From Publishers Weekly
Wexford fans may be disappointed by the shortage of memorable characters in Rendell's latest mystery to feature the chief inspector, a solid, if not spectacular, entry in the series. As in her previous Wexford, Harm Done (1999), the author explores issues of spousal abuse and focuses on a troubled married couple. The children of Katrina and Roger Dale disappear just as the city of Kingsmarkham is inundated with a flood of quasi-Biblical proportions. Both parents' reactions are somewhat bizarre, with Roger curiously antsy to be done with police questioning to get back to his job and Katrina quite certain her children have already drowned. When the children's babysitter, Joanna Troy, is found dead in a car dumped into a quarry, suspicion points to some icy fundamentalists. These people, from the Church of the Good Gospel, worship at the secluded country estate of Peter Buxton, a media tycoon. Buxton and his high-maintenance wife, the fashion model Sharonne, are among the most interesting fish in this rather bland school. The story becomes progressively more interesting after a slow start, and, as always, Chief Inspector Wexford remains a comfortable companion, with taut, thoughtful and imaginative observations about small-city England and the wider world. FYI: Rendell has won three Edgars, as well as three Gold Daggers and a Diamond Dagger from Britain's Crime Writers' Association.
Copyright 2003 Reed Business Information, Inc.
In the matriarchy of British crime fiction, Rendell is the weird sister; her novels concern themselves with the more darkly enigmatic corners of motivation. Her tastes in this direction have sometimes outstripped her readers', and her most recondite tales now appear under the pen name Barbara Vine. Rendell's Chief Inspector Wexford mysteries are a somewhat friendlier affair, and in this, the nineteenth of the series, fans will be pleased to find the Wexfords staving off a flood in their garden and the Inspector's clueless elder daughter in trouble again. The plot—a series of puzzles surrounding the disappearance of two teen-agers in the care of a family friend—marches efficiently to its unguessable dénouement while demonstrating Rendell's grasp of the psychological dynamics of seduction and exploitation which lie at the heart of the case.
Copyright © 2005 The New Yorker
--This text refers to the