hughes: The Real Aviator
Howard Hughes movies
Great movies of the 1930s
The films of Martin Scorsese
Better thank expectations going in. Great insights on the mind of an engineer/icon/ entrepreneur or Renaissance man!Published 14 hours ago by Kindle Customer
A brilliant and talented man struggling with mental illness. It's amazing to see how much he contributed to aviation. Read morePublished 16 hours ago by Amazon Customer
Interesting story line, dramatic scenery but not his best film...
Too predictable at times...
Very interesting protrayal of HH's life. Wasn't sure what to make of opening scene with his mother but definitely the man was a genius despite his personality disorder.Published 19 hours ago by Beri
I really wish I could have given Aviator two or three stars. But that would have been grading Amazon, not the movie. Aviator itself is well deserving of five stars. Read morePublished 20 hours ago by TG
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|Director's Commentary on "The Aviator"||
Same thing happens with my copy, and I plan to exchange it. When I try to play the commentary instead of the commentary being activated, the subtitles are activated instead. Some forums discuss the content of the commentary in detail, so this is not a problem with every copy.
Dec 7, 2009 by already in use | See all 4 posts
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