Collectible Vinyl Records
Dig through vinyl records autographed by your favorite artists.
Amazon's The Beatles Store
"The story began in Harold Macmillan’s “never had it so good” ’50s Britain. It should be fiction: four teenagers with no more than eight O’Levels between them, running and biking and busing and busking all over Liverpool in search of new chords and old guitars and half-decent drum kit and any gig at all. They were determined to amount to something – ... Read more in Amazon's The Beatles Store
There are a few albums from the rock era that I feel I've been in a relationship with since the first day I got them. "The Beatles" is one of those albums. I found it under my Christmas tree in 1968, and I've been engaged with it at some level ever since. It is not the best Beatles album, objectively; nor is it my favorite. But it has always compelled my attention. At the time it came out, I was 12, but even then it was clear that we were no longer in Pepperland or on a Magical Mystery Tour. This album wasn't yet more "progress" toward some new musical form. Musically, it embraced values never before associated with the Beatles as I understood them: Parody, pastiche, rock and roll revivalism, music-hall nostalgia, avant-garde experimentation, political agitation, intimate confession, trivial nonsense. It is, simply, a series of highly personal statements from the three songwriters, coalescing around no particular theme other than the right to personal expression. "The Beatles" is not, to me, "the sound of the Beatles breaking up." That's the storyline a lot of Beatle historians apply to this album. If they're basing this judgement on the fact that the individual songwriters' imprints are on each song, you'd have to argue that the breakup began much earlier, around the time of "Beatles for Sale" or "Help!" Lennon-McCartney were rarely a songwriting "team" in the sense of George and Ira Gershwin. Their partnership was always about strategy, i.e. how to ensure that third-rate songs would not be included on albums just for the sake of fairness. "The Beatles" instead simply shows the evolution of each of the three songwriters (on this album, George emerges dramatically) as they each embraced new musical ideas and applied their life experiences to their art.Read more ›
To all the golden eared audiophiles who can hear all the differences in this 30th Anniversery reissue, I say, what a bunch of whooee. This is the EXACT SAME MASTER as the 1987 release. No difference...NADA. Please notice, the Amazon listing has been changed from "remastered" to "original recording." It's amazing how much psycology is at work when people listen. If they believe it's remastered, their ear will trick them into believing it sounds different. Don't believe it. So, that means all of us Beatle fans have forked over thiry-some odd dollars for the exact same product that we had. The question is, Capital/EMI, why the H didn't you remaster this? The white album is one of the most poorly remastered discs in the Beatles catalog (but it's got some stiff competition, the first four albums for starters). It's unfathomable to me that Capital/EMI would ask Beatles fans to shell out that kind of money for an unimproved product, and a product that sorely needed improvement. What, we're supposed to be happy to pay over thirty dollars for ridiculous miniture artwork which you need a magnifying glass to read and see? Come on, Capital/EMI! That's highway robbery, and you know it! With all the money you've already made on the Beatles' catalog, this is a particular heinous crime. So, Capital/EMI, what about actually remastering the Beatles catalog? They are only considered the greatest musical force of the last half of the 20th century. The Who's catalog has been remastered; the Byrds catalog has been remastered, even the Hollies catalog was wonderfully remastered for their box set (by YOU EMI! ). It seems a tragic, bitter irony that perhaps the most musical of all the artists of the 60s gets the shoddiest of digital remastering.Read more ›
The above rating is not for the quality of the Beatles' performances. The album rates up there with Sgt. Pepper, Revolver, Rubber Soul and Abbey Road. Let me then explain why it deserves the rating. At the time of its initial release on vinyl, the music portrayed an encyclopedia of music styles: from hard rock (Helter Skelter), to blues (Yer Blues), to jazz (Honey Pie), to country (Rocky Raccoon), to Beach Boys surf (Back In The USSR). Its cover was inspired by the white art of Yoko and individually numbered like works of art. In fact number 1 has recently turned up. Then in 1987, it was released on CD on two separate discs packaged together in a longbox. Then later it was repackaged in a double CD clamshell which was the start of its downfall. It listed the songs for Disc One, and then Dics (sic) Two. As far as I am aware this gaffe still exists. Then we come to this latest repackaging. Yes, it was a nice way to commemorate the 30th anniversary by presenting it in a mini album format complete with gatefold sleeve, poster, and four mini pictures of the Beatles. However, one begs the question: why wasn't it remastered? Sgt. Pepper was to be remastered in mono for its 30th anniversary. That was pulled much to the fans displeasure. Then the execs at Apple didn't want to pass up on the White Album, so they simple dressed up the packaging, charged extra, and left the remastering circa 1987! Why not put out the mono mix? Piggies, Blackbird, Helter Skelter, Don't Pass Me By have subtleties that would sound refreshing today. In fact, Happiness is A Warm Gun in mono corrects a mixing error left in the stereo. The instrumental bridge actually had John's middle 8 sung over it. He actually sang that twice.Read more ›
Of all the Beatles' remastered CDs, I feel that the clearest difference from the earlier CD release is shown with the 'White Album'. The sound simply shines, and makes a great record sound more full, dramatic and stunning than ever.
To enumerate all the differences between the mono & stereo versions of the first 10 albums would make for too long of a reply. Let me simplify it this way - if you want to hear the mix of the Beatles' albums the way the Beatles intended them to sound, you'll listen to the mono mixes. This is... Read More
The recent rerelease of Yellow Submarine previewed the remastered sound, including selections from Sgt. Pepper, Revolver, and the original movie songs (not the orchestral interludes.) It's pretty different. Some weird choices emerge, like the bassline seeming to get mixed way down in A Little... Read More
Love it, but it is a few minutes too long. I think it would have had more of a shock factor if it was a little shorter. Pretty far from the worst song on a Beatles record, far too interesting and unique. It is also one of the more mysterious and sinister momements on the album and essential to... Read More