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At a time when most popular music was permutating the basic guitar-bass-drums line-up, The Band were blending those instruments with reeds, horns and keyboards. Using a tuba as the bass on Rag Mama Rag, no less The sound is simultaneously rough yet sophisticated. The singing blends sweetness and hard edge. Rural but definitely not country.
For music lovers born in the 50s and 60s (and maybe earlier) this album is an absolute sure-fire must-have. For those born later, I wonder whether it sounds as compelling - years of multi-track recording and studio wizardry have raised the taste for smoothness so this one might be a tad too grainy for them.
The version I have is the unremastered CD. I wonder about the additional tracks on this one - more can sometimes diminish the perfect integrity of a great album. If record companies want to give the fans a little extra, bless them, then I personally would prefer them on a 2nd CD.
The 'brown album' is full of tremendous cuts, notably Robertson's magnificent 'The Night They Drove Old Dixie Down,' sounding starker and drier here than the live versions I've heard, 'The Unfaithful Servant,' with its stupendous Danko vocal and weepy horn outro from Hudson and John Simon, and 'King Harvest (Has Surely Come),' graced with perhaps Robbie's best solo as well as a very funky rhythm section.
While the album owes its greatness to top-shelf songs more than anything else, The Band's ensemble playing is enough to make a person cry (Garth's piano on 'Rag Mama Rag' is, well, indescribable). More than that, you can't help but marvel at the fact that one band could have so many great singers. Put all that together and you have one of the very best albums anyone is likely to make.